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  2. Joan Miró

Joan Miró Prints

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All Art (52)
Lithographs (38)
Etchings (18)
Aquatints (1)
Carborundums (0)
Drawings (0)
Paintings (2)
Woodcuts (0)
Sculptures (0)
All Art (52)
Le Courtisan Grotesque (The Grotesque Courtesan), 1974 (0)
Album 21, 1978 (1)
Suites por Ubu Roi, 1966 (0)
Maravillas con Variaciones Acrósticas en El Jardín de Miró (Wonders with Aristocratic Variations in Miró’s Garden), 1975 (0)
La Mélodie Acide (The Sound Acid), 1980 (0)
Le Marteau Sans Maître (The Hammer without a Master), 1976 (0)
Je Travaille Comme un Jardinier (I Work Like a Gardener), 1963 (0)
Album 19, 1961 (0)
Les Voyants (The Seers), 1970 (0)
Ubu aux Baleares, 1971 (4)
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Joan Miró Lithograph, Homenatge a Joan Prats, 1971
Joan Miró Lithograph
Homenatge a Joan Prats, 1971
Sold ID # w-6274
Joan Miró Lithograph, Obra inèdita recent, 1964 Recent XVIII (Recent Unpublished Work XVIII), 1964
Joan Miró Lithograph
Obra inèdita recent, 1964 Recent XVIII (Recent Unpublished Work XVIII), 1964
Price on Request ID # w-2357
Joan Miró Lithograph, Ubu aux Baléares (Ubu of The Balearic Islands) Pl. 5, 1971
Joan Miró Lithograph
Ubu aux Baléares (Ubu of The Balearic Islands) Pl. 5, 1971
ID # w-7324
Joan Miró Lithograph, Ubu aux Baléares (Ubu of The Balearic Islands), 1971
Joan Miró Lithograph
Ubu aux Baléares (Ubu of The Balearic Islands), 1971
Price on Request ID # w-6159
Joan Miró Lithograph, L'Exposition d'oeuvres recentes (Exhibition Recent Works), 1953
Joan Miró Lithograph
L'Exposition d'oeuvres recentes (Exhibition Recent Works), 1953
Price on Request ID # w-5096
Joan Miró Etching, Hommage a San Lazzaro, Pl. 6, 1977
Joan Miró Etching for sale
Hommage a San Lazzaro, Pl. 6, 1977
Sold ID # w-7335
Joan Miró Lithograph, Cahier d'ombres (Book of Shadows), 1971
Joan Miró Lithograph
Cahier d'ombres (Book of Shadows), 1971
Sold ID # w-3913
Joan Miró Etching, Barcelona 1972-1973 IX, 1973
Joan Miró Etching
Barcelona 1972-1973 IX, 1973
Sold ID # w-6248
Joan Miró Etching, Gaudí V, 1979
Joan Miró Etching for sale
Gaudí V, 1979
Sold ID # W-6291
Joan Miró Lithograph, La Mélodie Acide (The Sound Acid), PL.5, 1980
Joan Miró Lithograph
La Mélodie Acide (The Sound Acid), PL.5, 1980
Sold ID # w-5236
Joan Miró Etching, Le Marteau Sans Maître (The Hammer without a Master), Pl.6 1976
Joan Miró Etching for sale
Le Marteau Sans Maître (The Hammer without a Master), Pl.6 1976
Sold ID # w-5372
Joan Miró Lithograph, Maravillas Con Variaciones Acrósticas en El Jardín de Miró (Wonders with Acrostic Variations in Miró's Garden), Pl. 9, 1975
Joan Miró Lithograph
Maravillas Con Variaciones Acrósticas en El Jardín de Miró (Wonders with Acrostic Variations in Miró's Garden), Pl. 9, 1975
Sold ID # W-5797
Joan Miró Lithograph, L'Aïeule des 10,000 Âges (The Grandmother of 10,000 Ages), 1976
Joan Miró Lithograph
L'Aïeule des 10,000 Âges (The Grandmother of 10,000 Ages), 1976
Sold ID # w-3372
Joan Miró Lithograph, Cover for Exhibition Catalogue at Sala Pelaires, Palma de Majorca, 1970
Joan Miró Lithograph
Cover for Exhibition Catalogue at Sala Pelaires, Palma de Majorca, 1970
Sold ID # W-5713
Joan Miró Etching, Le Roi David (King David), 1972
Joan Miró Etching
Le Roi David (King David), 1972
Sold ID # W-5622
Joan Miró Etching, Plate X from ‘Le Courtisan Grotesque (The Grotesque Courtesan),’ 1974
Joan Miró Etching
Plate X from ‘Le Courtisan Grotesque (The Grotesque Courtesan),’ 1974
Sold ID # W-5896
Joan Miró Etching, Le Chasseur de Pieuvres (The Octopus Hunter), 1969
Joan Miró Etching
Le Chasseur de Pieuvres (The Octopus Hunter), 1969
Sold ID # W-5866
Joan Miró Etching, Le Marteau Sans Maitre XXI (The Hammer Without a Master XXI), 1976
Joan Miró Etching
Le Marteau Sans Maitre XXI (The Hammer Without a Master XXI), 1976
Sold ID # w-4846
Joan Miró Aquatint, Souris noire a la mantille (Black Mouse with Mantilla), 1975
Joan Miró Aquatint
Souris noire a la mantille (Black Mouse with Mantilla), 1975
Sold ID # W-5854
Joan Miró Lithograph, 42 Rue Blomet, 1977
Joan Miró Lithograph
42 Rue Blomet, 1977
Sold ID # w-5142
Joan Miró Woodcut, À Toute Épreuve, 1958
Joan Miró Woodcut
À Toute Épreuve, 1958
Sold ID # w-2119
Joan Miró Lithograph, Affiche pour l'exposition 'Miró' Louisiana, Humlebaek [Denmark], 1974
Joan Miró Lithograph
Affiche pour l'exposition 'Miró' Louisiana, Humlebaek [Denmark], 1974
Sold ID # w-4218
Joan Miró Etching, Archipel sauvage V (Wild Archipelago V), 1970
Joan Miró Etching
Archipel sauvage V (Wild Archipelago V), 1970
Sold ID # w-5287
Joan Miró Lithograph, Astrology III, 1953
Joan Miró Lithograph
Astrology III, 1953
Sold ID # w-3924
Joan Miró Etching, Barbarian in the Night, 1976
Joan Miró Etching
Barbarian in the Night, 1976
Sold ID # W-5502
Joan Miró Etching, Le Dandy, 1969
Joan Miró Etching
Le Dandy, 1969
Sold ID # w-5280
Joan Miró Lithograph, Cartons, 1965
Joan Miró Lithograph
Cartons, 1965
Sold ID # w-3692
Joan Miró Lithograph, Catalogue of the Exhibition "Cartones," 1965
Joan Miró Lithograph
Catalogue of the Exhibition "Cartones," 1965
Sold ID # w-4401
Joan Miró Etching, Le Matador (The Matador), 1969
Joan Miró Etching
Le Matador (The Matador), 1969
Sold ID # W-6580
Joan Miró Etching, Plate 5 from Espriu – Miró, 1975
Joan Miró Etching
Plate 5 from Espriu – Miró, 1975
Sold ID # w-5092
Joan Miró Etching, Composition from L'issue dérobée, 1974
Joan Miró Etching
Composition from L'issue dérobée, 1974
Sold ID # w-4053
Joan Miró Lithograph, Constellations, 1959
Joan Miró Lithograph
Constellations, 1959
Sold ID # w-5257
Joan Miró Lithograph, Untitled Woman and Dog from the series of paintings known as 'Slow Paintings'
Joan Miró Lithograph
Untitled Woman and Dog from the series of paintings known as 'Slow Paintings'
Sold ID # w-7169
Joan Miró Etching, La Reine des éphémères (The Queen of Éphémeres), 1975
Joan Miró Etching
La Reine des éphémères (The Queen of Éphémeres), 1975
Sold ID # W-6254
Joan Miró Etching, El Sobreviviente Visita Los Pájaros I, 1972
Joan Miró Etching
El Sobreviviente Visita Los Pájaros I, 1972
Sold ID # w-4615
Joan Miró Lithograph, Catalogue of the Exhibition "Cartones," 1965
Joan Miró Lithograph
Catalogue of the Exhibition "Cartones," 1965
Sold ID # w-5238
Joan Miró Aquatint, Escalade vers la Lune (Climbing to the Moon), 1969
Joan Miró Aquatint
Escalade vers la Lune (Climbing to the Moon), 1969
Sold ID # w-4958
Joan Miró Lithograph, Escultor Portugal (Sculptor Portugal), 1974
Joan Miró Lithograph
Escultor Portugal (Sculptor Portugal), 1974
Sold ID # w-5235
Joan Miró Etching, Et l'oiseau s'enfuit vers les pyramides aux flancs ensanglantés par la chute de rubis, 1954
Joan Miró Etching
Et l'oiseau s'enfuit vers les pyramides aux flancs ensanglantés par la chute de rubis, 1954
Sold ID # w-3542
Joan Miró Etching, Flux de l'Aimant VII (Magnetic Flow No. 7), 1964
Joan Miró Etching
Flux de l'Aimant VII (Magnetic Flow No. 7), 1964
Sold ID # w-2967
Joan Miró Aquatint, Souris Rouge a La Mantilla (Red Mouse with Mantilla), 1975
Joan Miró Aquatint
Souris Rouge a La Mantilla (Red Mouse with Mantilla), 1975
Sold ID # W-5541
Joan Miró Lithograph, Les Essències de la Terra (The Essences of the Land), 1968
Joan Miró Lithograph
Les Essències de la Terra (The Essences of the Land), 1968
Sold ID # W-6391
Joan Miró Lithograph, Ubu Roi (King Ubu ) from Suites por Ubu Roi, 1966
Joan Miró Lithograph
Ubu Roi (King Ubu ) from Suites por Ubu Roi, 1966
Sold ID # W-5849
Joan Miró Etching, La Femme Toupie (The Spinning Woman), 1974
Joan Miró Etching
La Femme Toupie (The Spinning Woman), 1974
Sold ID # w-5950
Joan Miró Lithograph, Hommage à Rimbaud (Homage to Rimbaud), 1962
Joan Miró Lithograph
Hommage à Rimbaud (Homage to Rimbaud), 1962
Sold ID # w-4304
Joan Miró Lithograph, Hommage à Miró, 1972
Joan Miró Lithograph
Hommage à Miró, 1972
Sold ID # W-5978
Joan Miró Lithograph, Hommage à Rimbaud (Homage to Rimbaud), 1962
Joan Miró Lithograph
Hommage à Rimbaud (Homage to Rimbaud), 1962
Sold ID # w-5175
Joan Miró Etching, L' Exile Vert (The Green Exile), 1969
Joan Miró Etching
L' Exile Vert (The Green Exile), 1969
Price on Request ID # w-5322
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Buy Original Joan Miró Signed and Numbered Artwork For Sale

Joan Miró's whimsy and childlike sensibility are unmatched. A signed original Miró print, such as our collection of aquatints, lithographs and etchings, can carry an entire room. His large-scale graphic works are an excellent investment.

Genres: Modern Masters Surrealism Abstract Dada Still Life Pre-World War II School of Paris Modern Art

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Joan Miró Biography

Joan Miró
Joan Miró

Combining Abstract Art with Surrealism, Joan Miró’s oeuvre is internationally respected. Born April 20, 1893, in Barcelona, Spain, Joan Miró Ferra was exposed to art at an early age through his watchmaker father. At the age of 14, he went to business school in Barcelona while also attending La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes. Choosing business over art, he took a position as a clerk, but suffered a nervous breakdown. Abandoning business, he resumed his art studies and attended Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Receiving early encouragement from the dealer José Dalmau, Miró’s first show occurred at his gallery in 1918 where his work was ridiculed and defaced. His works during this time reflected the influence of Fauvism and folkloric Catalan art as is seen in Chapel of Sant Joan d’Horta (1917), but he was also drawn to Cubism and Surrealism.

Those artistic interests led Miró to move to Paris in 1920, but he continued to spend his summers in Catalonia. In Paris, Miró met Pablo Picasso, and other important emerging artists and poets, encircling himself with creative types. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921 and his work was included in the Salon d’Automne of 1923. Strongly symbolic and poetic in nature, Miró’s art fit well within the context of the dream-like erratic tendencies espoused by Surrealism and in 1924 he joined the Surrealist group, though always remained on the periphery of Surrealism. Such works included Catalan Landscape (The Hunter) (1923) and the Tilled Field (1924).

This is around the time Miró began to develop an antagonistic attitude towards painting, and started to explore other techniques and mediums. In 1926, while collaborating with Max Ernst on designs for a ballet they pioneered the technique of grattage, in which pigment is troweled onto the canvas and in 1928 Miró began executing his first papiers collés and collages. During the early 1930s, Miró would delve into sculpture, incorporating painted stones and found objects into his three-dimensional works. This was also the time when he started his experiments in lithography, and his first etchings date to 1933, both mediums of which would comprise a majority of his oeuvre.

JOAN MIRÓ ETCHINGS:

By 1930, Miró had developed his own unique style of imagery derived from elements of Catalan folk art and the art of children and this was suited wonderfully for the etching medium as the fluid line work and fanciful figures enabled him to create crisp details. A constant experimenter however, the etchings are a wonderful precursor of what was to come for his printmaking skills later in his life.

Finding international success, with the opening of the Pierre Matisse Gallery in New York, Miró became an influential part of the Modern Art Movement in America. With the outbreak of the Spanish Civil War however in 1936, Miró had to flee Spain and remained in France where he was commissioned to create a monumental work for the Paris World’s Fair. Then World War II broke out and he was forced to relocate to Normandy, then fled back to Spain in 1940. During this time, Miró created his famous twenty-three gouache series Constellations (1940).

The Museum of Modern Art, New York held Miró’s first major museum retrospective in 1941, and that same year Miró began working in ceramics with Josep Lloréns y Artigas. Always trying to find new ways to express himself, it was during 1948–49 when Miró lived in Barcelona, and made frequent visits to Paris that he began to experiment with his printmaking techniques at the Mourlot Studios and the Atelier Lacourière. Such printmaking techniques would result in his later mastering of aquatints and carborundum, some of the most difficult graphic works to create.

JOAN MIRÓ LITHOGRAPHS:

The close relationship with Fernand Mourlot resulted in the creation of over one thousand Joan Miró lithographic print editions. His process of automatic drawing, allowing the hand to move randomly on the surface, leaving the artwork to chance, enabled him to create works that were genuine reflections of himself, an integral part of his popularity. A popularity that still remains today as they make for 91% of all of his works bought on the market, with a complete set of Le lézard aux Plumes d’Or (1971) selling for over $147, 510 in 2002 from Christie’s.

A true master of the printmaking medium, Miró received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris and the following year he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture and was particularly captivated by glass as is evidenced in his commissioned mural Personnage Oiseaux (1972-1978) which combines one million pieces of marble and Venetian glass. A man whose art rose to international acclaim with the help of the Surrealist movement, Miró was honored with many retrospectives during his lifetime and worked until he passed away of heart disease in December 25, 1983, in Palma de Mallorca, Spain.

JOAN MIRÓ AQUATINTS:

With his most coveted etching and aquatint Équinoxe (1967) selling for $74,000 in 2007 and the series Michel Leiris, Fissures (1969) that sold for $92,500 in 2001 at Christies, Miró’s aquatints are quite valuable. In the experimentation that followed his lithographs, Miró produced hundreds of aquatints, a process that presents variations of darkness on the paper. These experiments allowed for him to better represent the dualities and contradictions within his artwork.

JOAN MIRÓ CARBORUNDUM:

A method of printmaking that produces variations of dotted effects, Miró embraced this medium as it allowed him to create works that were rich in texture and variety. Trying not to adhere to any artistic movement during the 1970s, this method proved diverse as it gave him an artistic range when combined with the etching and aquatint. With the series such as Barcelona (1972-1973) selling for over $72,500 in 2005 and the work Les grandes manoeuvres (1973) selling for over $52,000 in 2010, this medium makes for some of his most valuable in printmaking.

Browse Joan Miró Catalogue Raisonnés Online.

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