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  2. Pierre-Auguste Renoir

Renoir Prints for Sale

  • Pierre-Auguste Renoir Biography
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All Art (16)
Lithographs (13)
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Pierre-Auguste Renoir Etching, La Danse à la Campagne (Dance in the Country)
Pierre-Auguste Renoir Etching
La Danse à la Campagne (Dance in the Country)
Price on Request ID # w-8024
Pierre-Auguste Renoir Lithograph, Femme au cep de vigne, IV Variante (Woman by the Grapevine, Fourth Variant),  c. 1904
Pierre-Auguste Renoir Lithograph
Femme au cep de vigne, IV Variante (Woman by the Grapevine, Fourth Variant), c. 1904
Price on Request ID # w-3841
Pierre-Auguste Renoir Lithograph, Le petit garcon au porte-plume (Little Boy with Quill Pen), c.1900
Pierre-Auguste Renoir Lithograph
Le petit garcon au porte-plume (Little Boy with Quill Pen), c.1900
Price on Request ID # w-2358
Pierre-Auguste Renoir Etching, Le Fleuve Scamandre, 1re Planche (The Scamandre River, 1st Version)
Pierre-Auguste Renoir Etching
Le Fleuve Scamandre, 1re Planche (The Scamandre River, 1st Version)
$9,500 ID # w-2957
Pierre-Auguste Renoir Lithograph, Les Laveuses (The Washerwomen) 2nd Plate, c. 1910
Pierre-Auguste Renoir Lithograph
Les Laveuses (The Washerwomen) 2nd Plate, c. 1910
On Hold ID # W-5637
Pierre-Auguste Renoir Lithograph, Le Chapeau Epinglé (The Hat Secured with a Pin), 1e planche, 1897
Pierre-Auguste Renoir Lithograph
Le Chapeau Epinglé (The Hat Secured with a Pin), 1e planche, 1897
Price on Request ID # W-5951
Pierre-Auguste Renoir Lithograph, Ambroise Vollard, c. 1904
Pierre-Auguste Renoir Lithograph
Ambroise Vollard, c. 1904
$8,500 ID # W-5756
Pierre-Auguste Renoir Lithograph, L’enfant aux biscuit (Child with Cookie) , 1899
Pierre-Auguste Renoir Lithograph
L’enfant aux biscuit (Child with Cookie) , 1899
Price on Request ID # w-5355
Pierre-Auguste Renoir Lithograph, Richard Wagner, c. 1900
Pierre-Auguste Renoir Lithograph
Richard Wagner, c. 1900
$11,000 ID # w-2642
Pierre-Auguste Renoir Lithograph, Etude de femme nue, assise, variante (Study of Seated Female Nude), c. 1904
Pierre-Auguste Renoir Lithograph
Etude de femme nue, assise, variante (Study of Seated Female Nude), c. 1904
$8,500 ID # w-3836
Pierre-Auguste Renoir Lithograph, Femme au cep de vigne (Woman by the Grapevine), c. 1904
Pierre-Auguste Renoir Lithograph
Femme au cep de vigne (Woman by the Grapevine), c. 1904
$8,500 ID # w-3843
Pierre-Auguste Renoir Lithograph, Femme au cep de vigne, I Variante (Woman by the Grapevine, First Variant),  c. 1904
Pierre-Auguste Renoir Lithograph
Femme au cep de vigne, I Variante (Woman by the Grapevine, First Variant), c. 1904
$8,500 ID # w-3838
Pierre-Auguste Renoir Lithograph, Jeune fille en buste et etudes de têtes (ou Gabrielle) [Three Sketches of Faces, Gabrielle]
Pierre-Auguste Renoir Lithograph
Jeune fille en buste et etudes de têtes (ou Gabrielle) [Three Sketches of Faces, Gabrielle]
Price on Request ID # w-2985
Pierre-Auguste Renoir Lithograph, La Pierre au Trois Croquis (The Stone with Three Sketches), 1904
Pierre-Auguste Renoir Lithograph
La Pierre au Trois Croquis (The Stone with Three Sketches), 1904
$16,000 ID # w-3277
Pierre-Auguste Renoir Etching, Le chapeau épinglé (La fille de Berthe Morisot et sa cousine), c. 1894
Pierre-Auguste Renoir Etching
Le chapeau épinglé (La fille de Berthe Morisot et sa cousine), c. 1894
Price on Request ID # w-5177
Pierre-Auguste Renoir Lithograph, Louis Valtat, c. 1904
Pierre-Auguste Renoir Lithograph
Louis Valtat, c. 1904
$9,500 ID # w-5139

Related Artists

Berthe Morisot (French, 1841–1895)

Berthe Morisot

Paul Cézanne

Edgar Degas (French, 1834–1917)

Edgar Degas

Édouard Manet (French, 1832–1883)

Édouard Manet

Claude Monet (French, 1840–1926)

Claude Monet

Maximillian Luce

Why Pierre-Auguste Renoir?

The characteristic brushstrokes and artistry of Renoir's prints show through each work in our collection. His colorful lithographs and paintings show Louis Valtat, the Dance in the Country, and women bathing. Renoir's romantic and light-hearted style, his nudes and flowers, will please any collector.

Have one to sell? Sell Pierre-Auguste Renoir fine art with us

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Pierre-Auguste Renoir Biography

Pierre-Auguste Renoir
Pierre-Auguste Renoir (French, 1841–1919)

Born in Limoges, France, in 1841, Pierre-Auguste Renoir was the son of a tailor. In 1845 his family moved to Paris. Between 1856 and 1859 he took an apprenticeship and then worked as a porcelain painter, also taking evening classes in drawing. Renoir then studied at the Ecole des Beaux-Arts, Paris. He was a fellow student of Monet, Sisley and Bazille; he went on summer painting trips with them to Chailly and Fountainbleau. He studied the eighteenth century paintings in the Louvre and also met Corot, Millet and Diaz. In 1864 his work was first accepted at the Salon. During the 1870s he painted with Monet at Argenteuil and elsewhere, and came to know Cezanne, Degas, and Pissarro. In 1874 his work was included in the first Impressionist exhibition (and in three of the subsequent seven.) He had little public success but was patronized by Caillebotte, Chocquet and others. From the late 1870s on he enjoyed increased success at the Salons, especially with portraiture. Eventually, he became dissatisfied with Impressionism and felt renewed admiration for Ingres, Raphael and eighteenth-century art. During the 1880s he worked increasingly in the south of France. Renoir’s early work as a porcelain painter reflects two constant characteristics of his art: an enormous natural facility and a dedication to eighteenth century standards of decoration and craftsmanship. Apart from the personality of his brushwork, the main distinction of his 1870s Impressionism was his preoccupation with the figure as subject matter and particularly with the gay vitality of Parisian life. Less rigorously introspective than Monet, he made his reputation at the Salons from the late 1870s with a series of fashionable portraits. Here his dexterity was combined with anecdotal charm. Many of Renoir’s sculptures he made at the end of his life are direct transpositions of painted motifs. These were largely made by an assistant (a pupil of Maillol), because of his crippling arthritis.¹ Renoir also used a moving canvas to facilitate painting with his limited mobility.

¹ Phaidon Dictionary of Twentieth Century Art.

RENOIR PRINTS

During the second half of the nineteenth century, France was experiencing a printmaking Renaissance. Despite this artistic trend, Impressionists were not quick to adopt the medium as they were accustomed to painting in plen air. However, Renoir was quick to learn the medium, creating his first etching in 1890 and his first lithograph two years later. During this time, Renoir was 49 and already an established painter. Yet, he executed a total of 59 prints in his lifetime, producing almost equal amounts of lithographs and etchings. Renoir’s etchings were never printed in suites or published in portfolios. Instead, he created them through commissions by friends and publishers as frontispieces or illustrations for books. Impressively, Renoir was able to develop his own style of etching independent of his development as a painter.

RENOIR PAINTINGS

Renoir’s paintings are notable for their vibrant light and saturated colors. He primarily painted candid portraiture and the nude female figure. In each case, his paintings demonstrate free strokes of color through which figures fuse with each other and their surroundings. His best known for his painting Bal au moulin de la Galette ( Dance at Le Moulin de la Galette), 1876 which depicts an open-air scene in which crowds of people at a popular dance garden near where he lived. This iconic painting was sold for $78.1 million at an auction in 1990. In the mid to late 1880’s Renoir gravitated towards figure drawings. The monumental work from this period is Grandes Baigneuses (The Large Bathers), 1884-87. The figures of this painting have a sculptural quality whereas the landscape is representative of impressionism. It is clear Renoir intended to reconcile the modern style of painting with classical painting traditions from the 17th and 18th centuries.

Browse Pierre-Auguste Renoir Catalogue Raisonnés Online.

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