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Helen Frankenthaler Drypoints

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Helen Frankenthaler Drypoint, Pompeii, 1976
Helen Frankenthaler Drypoint
Pompeii, 1976
ID # w-9053 Sold
No image available
Helen Frankenthaler Drypoint
Pompeii Forte, 1976-82
ID # w-9088 Sold

Other Drypoints

Pablo Picasso Drypoint, Portrait De Dora Maar Au Chignon.II, 1936
Pablo Picasso Drypoint
Portrait De Dora Maar Au Chignon.II, 1936
ID # w-8236 $35,000
Pablo Picasso Drypoint, Trois Femmes Nues (Three Nude Women), 1965
Pablo Picasso Drypoint
Trois Femmes Nues (Three Nude Women), 1965
ID # W-6148 Sold
Keith Haring Lithograph, Dog, 1985
Keith Haring Lithograph
Dog, 1985
ID # w-10186 Price on Request
Keith Haring Lithograph, Untitled (Plate 4), 1982
Keith Haring Lithograph
Untitled (Plate 4), 1982
ID # W-10005 Sold
Keith Haring Lithograph, Untitled (Plate 5), 1982
Keith Haring Lithograph
Untitled (Plate 5), 1982
ID # W-10006 Sold
Keith Haring Silkscreen, Barking Dog, from the Icons Suite, 1990
Keith Haring Silkscreen
Barking Dog, from the Icons Suite, 1990
ID # w-8817 Price on Request
Wayne Thiebaud Drypoint, Hill River, 2002
Wayne Thiebaud Drypoint
Hill River, 2002
ID # w-8212 Price on Request
$17,000 - $30,000
Wayne Thiebaud Drypoint, Dark Hill River, 2002
Wayne Thiebaud Drypoint
Dark Hill River, 2002
ID # w-8213 Price on Request
$17,000 - $30,000
Wayne Thiebaud Drypoint, Beach Glasses, 1994
Wayne Thiebaud Drypoint
Beach Glasses, 1994
ID # w-9882 Sold
Wayne Thiebaud Drypoint, Eight Lipsticks, 1988
Wayne Thiebaud Drypoint
Eight Lipsticks, 1988
ID # w-9892 Sold
Wayne Thiebaud Drypoint, Four Cakes, from Recent Etchings I,1979
Wayne Thiebaud Drypoint
Four Cakes, from Recent Etchings I,1979
ID # w-9854 Sold
Wayne Thiebaud Drypoint, Fish (Smelt), from Delights, 1965
Wayne Thiebaud Drypoint
Fish (Smelt), from Delights, 1965
ID # w-9816 Sold

Related Artists

Sam Francis

Sam Francis

Kenneth Noland (American, 1924–2010)

Kenneth Noland

Wayne Thiebaud

Wayne Thiebaud

Buy Original Helen Frankenthaler Signed and Numbered Artwork For Sale

Helen Frankenthaler, the American Abstract Expressionist painter, was known for her spontaneity and improvisation when it came to her paintings. In fact, he was once said by art critic Frank O'Hara that "she is willing to risk everything on inspiration." This dedication and passion comes through in Frankenthaler's paintings, sculptures, ceramics, and prints.

Genres: Abstract Expressionism American Post-Painterly Abstraction Color Field Painting New York School Post War Contemporary

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Helen Frankenthaler Biography

Helen Frankenthaler
Helen Frankenthaler (American, 1928–2011)

Helen Frankenthaler (1928-2011) was an influential American abstract expressionist painter, known for her contributions to postwar American painting and her innovative techniques in color field painting. Here's a comprehensive artistic biography:

Early Life and Education

Helen Frankenthaler was born on December 12, 1928, in New York City, into a cultured and intellectual family. Her father, Alfred Frankenthaler, was a respected New York State Supreme Court judge, and her mother, Martha, was a German immigrant. Helen showed an early interest in art, encouraged by her family's support and her exposure to the cultural richness of New York City.

Frankenthaler attended the Dalton School, where she studied under the Mexican painter Rufino Tamayo, who introduced her to modernist ideas. She later attended Bennington College in Vermont, where she studied under Paul Feeley and was exposed to a broad liberal arts education that influenced her artistic development.

Early Career

After graduating from Bennington in 1949, Frankenthaler returned to New York City and immersed herself in the vibrant postwar art scene. She was influenced by the abstract expressionists, particularly Jackson Pollock, Willem de Kooning, and Hans Hofmann. She attended Hofmann's painting classes and was introduced to the idea of painting as an arena in which to act.

Breakthrough and the "Soak-Stain" Technique

Frankenthaler's breakthrough came in 1952 with her painting "Mountains and Sea." This work was significant for her use of the "soak-stain" technique, where she poured thinned oil paint onto unprimed canvas, allowing the colors to soak into the fabric. This method created a luminous, watercolor-like effect and marked a departure from the thick, gestural brushstrokes characteristic of abstract expressionism.

"Mountains and Sea" was influential for many artists, notably Morris Louis and Kenneth Noland, who adapted her technique into what would become known as color field painting. This method emphasized flat planes of color and was a precursor to the minimalist and lyrical abstraction movements.

Mid-Career and Mature Style

Throughout the 1960s and 1970s, Frankenthaler's work continued to evolve. She began experimenting with acrylic paint, which allowed for brighter colors and a quicker drying time. Her compositions often featured large, organic shapes and a more fluid sense of space.

Frankenthaler was also known for her printmaking, working with woodcuts, lithographs, and etchings. Her print work demonstrated the same innovative spirit as her paintings, often pushing the boundaries of the medium.

Later Years and Legacy

In the 1980s and 1990s, Frankenthaler's work became more refined, with a greater emphasis on line and structure. She continued to explore new techniques and materials, maintaining a dynamic and evolving practice until her death.

Helen Frankenthaler's contributions to art were recognized with numerous awards and honors. She was elected to the American Academy of Arts and Letters, received the National Medal of Arts in 2001, and her work has been exhibited in major museums and galleries worldwide.

Frankenthaler passed away on December 27, 2011, leaving behind a profound legacy in the world of abstract art. Her innovative techniques and lyrical compositions continue to inspire artists and captivate audiences, securing her place as a pivotal figure in 20th-century American art.

Helen Frankenthaler Woodcuts

Helen Frankenthaler was not only a pioneering abstract expressionist painter but also an innovative printmaker, particularly known for her work in woodcuts. Her woodcuts stand out for their experimental techniques and painterly qualities, reflecting her broader artistic vision.

Frankenthaler brought the same experimental approach to woodcuts as she did to her paintings. She worked closely with master printmakers to push the boundaries of the medium, often combining traditional methods with unconventional techniques. One of her significant contributions was the development of the "soak-stain" technique adapted for woodcut, which involved the use of thin layers of pigment to create depth and translucency.

Frankenthaler's woodcuts are characterized by their painterly quality, with an emphasis on color and texture. She used multiple blocks and intricate layering to achieve the desired effects, often resulting in prints that have a rich, almost watercolor-like appearance. This approach allowed her to maintain the spontaneity and fluidity of her paintings in her prints.

Helen Frankenthaler's woodcuts have had a lasting impact on the field of printmaking. Her willingness to experiment and push the limits of the medium has inspired subsequent generations of artists. Her works are included in the collections of major museums, such as the Museum of Modern Art in New York and the National Gallery of Art in Washington, D.C., underscoring her significant contribution to contemporary art.

Frankenthaler's woodcuts are a testament to her innovative spirit and her ability to transcend the boundaries between different artistic mediums. They reflect her ongoing exploration of color, form, and technique, solidifying her legacy as a groundbreaking artist in both painting and printmaking.

Browse Helen Frankenthaler Catalogue Raisonnés Online.

En español: Helen Frankenthaler.

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