Andy Warhol and Mick Jagger first met in 1963, when the lead singer of the Rolling Stones met the artist at a party during the band's tour. Warhol was known to be very social and a frequent partier, as was Jagger. This would set to tone for their personal and professional relationship. The two worked together for the first time on the album art for the Rolling Stones album Sticky Fingers in 1971. Jagger approached Warhol to design the cover for the upcoming album. The cover art for Sticky Fingers features a closeup of the crotch of a man wearing a tight fitting pair of pants. Warhol's fascination with the human body and the Stones' sex and rock n' roll image fit perfectly together and the two creators agreed to collaborate again.
This kicked off the beginning of a productive and collaborative relationship between the two artists. A few years later in 1975, Warhol printed a portfolio of ten screenprint portraits of Mick Jagger. Each one captures the singer in various expressions and poses, showcasing Jagger's famous looks and bad boy persona. The portraits feature blocks of opaque color sometimes covering parts of Jagger's face, as well as a sketched line quality to them, all hallmarks of Warhol's distinct art style. Warhol at this time was already obsessed with the idea of fame and celebrity. The Rolling Stones were hugely popular and touring around the world by this point, making Jagger a perfect subject for Warhol's artistic exploration.
In the summer of 1975, Jagger and his wife Bianca rented Warhol's Long Island home and stayed with the artist for a period of time. The three hung out together and it was during this time that Warhol shot his first photographs of Jagger, attempting to capture the man's illustrious personality. Warhol said of Jagger: "He’s androgynous enough for almost anyone. That’s always been his basic appeal, mixed with the facts that: 1 – He’s very talented; 2 – He’s very intelligent; 3 – He’s very handsome; 4 – He’s very adorable.”
Jagger also greatly admired Warhol, stating after his death: “The thing that he seemed to be able to do was to capture society, whatever part of it he wanted to portray, pretty accurately. That’s one of the things artists do, is show people later on what it was like.” The two artists held a mutual respect and love for each other that was clear to see. Both had magnetic personalities and incredible creative vision. Today, we get to enjoy the artistic fruits of their relationship through Polaroids and screenprint portraits.
Introduction to Andy Warhol’s Beethoven Series, 1987
Ludwig Van Beethoven is one of the most famous and influential composers of all time. At a young age, he moved to Vienna and gained a reputation as a master pianist. His many compositions range from symphonies to piano concertos to string quarters. However, towards his late 20s, he began to lose his hearing which would result in deafness towards the end of his life. Surprisingly, many of his best loved compositions were produced at the end of his life when he was completely deaf.
Andy Warhol Screen Prints of the Beethoven Series, 1987
Andy Warhol created this series of 4 screen prints in 1987, shortly before his death. This series is unique as it departs from the celebrities and grocery items for which Warhol became known for. The source image was taken from an 1820 portrait by Joseph Karl Stieler. In the original oil on canvas, the composer is stares ahead with focused eyes as he writes another composition. This portrait is the most iconic image of Beethoven, deliberately chosen by Warhol for that reason. The Beethoven 1987 series captures the defining characteristics of the composer by placing a sheet of music over his portrait. The melody that is imprinted onto the page is Beethoven’s Sonata No. 14, better known as the Moonlight Sonata. Yet, the music notes are subtly colored, as not to overshadow Beethoven. In each screenprint, the intensity of the composer’s gaze is emphasized by the colors of his face. The background of the image is black, creating the impression of a man emerging from darkness. By rendering the composer with such dramatic colors, Warhol transforms the classical composer into a modern rock star.
Andy Warhol's Pop Art legacy continues to inspire various forms of contemporary aesthetic expression. Our collection of hand-signed Warhol screen prints includes pop art subjects of Flowers, Marilyn Monroe, Mao, Cow, and Campbell's Soup, and are of higher collectible value due to their distinct color variations and one-of-a-kind nature.
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Andy Warhol (American, 1928–1987)
The American artist and filmmaker Andy Warhol was born Andrew Warhola in 1928. There has for years been quite a bit of confusion to where and when Andy Warhol was born, but according to Andy’s two older brothers and the birth certificate that was filed in Pittsburgh in 1945, he was born on August 6th in Pittsburgh. Whether or not this is the day he was born hasn’t been proved, but it was on this date he would celebrate his birthday. However, there is no doubt that he died at 6:31 A.M. on Sunday, February 22nd, 1987, at the New York Hospital after a gallbladder operation. He is considered a founder and major figure of the POP ART movement. A graduate of the Carnegie Institute of Technology in 1949, he moved to New York City and gained success as a commercial artist. He got his first break in August 1949, when Glamour Magazine wanted him to illustrate a feature entitled “Success is a Job in New York”. But by accident the credit read “Drawings by Andy Warhol” and that’s how Andy dropped the “a” in his last name. He continued doing ads and illustrations and by 1955 he was the most successful and imitated commercial artist in New York. In 1960 he produced the first of his paintings depicting enlarged comic strip images – such as Popeye and Superman – initially for use in a window display.
Warhol pioneered the development of the process whereby an enlarged photographic image is transferred to a silk screen that is then placed on a canvas and inked from the back. Each Warhol silkscreen used this technique that enabled him to produce the series of mass-media images – repetitive, yet with slight variations – that he began in 1962. These iconic Andy Warhol prints, incorporating such items as Campbell’s Soup cans, dollar bills, Coca-Cola bottles, and the faces of celebrities, can be taken as comments on the banality, harshness, and ambiguity of American culture.
Later in the 1960s, Warhol made a series of experimental films dealing with such ideas as time, boredom, and repetition; they include Sleep (1963), Empire (1964), and The Chelsea Girls (1966). In 1965 he started working with a rockband called “The Velvet Underground” formed by Lou Reed and John Cale. Andy introduced them to the model and moviestar Nico and she sang on their debut album from 1967 “The Velvet Underground and Nico”. Andy would travel around the country, not only with The Velvets, but also with superstar of the year Edie Sedgwick and the lightshow “The Exploding Plastic Inevitable”.
On June 3rd, 1968, Valerie Solanis, a rejected superstar, came into The Factory and shot Andy three times in the chest. He was rushed to hospital where he was pronounced dead, but after having his chest cut up and been given heart massage, he survived. Valerie Solanis turned herself in that night and was put in a mental institution. She was later given a three year prison sentence. After recovering Andy Warhol continued to work. He founded inter/VIEW magazine in 1969 (they changed the name to Interview in 1971), published The Philosophy of Andy Warhol: From A to B and Back Again in 1975 and continued to paint portraits until his death in 1987.
If you enjoy Andy Warhol prints, you may also be interested in contemporary Calder lithographs.
In the 1960s, Warhol began his most prolific period as an artist. He had already begun making a name for himself in the commercial art world, yet he desired to known as a fine artist as well. He began converting the themes of advertisements into large-scale graphic canvases. To make his large-scale graphic canvases, Warhol projected an enlarged image onto a canvas on the wall. He would subsequently work freehand, without a pencil, rendering a painterly result. In order to develop his own niche in painting, his friends suggested he paint the things he loved the most. The result was the iconic Campbell’s Soup Cans, 1962. Warhol said of Campbell’s Soup “I used to drink it. I used to have the same lunch every day, for 20 years, I guess, the same thing over and over again.” Though the works resemble mass-produced advertisements, they were painted by projecting the images onto a canvas and stenciled afterwards. This way, Warhol removes evidence of an artist’s hand.<
Though best known for his silkscreens and paintings, Warhol became a passionate photographer later in his life. He carried a camera with him at all times, capturing everything from personal friends to iconic celebrities. The photographs signified his apathy towards social hierarchy and also ranged from black and white 35 mm portraits to Polaroid shots. He approached photography in two ways. In one instance, he created over 500 ‘stitched’ photographs which feature identical images sewn together in a grid form. This was a clear demonstration of his interest in repeated imagery. In another instance, he would only choose a single photo from a set to become a print. The singularity of these works shows a clear separation from Warhol’s typical themes of mass production and repetition. Therefore, photography provided Warhol opportunities to showcase both his private self and his public artistic identity.
WARHOL SCREEN PRINTS
Of his silkscreens, Warhol has said “the reason I’m painting this way is that I want to be a machine, and I feel that whatever I do and do machine-like is what I want to do.” Indeed, machine-like precision and mimicry appear repeatedly in works of this medium. The screenprinting process was a variation of stenciling. Warhol had a streamlined process in producing silk screen prints. First, he laid a photograph on to the mesh of a silk screen. Afterwards, he passed an ink-covered squeegee over the mesh. The ink would pass through the mesh and impress a print of the image onto the canvas underneath. The choice of ink depended on the intended composition of the final product. Warhol was able to apply multiple colors to create a layering effect, thus a different color composition could be made each time. He used a variety of canvases and papers.Warhol’s best known silk screen prints include his iconic portfolio of Marilyn Monroe: Marilyn Monroe (Marilyn), 1967 and Elizabeth Taylor (Colored Liz), 1963. Producing art in a systematic manner similar to an assembly line, Warhol gave rise to series or portfolios of his beloved celebrities. Even today, these massively recognizable images serve as a beacon of popular culture.
Warhol’s range as an artist certainly shows in his sculptures and installations. Similar to his other works, his sculptures replicated commercial symbols and ideologies. Of this medium the best known were the series of “grocery carton” works which replicated Heinz Ketchup and Campbell’s tomato juice cans. His best known sculpture from this series is probably his Brillo Boxes,1964. As the name suggests, Warhol applied silkscreened logos of the consumer product onto plywood boxes. The resulting appearance was identical to the logoed boxes often see in supermarkets. These sculptures were first exhibited at the Stable Gallery in 1964 and called to question what can be considered as fine art. When asked about these boxes, Warhol expressed he “wanted something ordinary”. Overall, his sculptural works centered on Warhol’s beloved premise of commercialization.