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Maurice de Vlaminck Etchings

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Other Etchings

Joan Miró Etching, Galatea, 1976
Joan Miró Etching for sale
Galatea, 1976
Price on Request ID # w-7734
Joan Miró Etching, L'Invitée du Dimanche I (Sunday Guest I), 1969
Joan Miró Etching
L'Invitée du Dimanche I (Sunday Guest I), 1969
Sold ID # w-8061
Frank Stella Etching, Bene come il sale (As Good as the Salt), 1989
Frank Stella Etching
Bene come il sale (As Good as the Salt), 1989
Price on Request ID # w-6777
Frank Stella Etching, Bene come il sale, State I, from the Italian Folktales Series, 1989
Frank Stella Etching
Bene come il sale, State I, from the Italian Folktales Series, 1989
Price on Request ID # W-7085
Joan Miró Etching, Le Vieil Irlandais (The Old Irish), 1969
Joan Miró Etching
Le Vieil Irlandais (The Old Irish), 1969
Price on Request ID # w-4145
Christopher Brown Etching, Station, 1993
Christopher Brown Etching
Station, 1993
Price on Request ID # w-8195
Richard Serra Etching, Oteiza, 2003
Richard Serra Etching
Oteiza, 2003
Price on Request ID # w-8435
Wayne Thiebaud Etching, Park Place, 1995
Wayne Thiebaud Etching
Park Place, 1995
Price on Request ID # w-8062
Joan Miró Etching, Barcelona 1972-1973 XIII, 1973
Joan Miró Etching
Barcelona 1972-1973 XIII, 1973
$50,000 $42,000 ID # w-7598
Joan Miró Etching, Equinoxe, 1967
Joan Miró Etching
Equinoxe, 1967
Price on Request ID # w-7668
Joan Miró Etching, Le Rebelle (The Rebel), 1967
Joan Miró Etching for sale
Le Rebelle (The Rebel), 1967
Price on Request ID # w-8337
Joan Miró Etching, La Harpie (The Harpy), 1969
Joan Miró Etching
La Harpie (The Harpy), 1969
Price on Request ID # w-7907

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Georges Braque

Paul Cézanne

Paul Cézanne

Henri Matisse

Henri Matisse

Georges Rouault (French, 1871–1958)

Georges Rouault

Buy Original Maurice de Vlaminck Signed and Numbered Artwork For Sale

With wonderful choice of coloration, ranging from cool colors to warmer reds and oranges, Maurice de Vlaminck's paintings and prints are of beautiful still life and landscapes.

Genres: Fauvism Landscape French Modern Art

Have one to sell? Sell Maurice de Vlaminck fine art with us

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Related News

Happy Birthday Vlaminck April 4th!
Oct 19
Happy Birthday Vlaminck April 4th!

Maurice de Vlaminck Biography

Maurice de Vlaminck
Maurice de Vlaminck (French, 1876–1958)

French painter, born in 1876 in Paris; died in Rueil-la-Gadeliere. Maurice de Vlaminck said that what he had tried to "press in paint would, in a social context, have entailed throwing a bomb. He derided Classical and Renaissance art, wished to burn the Ecole des Beaux-Arts 'with my vermilions,' and wanted to translate his feelings into paint without a thought of what had been painted before. Vlaminck's father was of Flemish stock, his mother a Lorrainer: they were both musicians. As a young man living in Chatou, Vlaminck was a racing cyclist (champion and professional). In these years he met Derain, who encouraged him to paint full-time: this he attempted, earning money by playing the violin in a theatre. Derain and he formed the Ecole Chatou. Even by 1900 his colour was violent and his brushwork turbulent: he was largely self-taught. Then in 1901 came the famous visit to Bernheim Jeune's van Gogh exhibition, where he declared that van Gogh meant more to him than his own father, and where he was introduced by Derain to Matisse. He exhibited perhaps as early as 1902.

Then came the historic Salon d'Automne exhibition of 1905, when Vlaminck joined Derain, van Dongen, Manguin, Puy, Friesz, Marquet, Rouault, Matisse, and the Fauves. Kandinsky invited him to exhibit at the second New Artists' Association exhibition at Munich and he was represented in Fry's second Post-Impressionist exhibition in London in 1912.

Unlike Derain and Matisse, Vlaminck used colour straight from the tube in his Fauve years: it is more intense than Derain, the brush more fully loaded, the strokes less formally structural than Matisse; the spaces are emphatically evoked.

After this initial period he became, like many, interested in Cezanne's art around 1906, and then in Cubism (he claims to have initiated Parisian interest in primitive art; this is disputed). In 1910 followed his first one-man show. His later work has pleased critics less. Bright colour is rejected in favour of sombre tones, the wide and deep perspectives are more traditional, the mood sombre. Motoring and racing cars rather than cycling became an interest. He left Paris, living first like van Gogh at Auvers, and then at Verneuil-sur-Avre. His works are mostly undated and their chronology, particularly from the Fauve years, still unsettled. He also wrote poetry, articles (he contributed to Anarchie c. 1900) and extended prose works (e.g. D'un Lit a l'Autre). Maurice de Vlaminck painted theatre scenery, made cartoons for tapestry and illustrated books.

K. G. Perls. Vlaminck, New York 1941.

J. Selz. Vlaminck, New York 1963.

Pierre Cabanne. Vlaminck, Paris 1966.

Browse Maurice de Vlaminck Catalogue Raisonnés Online.

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