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Jan Lievens Engravings

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Other Engravings

Georges Braque Engraving, Page 47 from Si je mourais la-bas, 1962
Georges Braque Engraving
Page 47 from Si je mourais la-bas, 1962
ID # w-4569 $12,000 $7,850
Albrecht Dürer Engraving, Knight, Death and the Devil, 1513
Albrecht Dürer Engraving
Knight, Death and the Devil, 1513
ID # w-4217 Sold
Robert Rauschenberg Engraving, Untitled (Christian Symbol) from the North African Collage series, 1952
Robert Rauschenberg Engraving
Untitled (Christian Symbol) from the North African Collage series, 1952
ID # w-8251 Price on Request
Anthony van Dyck Engraving, Adam de Coster, c. 1685
Anthony van Dyck Engraving
Adam de Coster, c. 1685
ID # w-3715 Price on Request
Anthony van Dyck Engraving, Adrianus Stalbent (Adrien Van Stalbemt), c. 1641
Anthony van Dyck Engraving
Adrianus Stalbent (Adrien Van Stalbemt), c. 1641
ID # w-3738 Price on Request
Anthony van Dyck Engraving, Albert de Ligne Arenberg, c. early 1700s
Anthony van Dyck Engraving
Albert de Ligne Arenberg, c. early 1700s
ID # w-3684 Price on Request
Anthony van Dyck Engraving, Alexander Della Faille, c. early 1700s
Anthony van Dyck Engraving
Alexander Della Faille, c. early 1700s
ID # w-3713 Price on Request
Anthony van Dyck Engraving, Alvaro de Bazan, c. 1645
Anthony van Dyck Engraving
Alvaro de Bazan, c. 1645
ID # w-3711 Price on Request
Anthony van Dyck Engraving, Ambroise Spinola, c. 1660
Anthony van Dyck Engraving
Ambroise Spinola, c. 1660
ID # w-3727 Price on Request
Anthony van Dyck Engraving, Andreas Van Ertvelt (Andre Van Eertvelt)
Anthony van Dyck Engraving
Andreas Van Ertvelt (Andre Van Eertvelt)
ID # w-3709 Price on Request
Anthony van Dyck Engraving, Antonis Cornelissen (Antoine Cornelissen), c. 1641
Anthony van Dyck Engraving
Antonis Cornelissen (Antoine Cornelissen), c. 1641
ID # w-3623 Price on Request
Anthony van Dyck Engraving, Antonius Bourbonius (Antoine de Bourbon), c. 1645
Anthony van Dyck Engraving
Antonius Bourbonius (Antoine de Bourbon), c. 1645
ID # w-3707 Price on Request

Related Artists

Rembrandt van Rijn (Dutch, 1606–1669)

Rembrandt

Adriaen Jansz van Ostade (Dutch, 1610–1685)

Adriaen van Ostade

Buy Original Jan Lievens Signed and Numbered Artwork For Sale

Old Master Jan Lievens developed a similar style to that of Rembrandt in his oil painting and etchings. He was considered a kind of child prodigy, becoming an independent artist at age 12.

Genres: Old Masters Portraiture Dutch/Flemish Baroque

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Jan Lievens Biography

Jan Lievens
Jan Lievens (Dutch, 1607–1674)

Born in Holland, Jan Lievens is most often compared with his contemporary Rembrandt. The two lived parallel lives for much of their careers, but Lievens’ remarkable work is often overshadowed by Rembrandts – though in recent years this has begun to change with more exhibitions paying attention to Lievens’ oeuvre. Lievens, the son of a tapestry worker, apprenticed for a local painter at age 8. At 10, the young Lievens traveled to Amsterdam to train with Pieter Lastman. He remained there for two years, after which he returned home as a working painter. Early in his career, Leivens seemed to follow Caravaggio more than Laster, using exaggerated expressions and dramatic lighting in his works.

Leivens and Rembrandt were close friends throughout the 1620’s, sometimes even collaborating. It is known that they would share models, and occasionally model for one another, and it is speculated that the pair perhaps shared a studio in Leiden in the early days of their careers.

Lievens is best known for his work in life-size portraiture. Lievens would often weave in a historicizing element into his work, painting the sitter into a scene from antiquity or the bible. Between 1632 and 1644 Lievens spent time working in England and Antwerp, and while there he was introduced to the works of Van Dyck and Rubens. These painters influenced Lievens’ own work, lightening his palette and inspiring him to adopt a more Baroque style. Lievens met Susanna Colijns de Nole in Antwerp and soon after married her. The couple had a son, Jan Andrea. Shortly after returning in Holland in 1644, Susanna died. Lievens married Cornelia de Bray in 1648. Lievens remained in demand as a painter, but due to poor money handling, he died very in debt. In general Lievens is known for his ability to assimilate to new styles, unlike Rembrandt who staunchly remained for his career. This assimilation can make his style harder to trace overtime and perhaps explains why Lievens fell into obscurity while Rembrandt has maintained his fame.

Browse Jan Lievens Catalogue Raisonnés Online.

En español: Jan Lievens.

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