Roy Lichtenstein, Green Face, 1989 |
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| Artist: | Roy Lichtenstein (1923 - 1997) |
|---|---|
| Title: | Green Face, 1989 |
| Reference: | Corlett 232 |
| Medium: | Color lithograph, waxtype, woodcut, and screenprint on cold-pressed Saunders Waterford paper. |
| Image Size: | 56 15/16 in x 36 5/8 in (144.6 cm x 93 cm) |
| Sheet Size: | 58 15/16 in x 41 in (149.7 cm x 104.1 cm) |
| Framed Size: | 65 in x 46 1/2 in (165.1 cm x 118.1 cm) |
| Edition: | Numbered from the edition of 60 in the lower right margin. |
| Signature: | This work is hand signed and dated by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil in the lower right margin. |
| ID # | W-6510 |
Roy Lichtenstein, Green Face, 1989;
Created in 1989, this Lichtenstein pop art Lithograph in colors is hand-signed by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil: ‘rf Lichtenstein’. Numbered from the edition of 60, this work is published by Original Editions, New York.
Catalogue Raisonné & COA:
Roy Lichtenstein, Green Face, 1989 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work).
About the Framing:
Roy Lichtenstein, Green Face, 1989 is framed to museum-grade, conservation standards, presented in a complementary moulding and finished with silk-wrapped mats and optical grade Plexiglas.
Roy Lichtenstein Brushstroke Figures: is a collection of prints created in 1989 by American Pop artist Roy Lichtenstein. In this series, Lichtenstein expands on his earlier brushstroke motif, combining abstract gesture with stylized human forms. Each print features dynamic compositions where sweeping brushstrokes become figures, merging motion, color, and line into a playful yet structured balance. Using his characteristic Ben Day dots, bold contours, and vivid color contrasts, Lichtenstein transforms the energy of painting into a controlled graphic language. The Brushstroke Figures Series captures his continuing exploration of art’s expressive potential within the boundaries of mechanical precision.
