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James Rosenquist Music

  • James Rosenquist Biography
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Fine art of flute, guitar, violin, singer, Beethoven, Bach, musical instruments.

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James Rosenquist Lithograph, Violent Turn, 1977
James Rosenquist Lithograph
Violent Turn, 1977
ID # W-6530 Price on Request

Other Music

David Hockney Etching, Celia in Green Hat, 1984
David Hockney Etching
Celia in Green Hat, 1984
ID # W-10016 Price on Request
Georges Braque Etching, Hommage à J. S. Bach, 1956
Georges Braque Etching
Hommage à J. S. Bach, 1956
ID # w-8256 Price on Request
Marc Chagall Lithograph, La flûte enchantée (The Magic Flute), 1967
Marc Chagall Lithograph
La flûte enchantée (The Magic Flute), 1967
ID # W-8060 $85,000
Marc Chagall Lithograph, Carmen, 1966
Marc Chagall Lithograph
Carmen, 1966
ID # W-5404 $130,000
Andy Warhol Screen Print, Beethoven, 1987 FS II.390
Andy Warhol Screen Print
Beethoven, 1987 FS II.390
ID # W-7174 Sold
Pablo Picasso Ceramic, Dancing, 1957
Pablo Picasso Ceramic
Dancing, 1957
ID # w-4228 Price on Request
Markus Klinko Photogrpahy, Beyonce, Dangerously in Love, 2003
Markus Klinko Photogrpahy
Beyonce, Dangerously in Love, 2003
ID # w-8450 Price on Request
Markus Klinko Photogrpahy, Beyonce, Dangerously in Love (Black and White), 2003
Markus Klinko Photogrpahy
Beyonce, Dangerously in Love (Black and White), 2003
ID # w-8451 Price on Request
David Hockney Etching, A Moving Still Life, from The Blue Guitar, 1976-1977
David Hockney Etching
A Moving Still Life, from The Blue Guitar, 1976-1977
ID # W-6417 $14,000
Marc Chagall Lithograph, Le cantique des cantiques (The Song of Songs), 1975
Marc Chagall Lithograph
Le cantique des cantiques (The Song of Songs), 1975
ID # w-5133 Sold
Frank Stella Lithograph, The Symphony, from The Embassy Series, 1990
Frank Stella Lithograph
The Symphony, from The Embassy Series, 1990
ID # W-8269 Sold
Edgar Degas Lithograph, L’Attente de la Chanteuse (Waiting for the Singer) c.1888
Edgar Degas Lithograph
L’Attente de la Chanteuse (Waiting for the Singer) c.1888
ID # W-7605 Sold

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Jim Dine

Robert Indiana (American, born 1928)

Robert Indiana

Tom Wesselmann (American, 1931–2004)

Tom Wesselmann

Buy Original James Rosenquist Signed and Numbered Artwork For Sale

Beginning his artistic career as a billboard painter, James Rosenquist quickly rose to prominence within the Pop Art movement. Unlike his contemporaries, Rosenquist maintained that he "was never concerned with logos or brand names or movie stars" and jokingly referred to his work as "antipop."

Genres: Pop Art American Hyperrealism Americana Popular Culture Post War Contemporary

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James Rosenquist Biography

James Rosenquist
James Rosenquist (American, 1933–2017)

Born an only child in 1933 in Grand Forks, North Dakota, American painter, printmaker and sculptor James Rosenquist was one of the leaders of the Pop-Art movement. While still in high school in 1948 he won a scholarship to study at the Minneapolis School of Art, and from 1952 to 1955 he studied painting at the University of Minnesota. In 1955 he moved to New York to study at the Art Students League on a scholarship. Earning his living as a billboard painter, it was in 1960 when he began to apply similar techniques of grossly enlarged and fragmented images to huge paintings such as President Elect (1960-61). Influenced by Surrealism, Rosenquist's early work had a reliance on seemingly irrational juxtapositions. His references however to mass-produced goods and to magazines, films and other aspects of the mass media, coupled with his dispassionate and seemingly anonymous technique, is what gained him fame. They also allowed him to be one of the key figures in the development of Pop Art in the United States. Rosenquist's treatment of typical Pop subject-matter however had little in common with such artists as Andy Warhol and Roy Lichtenstein. Rather than seeking to duplicate his source material, he preferred to disrupt and dislocate, as is seen in Marilyn Monroe I (1962), in which the film star's features are presented in a dismembered form as if to imply that her personality had been shattered by the pressures of fame. Rosenquist was also unusual among Pop artists in his overt involvement with political themes in works such as Painting for the American Negro (192-63) and above all in his most famous work, F-111 (1965), which is a huge painting occupying four walls of a room on fifty-one separate but interlocking pieces, as if it had been blown apart by the American fighter plane pictured on its surface and then reassembled. Such interest in technical experimentation led Rosenquist to produce a few sculptures and assemblage. It was his screenprints and particularly lithographs, however that held a creative outsource for him. Currently residing in Florida, he remains committed to the Pop aesthetic of his work from the early 1960's.

Browse James Rosenquist Catalogue Raisonnés Online.

En español: James Rosenquist.

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