Palm Beach Modern and Contemporary Art Fair March 23 - 26 2023
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James Rosenquist Lithographs

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James Rosenquist Lithograph, Time Stream Nobel Prize, 1975
James Rosenquist Lithograph
Time Stream Nobel Prize, 1975
$12,000 $7,000 ID # w-8033
James Rosenquist Lithograph, Flame Out For Picasso, from Homage to Picasso, 1973
James Rosenquist Lithograph for sale
Flame Out For Picasso, from Homage to Picasso, 1973
$12,000 $7,000 ID # w-7929
James Rosenquist Lithograph, Morning Mirror, 1966
James Rosenquist Lithograph
Morning Mirror, 1966
$11,000 $6,800 ID # w-7927
James Rosenquist Lithograph, Busy Signal, 1970
James Rosenquist Lithograph
Busy Signal, 1970
Price on Request ID # w-7928
James Rosenquist Lithograph, Sky Hole, 1989
James Rosenquist Lithograph
Sky Hole, 1989
Sold ID # w-4913
James Rosenquist Lithograph, The Stars and Stripes at the Speed of Light, 2nd State
James Rosenquist Lithograph
The Stars and Stripes at the Speed of Light, 2nd State
Sold ID # w-4914
James Rosenquist Lithograph, The Stowaway Peers out at the Speed of Light, 2001
James Rosenquist Lithograph
The Stowaway Peers out at the Speed of Light, 2001
Sold ID # w-4915
James Rosenquist Lithograph, Violent Turn, 1977
James Rosenquist Lithograph
Violent Turn, 1977
Price on Request ID # W-6530
James Rosenquist Lithograph, Campaign, 1965
James Rosenquist Lithograph
Campaign, 1965
Sold ID # w-30101
James Rosenquist Lithograph, Circles of Confusion and Lite Bulb, 1966
James Rosenquist Lithograph
Circles of Confusion and Lite Bulb, 1966
Sold ID # w-30103
James Rosenquist Lithograph, Cold Spaghetti Postcard, 1968
James Rosenquist Lithograph
Cold Spaghetti Postcard, 1968
Sold ID # w-30109
James Rosenquist Lithograph, Dusting Off Roses, 1965
James Rosenquist Lithograph
Dusting Off Roses, 1965
Sold ID # w-30102
James Rosenquist Lithograph, Forehead I, 1968
James Rosenquist Lithograph
Forehead I, 1968
Sold ID # w-30108
James Rosenquist Lithograph, New Oxy, 1964
James Rosenquist Lithograph
New Oxy, 1964
Sold ID # w-30100
James Rosenquist Lithograph, Roll Down, 1965-66
James Rosenquist Lithograph
Roll Down, 1965-66
Sold ID # w-30111
James Rosenquist Lithograph, Spaghetti and Grass, 1964-65
James Rosenquist Lithograph
Spaghetti and Grass, 1964-65
Sold ID # w-30107
James Rosenquist Lithograph, Spaghetti, 1970
James Rosenquist Lithograph
Spaghetti, 1970
Sold ID # w-30110
James Rosenquist Lithograph, Area Code, 1969
James Rosenquist Lithograph
Area Code, 1969
Sold ID # w-30115
James Rosenquist Lithograph, Bunraku, 1970
James Rosenquist Lithograph
Bunraku, 1970
Sold ID # w-30118
James Rosenquist Lithograph, Busy Signal, 1970
James Rosenquist Lithograph
Busy Signal, 1970
Sold ID # w-30116
James Rosenquist Lithograph, Delivery Hat, 1971
James Rosenquist Lithograph
Delivery Hat, 1971
Sold ID # w-30124
James Rosenquist Lithograph, Earth and Moon, 1971
James Rosenquist Lithograph
Earth and Moon, 1971
Sold ID # w-30122
James Rosenquist Lithograph, Fedora, 1971
James Rosenquist Lithograph
Fedora, 1971
Sold ID # w-30125
James Rosenquist Lithograph, Flamingo Capsule, 1973
James Rosenquist Lithograph
Flamingo Capsule, 1973
Sold ID # w-30117
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Roy Lichtenstein

Andy Warhol

Jim Dine (American, born 1935)

Jim Dine

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Robert Indiana

Tom Wesselmann (American, 1931–2004)

Tom Wesselmann

Mel Bochner

Why James Rosenquist?

Beginning his artistic career as a billboard painter, James Rosenquist quickly rose to prominence within the Pop Art movement. Unlike his contemporaries, Rosenquist maintained that he "was never concerned with logos or brand names or movie stars" and jokingly referred to his work as "antipop."

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Related News

Nov 30
Roy Lichtenstein's Techniques: Spots and Stripes
No image available
Apr 1
Pop Artist James Rosenquist Dies at 83

James Rosenquist Biography

James Rosenquist
James Rosenquist (American, 1933–2017)

Born an only child in 1933 in Grand Forks, North Dakota, American painter, printmaker and sculptor James Rosenquist was one of the leaders of the Pop-Art movement. While still in high school in 1948 he won a scholarship to study at the Minneapolis School of Art, and from 1952 to 1955 he studied painting at the University of Minnesota. In 1955 he moved to New York to study at the Art Students League on a scholarship. Earning his living as a billboard painter, it was in 1960 when he began to apply similar techniques of grossly enlarged and fragmented images to huge paintings such as President Elect (1960-61). Influenced by Surrealism, Rosenquist's early work had a reliance on seemingly irrational juxtapositions. His references however to mass-produced goods and to magazines, films and other aspects of the mass media, coupled with his dispassionate and seemingly anonymous technique, is what gained him fame. They also allowed him to be one of the key figures in the development of Pop Art in the United States. Rosenquist's treatment of typical Pop subject-matter however had little in common with such artists as Andy Warhol and Roy Lichtenstein. Rather than seeking to duplicate his source material, he preferred to disrupt and dislocate, as is seen in Marilyn Monroe I (1962), in which the film star's features are presented in a dismembered form as if to imply that her personality had been shattered by the pressures of fame. Rosenquist was also unusual among Pop artists in his overt involvement with political themes in works such as Painting for the American Negro (192-63) and above all in his most famous work, F-111 (1965), which is a huge painting occupying four walls of a room on fifty-one separate but interlocking pieces, as if it had been blown apart by the American fighter plane pictured on its surface and then reassembled. Such interest in technical experimentation led Rosenquist to produce a few sculptures and assemblage. It was his screenprints and particularly lithographs, however that held a creative outsource for him. Currently residing in Florida, he remains committed to the Pop aesthetic of his work from the early 1960's.

Browse James Rosenquist Catalogue Raisonnés Online.

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