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Hendrik Goltzius Engravings

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Other Engravings

Robert Rauschenberg Engraving, Untitled (Christian Symbol) from the North African Collage series, 1952
Robert Rauschenberg Engraving
Untitled (Christian Symbol) from the North African Collage series, 1952
Price on Request ID # w-8251
Anthony van Dyck Engraving, Adam de Coster, c. 1685
Anthony van Dyck Engraving
Adam de Coster, c. 1685
Price on Request ID # w-3715
Anthony van Dyck Engraving, Adrianus Stalbent (Adrien Van Stalbemt), c. 1641
Anthony van Dyck Engraving
Adrianus Stalbent (Adrien Van Stalbemt), c. 1641
Price on Request ID # w-3738
Anthony van Dyck Engraving, Albert de Ligne Arenberg, c. early 1700s
Anthony van Dyck Engraving
Albert de Ligne Arenberg, c. early 1700s
Price on Request ID # w-3684
Anthony van Dyck Engraving, Alexander Della Faille, c. early 1700s
Anthony van Dyck Engraving
Alexander Della Faille, c. early 1700s
Price on Request ID # w-3713
Anthony van Dyck Engraving, Alvaro de Bazan, c. 1645
Anthony van Dyck Engraving
Alvaro de Bazan, c. 1645
Price on Request ID # w-3711
Anthony van Dyck Engraving, Ambroise Spinola, c. 1660
Anthony van Dyck Engraving
Ambroise Spinola, c. 1660
Price on Request ID # w-3727
Anthony van Dyck Engraving, Andreas Van Ertvelt (Andre Van Eertvelt)
Anthony van Dyck Engraving
Andreas Van Ertvelt (Andre Van Eertvelt)
Price on Request ID # w-3709
Anthony van Dyck Engraving, Antonis Cornelissen (Antoine Cornelissen), c. 1641
Anthony van Dyck Engraving
Antonis Cornelissen (Antoine Cornelissen), c. 1641
Price on Request ID # w-3623
Anthony van Dyck Engraving, Antonius Bourbonius (Antoine de Bourbon), c. 1645
Anthony van Dyck Engraving
Antonius Bourbonius (Antoine de Bourbon), c. 1645
Price on Request ID # w-3707
Anthony van Dyck Engraving, Cesar Alexander Scaglia (César-Alexandre Scaglia), c. 1654
Anthony van Dyck Engraving
Cesar Alexander Scaglia (César-Alexandre Scaglia), c. 1654
Price on Request ID # w-3728
Anthony van Dyck Engraving, Christian, Duke of Brunswick and Lüneburg, c. 1645
Anthony van Dyck Engraving
Christian, Duke of Brunswick and Lüneburg, c. 1645
Price on Request ID # w-3767

Related Artists

Heinrich Aldegrever (German, 1502–died circa 1561)

Heinrich Aldegrever

Lucas van Leyden (Dutch, 1494–1533)

Lucas Van Leyden

Buy Original Hendrik Goltzius Signed and Numbered Artwork For Sale

From images of Lot and his daughters to Icarus hurtling towards the earth, a Hendrick Goltzius engraving, etching or woodcut show elongated figures in typical of Northern Renaissance Mannerism.

Genres: Old Masters Religious Baroque Mythology Nude

Have one to sell? Sell Hendrik Goltzius fine art with us

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Hendrik Goltzius Biography

Hendrik Goltzius
Hendrik Goltzius (Dutch, 1558–1617)

Hendrick Goltzius, the most important Dutch artist of his generation and a founder of the seventeenth-century Haarlem school, was born in Muhlbracht  in 1558. After learning the trade of glass painting from his father, Jan II Goltz, Hendrick studied with Dirck Volckertsz. Coornhert in Xanten, who taught him the art of engraving. In 1577, Goltzius settled in Haarlem, where he made numerous reproduced engravings for the Antwerp publisher Philip Galle, and by 1582 had established a flourishing atelier in which prints of his own invention were also made and published.

In 1583, the Flemish painter-theoretician Carel van Mander arrived in Haarlem, and introduced Goltzius to the work of the Flemish artist Bartholomaeus Spranger (1546-1611). Goltzius was quickly seduced by Spranger's flamboyant mannerist style, and not only made many prints after his works, but also began to incorporate Spranger's elegantly attenuated figures and violent foreshortenings into his own engravings.

In 1590, Goltzius travelled to Italy, where he studied ancient sculpture and paintings of the High Renaissance masters in Rome, Florence, Venice and Bologna. Upon his return to Haarlem the following year, Goltzius abandoned his earlier mannerist mode, turning instead to the more normative, classic forms of the Italian and Northern Renaissance, a change which would prove decisive for the rest of his career. Around the turn of the century, Goltzius exchanged his engraver's tools for the painter's brush, in part due to failing eyesight after years of close work with the burin, but also in response to the theory of his friend van Mander, who held painting above the graphic arts. Goltzius's paintings are relatively rare. Approximately fifty autograph works are known, and all date from between c.1600 and 1617, the year of the artist's death.

Drawings, engravings and paintings by Goltzius can be found in many major institutions around the world.

Browse Hendrik Goltzius Catalogue Raisonnés Online.

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