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Victor Pasmore Collages

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Other Collages

Frank Stella Collage, Had Gadya: Back Cover, from Illustrations after El Lissitzky’s Had Gadya, 1984
Frank Stella Collage for sale
Had Gadya: Back Cover, from Illustrations after El Lissitzky’s Had Gadya, 1984
Price on Request ID # W-7108
Andy Warhol Collage, Untitled, c. 1982 Unique Collage
Andy Warhol Collage
Untitled, c. 1982 Unique Collage
Price on Request ID # w-6405
Victor Vasarely Collage, Orion Noir Negative, 1970
Victor Vasarely Collage
Orion Noir Negative, 1970
Price on Request ID # w-8172
Victor Vasarely Collage, Orion Blanc Positive, 1970
Victor Vasarely Collage
Orion Blanc Positive, 1970
Price on Request ID # w-8174
Victor Vasarely Collage, Orion Blanc, 1970
Victor Vasarely Collage
Orion Blanc, 1970
Price on Request ID # w-8175
Victor Vasarely Collage, Orion Noir, 1970
Victor Vasarely Collage
Orion Noir, 1970
Price on Request ID # w-8173
Frank Stella Collage, Then Came Death and Took the Butcher, from Illustrations after El Lissitzky’s Had Gadya, 1984
Frank Stella Collage
Then Came Death and Took the Butcher, from Illustrations after El Lissitzky’s Had Gadya, 1984
Sold ID # W-7526
Frank Stella Collage, Then Came a Dog and Bit the Cat, from Illustrations after El Lissitzky’s Had Gadya, 1984
Frank Stella Collage
Then Came a Dog and Bit the Cat, from Illustrations after El Lissitzky’s Had Gadya, 1984
Sold ID # W-7876
Frank Stella Collage, Then Came a Dog and Bit the Cat, from Illustrations after El Lissitzky’s Had Gadya, 1984
Frank Stella Collage
Then Came a Dog and Bit the Cat, from Illustrations after El Lissitzky’s Had Gadya, 1984
Sold ID # W-7106
Frank Stella Collage, A Hungry Cat Ate Up the Goat, from Illustrations after El Lissitzky's Had Gadya, 1984
Frank Stella Collage
A Hungry Cat Ate Up the Goat, from Illustrations after El Lissitzky's Had Gadya, 1984
Sold ID # w-8095
Frank Stella Collage, A Hungry Cat Ate Up the Goat, 1984
Frank Stella Collage
A Hungry Cat Ate Up the Goat, 1984
Sold ID # w-5321
Frank Stella Collage, And the Holy One, Blessed Be He, from Illustrations After El Lissitzsky's Had Gadya, 1984
Frank Stella Collage
And the Holy One, Blessed Be He, from Illustrations After El Lissitzsky's Had Gadya, 1984
Price on Request ID # w-8759

Buy Original Victor Pasmore Signed and Numbered Artwork For Sale

Victor Pasmore worked often in relief and collage. His artwork promotes the abstract form, sometimes on an architectural scale. A conscientious objector, Pasmore spent 123 in prison for refusing to enter into service during World War II. Some of his works are on view at the Tate Gallery, London.

Genres: Landscape Constructivism Post War Contemporary

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Victor Pasmore Biography

Victor Pasmore
Victor Pasmore (British, 1908–1998)

Can the artists of today express themselves as well in independent abstract as the old masters did in representational art I think they can, for art need not be representational. 'Art exists, not to instruct or persuade the mind,' Charles Morgan once wrote in a literary review, 'but to impregnate the imagination.' The brother of an artist should be able to reveal some home-truths, particularly if he can recall, as I do, such incidents as drawing battleships and aeroplanes with him in the nursery during the First World War. My brother has moved a long way since then, but some of his early traits remain unchanged. For instance, he always painted for himself. I used to attribute this to obstinacy or selfishness, but have since come to realize that single-mindedness or integrity would have been more fitting terms. For centuries artists have expressed themselves in terms of the visual world; but the task of the abstract painter today is different because he is striving to express beauty without recourse to the inherent appeal to natural forms. 'What beauty is I know not though it adheres to many things,' wrote Dorer.

'When we wish to bring it into our work we must gather it from far and wide.' This leads me to mention another trait in my brother, which his need to gather from far and wide. Like a research worker he moves forward only when the problem in front of him has been solved, but at the same time always looking toward: some ultimate goal. He has gathered knowledge both from nature and the old masters, and in his early work he learned their techniques and applied them to his pictures. The strength of his work, therefore, lies in the solid foundation he has in the past, from which he reaches out into the future. Now my brother has emerged on his own and has joined that community of painters and sculptors whom I like to call the 'music-makers' because they compose independently with forms and colours in the same way that musicians compose with sounds.

-Stephen Pasmore

Browse Victor Pasmore Catalogue Raisonnés Online.

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