Roy Lichtenstein’s, Entablature VIII, 1976, offers a sleek Pop Art reinterpretation of classical architectural ornament through bold outlines, refined textures, and clean geometric structure. Lichtenstein distills the entablature’s intricate details into crisp rhythmic patterns that emphasize symmetry and clarity, giving the historic motif a distinctly modern presence. The composition feels polished and visually balanced, showcasing his ability to transform traditional architectural elements into sophisticated contemporary art.

Created in 1976, this Lichtenstein pop art Screenprint in colors is hand-signed by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil: ‘rf Lichtenstein’.  Numbered from the edition of 30, this work is published by Original Editions, New York.

Catalogue Raisonné & COA:

Roy Lichtenstein, Entablature VIII, 1976 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work).

1. Corlett, Lee Mary. The Prints of Roy Lichtenstein A Catalogue Raisonee 1948-1997. Hudson Hills Press: New York, 1994. Listed and illustrated as catalogue raisonné no. 145 on pg. 146.
2. A Certificate of Authenticity will accompany this work.

About the Framing:

Roy Lichtenstein, Entablature VIII, 1976 is framed to museum-grade, conservation standards, presented in a complementary moulding and finished with silk-wrapped mats and optical grade Plexiglas.

Roy Lichtenstein Entablature Series: is a collection of prints and paintings created between 1971 and 1976 by American Pop artist Roy Lichtenstein. In this series, Lichtenstein draws inspiration from the architectural details of classical buildings, particularly the horizontal bands and decorative elements found above columns. Using his familiar vocabulary of bold lines, Ben Day dots, and contrasting colors, he transforms these traditional motifs into sleek, modern compositions. The Entablature Series reflects Lichtenstein’s fascination with structure, repetition, and the dialogue between high art and industrial design, merging ancient architectural form with the language of modern mass production.

Entablature I, 1976

Entablature II, 1976

Entablature III, 1976

Entablature IV, 1976

Entablature V, 1976

Entablature VI, 1976

Entablature VII, 1976

Entablature VIII, 1976

Entablature IX, 1976

Entablature X, 1976

Entablature XA, 1976