Roy Lichtenstein, Cathedral #6, State II, 1969 |
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| Artist: | Roy Lichtenstein (1923 - 1997) |
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| Title: | Cathedral #6, State II, 1969 |
| Series: | Cathedral, 1969 |
| Medium: | Lithograph on Special Arjomari paper |
| Image Size: | 41 7/8 x 27 in. (106.3 x 68.6 cm) |
| Sheet Size: | 48 5/8 x 32 1/2 in. (123.5 x 82.5 cm) |
| Edition: | This work is numbered from the edition of 13; plus 1 RTP and published by Original Editions, New York. |
| Signature: | This work is hand-signed by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil ‘rf Lichtenstein’. |
| ID # | w-9000-41 |
Roy Lichtenstein’s, Cathedral Number Six, State II, 1969, builds upon the earlier state with enhanced detail and refined graphic rhythm, further transforming Gothic architecture through Lichtenstein’s bold Pop Art lens. Strong outlines and evolving patterns accentuate the cathedral’s symmetry and soaring structure while maintaining a clean, contemporary clarity. The composition reveals the progression of his stylization, turning intricate architectural elements into striking, modern forms. Balanced, polished, and visually engaging, Cathedral Number Six, State II highlights the evolving precision of Lichtenstein’s cathedral series.
Created in 1969, this Lichtenstein pop art Lithograph in colors is hand-signed by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil: ‘rf Lichtenstein’. Numbered from the edition of 13, this work is published by Original Editions, New York.
Catalogue Raisonné & COA:
Roy Lichtenstein, Cathedral #6, State II, 1969 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work).
About the Framing:
Roy Lichtenstein, Cathedral #6, State II, 1969 is framed to museum-grade, conservation standards, presented in a complementary moulding and finished with silk-wrapped mats and optical grade Plexiglas.
Roy Lichtenstein Cathedral: is a series of prints created in 1969 by American Pop artist Roy Lichtenstein. Inspired by Claude Monet’s Rouen Cathedral paintings, these works reimagine the Impressionist exploration of light and color through a distinctly modern, mechanical lens. Using his signature Ben-Day dots, bold outlines, and vibrant color contrasts, Lichtenstein translates the shifting luminosity of Monet’s brushwork into the crisp precision of commercial printmaking. The series reflects Lichtenstein’s ongoing interest in perception, reproduction, and the transformation of traditional art subjects into the visual language of mass media.
Subject Matter: Contemporary Landscape Abstract