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Henri Fantin-Latour Lithographs

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Other Lithographs

Pablo Picasso Lithograph, Grande Maternité (Grand Maternity), 1963
Pablo Picasso Lithograph
Grande Maternité (Grand Maternity), 1963
ID # W-7607 $21,000 $16,000
Georges Braque Lithograph, Equinoxe, 1962
Georges Braque Lithograph
Equinoxe, 1962
ID # w-9795 Price on Request
Georges Braque Lithograph, L’Echo (The Echo), 1960
Georges Braque Lithograph
L’Echo (The Echo), 1960
ID # W-7731 Sold
Georges Braque Lithograph, Nature Morte a la Palatte (Still life and the Palette), 1960
Georges Braque Lithograph for sale
Nature Morte a la Palatte (Still life and the Palette), 1960
ID # w-5419
Georges Braque Lithograph, Deux Oiseaux (Richesse de la France), 1961
Georges Braque Lithograph
Deux Oiseaux (Richesse de la France), 1961
ID # w-3957 Price on Request
Joan Miró Lithograph, La Melodie Acide #13 (The Acid Melody #13), 1980
Joan Miró Lithograph for sale
La Melodie Acide #13 (The Acid Melody #13), 1980
ID # w-8069 $10,000
Henri Matisse Lithograph, Danseuse assise (Seated Dancer), 1927
Henri Matisse Lithograph
Danseuse assise (Seated Dancer), 1927
ID # w-8944 $23,000 $16,500
Andy Warhol Lithograph, Watercolor Paint Kit, 1982
Andy Warhol Lithograph
Watercolor Paint Kit, 1982
ID # W-8571 $20,000 $16,000
Marc Chagall Lithograph, l'Oiseau bleu (The Blue Bird), 1968
Marc Chagall Lithograph for sale
l'Oiseau bleu (The Blue Bird), 1968
ID # W-10009 Price on Request
Marc Chagall Lithograph, La flûte enchantée (The Magic Flute), 1967
Marc Chagall Lithograph
La flûte enchantée (The Magic Flute), 1967
ID # W-8060 Price on Request
Marc Chagall Lithograph, Carmen, 1966
Marc Chagall Lithograph
Carmen, 1966
ID # W-5404 Price on Request
Marc Chagall Lithograph, Romeo et Juliette (Romeo and Juliet), 1964
Marc Chagall Lithograph
Romeo et Juliette (Romeo and Juliet), 1964
ID # w-8319 Price on Request

Buy Original Henri Fantin-Latour Signed and Numbered Artwork For Sale

Working amongst his contemporaries, the Impressionists, Henri Fantin-Latour chose a different path, sticking with the more realist leanings of the past. Famous for his group portraits, Fantin-Latour is an expert at exploring personalities through painting and lithography.

Genres: Impressionism Figurative Still Life Portraiture Mythology Domestic Scenes Self-Portrait

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Henri Fantin-Latour Biography

Henri Fantin-Latour
Henri Fantin-Latour (French, 1836–1904)

As the son of a painter, Fantin-Latour began his artistic training early.  In 1850, he entered the studio of Lecoq de Boisbaudran and later studied with Courbet as well as at the Ecole des Beaux-Arts.  He also worked as a copyist at the Louvre, selling mainly to American and English clients, and there met Whistler and Charlotte Dubourge, later his wife.  In 1859, Whistler invited him to England, where he befriended Edwin Edwards, who later became and remained his patron.  In the same year his three entries were rejected by the Salon, and in 1863 he exhibited at the Salon des Refusés and became acquainted with Manet and his circle.  He lived an increasingly secluded life in Paris, except for his trip to Bayreuth in 1876 to attend the first performance of Wagner’s Ring des Nibelungen. Characteristic Fantin-Latour paintings include: Still Life (1866; Washington, D.C., Nat. Gall.); Portrait of Manet (1867; Chicago, Art Inst.); and A Studio in the Batignolles Quarter (1870; Louvre).

A friend and contemporary of the impressionists, Fantin-Latour never shared their artistic viewpoint but perpetuated both the realist and romantic attitudes of the earlier generation.  Among his works the best known are the group portraits, which provide a rich gallery of prominent personalities, including artists (Manet, Renoir, Whistler), writers (Baudelaire, Verlaine, Rimbaud, Zola), and musicians (Chabrier, d’Indy).  To these carefully arranged but realistically perceived groups may be added Fantin’s many still lifes, similarly notable for their almost Whistlerian spareness and elegance of color and composition.  However, many of Fantin-Latour's paintings (as well as his numerous lithographs and pastels) were inspired by imaginative themes and presented in a hazy, muted style that is closer to the symbolist milieu of G. Moreau and Redon than to that of his impressionist contemporaries.  He was especially stimulated by the program music of Schumann and Berlioz and, above all, by the Nordic mythologies of Wagner.

Encyclopedia of World Art. (New York: McGraw Hill, 1961). s.v. "Fantin-Latour, Henri." Page 358.

Browse Henri Fantin-Latour Catalogue Raisonnés Online.

En español: Henri Fantin-Latour.

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