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Henri Fantin-Latour Lithographs

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Other Lithographs

Marc Chagall Lithograph, Sirène au Pine (Siren with Pine), from Nice & the Côte d'Azur, 1967
Marc Chagall Lithograph
Sirène au Pine (Siren with Pine), from Nice & the Côte d'Azur, 1967
Price on Request ID # W-8868
Marc Chagall Lithograph, Roses and Mimosa, 1975
Marc Chagall Lithograph
Roses and Mimosa, 1975
Price on Request ID # W-8866
Roy Lichtenstein Lithograph, Against Apartheid, 1983
Roy Lichtenstein Lithograph
Against Apartheid, 1983
ID # w-8112
Joan Miró Lithograph, Femme, Lune, Étoile (Woman, Moon, Stars), 1963
Joan Miró Lithograph
Femme, Lune, Étoile (Woman, Moon, Stars), 1963
Price on Request ID # w-8859
Joan Miró Lithograph, Horse-Ride - Blue Brown, 1969
Joan Miró Lithograph
Horse-Ride - Blue Brown, 1969
Price on Request ID # w-8860
Keith Haring Lithograph, Dog, 1985
Keith Haring Lithograph for sale
Dog, 1985
Price on Request ID # w-10186
Marc Chagall Lithograph, Avenue De La Victoire At Nice, from Nice et la Côte d'Azur, 1967
Marc Chagall Lithograph
Avenue De La Victoire At Nice, from Nice et la Côte d'Azur, 1967
Price on Request ID # w-8775
Frank Stella Lithograph, The Whale-Watch, from the Moby Dick Deckle Edges Series, 1993
Frank Stella Lithograph for sale
The Whale-Watch, from the Moby Dick Deckle Edges Series, 1993
Price on Request ID # W-7113
Pablo Picasso Lithograph, Grand Profil (Large Profile), 1947
Pablo Picasso Lithograph
Grand Profil (Large Profile), 1947
Price on Request ID # w-8765
Joan Miró Lithograph, Mandarin du Nord (Mandarin North), 1976
Joan Miró Lithograph for sale
Mandarin du Nord (Mandarin North), 1976
$28,000 $16,000 ID # w-8781
Joan Miró Lithograph, La Melodie Acide #13 (The Acid Melody #13), 1980
Joan Miró Lithograph
La Melodie Acide #13 (The Acid Melody #13), 1980
$10,000 ID # w-8069
Joan Miró Lithograph, Lithograph VI from Miró, Obra Inedita Recent, 1964
Joan Miró Lithograph
Lithograph VI from Miró, Obra Inedita Recent, 1964
$10,000 ID # w-3200

Buy Original Henri Fantin-Latour Signed and Numbered Artwork For Sale

Working amongst his contemporaries, the Impressionists, Henri Fantin-Latour chose a different path, sticking with the more realist leanings of the past. Famous for his group portraits, Fantin-Latour is an expert at exploring personalities through painting and lithography.

Genres: Impressionism Figurative Still Life Portraiture Mythology Domestic Scenes Self-Portrait

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Henri Fantin-Latour Biography

Henri Fantin-Latour
Henri Fantin-Latour (French, 1836–1904)

As the son of a painter, Fantin-Latour began his artistic training early.  In 1850, he entered the studio of Lecoq de Boisbaudran and later studied with Courbet as well as at the Ecole des Beaux-Arts.  He also worked as a copyist at the Louvre, selling mainly to American and English clients, and there met Whistler and Charlotte Dubourge, later his wife.  In 1859, Whistler invited him to England, where he befriended Edwin Edwards, who later became and remained his patron.  In the same year his three entries were rejected by the Salon, and in 1863 he exhibited at the Salon des Refusés and became acquainted with Manet and his circle.  He lived an increasingly secluded life in Paris, except for his trip to Bayreuth in 1876 to attend the first performance of Wagner’s Ring des Nibelungen. Characteristic Fantin-Latour paintings include: Still Life (1866; Washington, D.C., Nat. Gall.); Portrait of Manet (1867; Chicago, Art Inst.); and A Studio in the Batignolles Quarter (1870; Louvre).

A friend and contemporary of the impressionists, Fantin-Latour never shared their artistic viewpoint but perpetuated both the realist and romantic attitudes of the earlier generation.  Among his works the best known are the group portraits, which provide a rich gallery of prominent personalities, including artists (Manet, Renoir, Whistler), writers (Baudelaire, Verlaine, Rimbaud, Zola), and musicians (Chabrier, d’Indy).  To these carefully arranged but realistically perceived groups may be added Fantin’s many still lifes, similarly notable for their almost Whistlerian spareness and elegance of color and composition.  However, many of Fantin-Latour's paintings (as well as his numerous lithographs and pastels) were inspired by imaginative themes and presented in a hazy, muted style that is closer to the symbolist milieu of G. Moreau and Redon than to that of his impressionist contemporaries.  He was especially stimulated by the program music of Schumann and Berlioz and, above all, by the Nordic mythologies of Wagner.

Encyclopedia of World Art. (New York: McGraw Hill, 1961). s.v. "Fantin-Latour, Henri." Page 358.

Browse Henri Fantin-Latour Catalogue Raisonnés Online.

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