Andy Warhol, Mao 92, 1972
|Artist:||Andy Warhol (1928 - 1987)|
|Series:||Mao Portfolio, 1972|
|Medium:||Color Screenprint on Beckett High White Paper|
|Image:||36 in x 36 in (91.4 cm x 91.4 cm)|
|Sheet:||36 in x 36 in (91.4 cm x 91.4 cm)|
|Edition:||Numbered from an edition of 250 in ball-point pen on verso. There are 50 AP signed and numbered with a rubber stamp on verso, some signed and numbered in ball-point pen. Each print is unique; published by Castelli Graphics and Multiples, Inc., New York; printed by Styria Studio, Inc., New York.|
|Signature:||This work is hand signed by Andy Warhol (Pennsylvania, 1928 – New York, 1987) in ball-point pen on verso.|
|Condition:||This work is in excellent condition.|
Andy Warhol’s Mao 92 (1972) depicts the leader using peculiar coloring. The use of golden yellow for the leader’s skin creates a stunning contrast with the use of black shadows to define his facial features. The yellow is the most saturated color, which allows it to dominate the work. The weathered blue used for his lips and shirt is balanced by the use of peach in the background, which adds a delicate warmth. The play between the bold hue of Mao’s face and his relatively understated surroundings in Warhol’s Mao 92, part of Andy Warhol’s renowned Mao portfolio, creates an effect of unease as the viewer gazes upon an unfamiliar version of a well-known face.
Andy Warhol’s Mao screenprint portfolio appropriates the official portrait of Mao Zedong, the former Chairman of the Communist Party of China. Warhol was inspired by the portrait’s similarity to silkscreen and its ubiquity—Mao’s portrait was known to every Chinese person and could be seen throughout China in both public and private spaces. The Mao portfolio, made up of ten different versions of Mao’s portrait, evokes the propagandistic use of the image in China. Interestingly, Warhol treats Mao’s image in the same manner that he treats his portraits of Western celebrities. Mao’s cult of personality mirrored the cult-like followings of Western celebrities, and Warhol’s decision to treat Mao’s portrait in the same manner as icons such as Marilyn Monroe frames the Chinese leader as a pop icon. Warhol exposes the similarity between Western and Eastern adoration of individuals and the mass dissemination of their images, and his use of outrageous coloring examines fame in its multiple forms.
This screenprint is part of a portfolio of works Warhol created in 1972 titledMao. Other works in the Mao Portfolio include Mao 90 , 1972, Mao 91, 1972, Mao 93, 1972, Mao 94, 1972, Mao 95, 1972, Mao 96, 1972, Mao 97, 1972, Mao 98 , 1972, Mao 99, 1972.
Created in 1972, Andy Warhol’s Mao 92 is a color screenprint on Lenox Museum Board and is hand signed in ballpoint pen on verso. It is a unique work of an edition of 250, published by Castelli Graphics and Multiples, Inc., New York and printed by Styria Studio, Inc., New York.
Catalogue Raisonné & COA:
Andy Warhol, Mao 92, from Mao screenprint portfolio is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work).
About the Framing:
Framed to museum-grade, conservation standards, artist name title, year is presented in a complementary moulding and finished with silk-wrapped mats and optical grade Plexiglas.