Roy Lichtenstein, Red Lamp, 1992, transforms a simple domestic object into a bold study of light, form, and perception. The lamp — rendered in his signature comic-book precision with Ben-Day dots, thick black outlines, and flat planes of radiant color — becomes a symbol of modern design and artificial illumination. Its vivid red hue commands attention, glowing against the structured geometry of its surroundings. Lichtenstein elevates the everyday into the iconic, blurring the boundary between fine art and mass production. Through this composition, the artist reflects on how modern life is defined by objects that are both functional and aesthetic — illuminating not just space, but the visual culture of the 20th century.

Created in 1992, this color lithograph on Rives BFK paper is hand-signed and dated by Roy Lichtenstein (New York, 1923 – New York, 1997) in pencil in the lower right margin. This work is numbered from the edition of 250 in pencil in the lower center margin.

Catalogue Raisonné & COA:
This work is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work).

1. Corlett, Lee Mary. The Prints of Roy Lichtenstein A Catalogue Raisoneé 1948-1997. New York: Hudson Hills Press, 1994. Listed and illustrated as catalogue raisonné no. 279.
2. A Certificate of Authenticity will accompany this work.

About the Framing:
Framed to archival, museum grade conservation standards, this work is framed in a complementary moulding and optical grade Plexiglas.