Joan Miró, Untitled from Tracé sur l'eau (Trace on the Water), 1963
|Artist:||Joan Miró (1893 - 1983)|
|Title:||Untitled from Tracé sur l'eau (Trace on the Water), 1963|
|Medium:||Color Lithograph Based on Unique Watercolors Printed on Marais Onion Skin Paper by Maeght éditeur|
|Image:||10 3/4 in x 8 1/2 in (27.3 cm x 21.6 cm)|
|Sheet:||14 in x 11 1/2 in (35.6 cm x 29.2 cm)|
|Framed:||22 in x 19 3/4 in (55.9 cm x 50.2 cm)|
|Edition:||From the unsigned edition of 900 by Maeght Éditeur, Paris, it is printed on Marais onion skin paper (total edition was 1,000, 900 unsigned on onion skin paper, 100 signed on Rives wove paper).|
|Condition:||These works are in excellent condition.|
Faint hues of cherry blossom and lavender leave ghostly impressions in this effervescent piece. Crisp black marks delineate an inky pathway through a dreamlike landscape. Simple yet alluring, this soothing piece demonstrates the softer and subtler side of Miró with a limited palette and minimal style.
Created in 1963, Tracé sur l'eau (Trace on the Water) is from the series of fourteen lithographs based on unique watercolors. From the unsigned edition of 900 by Maeght Éditeur, Paris, it is printed on Marais onion skin paper (total edition was 1,000, 900 unsigned on onion skin paper, 100 signed on Rives wove paper).
Catalogue Raisonné & COA:
Joan Miró Untitled from Trace on the Water (Tracé sur l'eau), 1963 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work).
1. Cramer, P. (1989). Joan Miró, The Illustrated Books: Catalogue Raisonné. Patrick Cramer, Publisher: Geneva. Listed and illustrated as catalogue raisonné no. 82 on pgs. 226-227.
2. Maeght Éditeur (1972 - 1973). Fondation Maeght 06, Saint-Paul. Fondation Maeght. Listed and illustrated on pgs. 60-61.
3. A Certificate of Authenticity will accompany these works.
About the Framing:
Framed to archival museum grade conservation standards, Joan Miró Untitled from Trace on the Water (Tracé sur l'eau), 1963 is framed in sleek black and gold mouldings that accentuate the soft, dreamlike quality of these works. These pieces are finished with silk mats and optical grade Plexiglas.