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James Rosenquist Animals

  • James Rosenquist Biography
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Fine art of horses, cheval, dogs, roosters, faun, zebra.

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Lithographs (6)
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James Rosenquist Lithograph, Dog Descending a Staircase, 1980-1982
James Rosenquist Lithograph
Dog Descending a Staircase, 1980-1982
ID # w-30158 Sold

Other Animals

Pablo Picasso Ceramic, Chouette (Wood-Owl), 1969
Pablo Picasso Ceramic
Chouette (Wood-Owl), 1969
ID # w-5158 Price on Request
Andy Warhol Screen Print, Grevy’s Zebra, Endangered Species Series, 1983
Andy Warhol Screen Print
Grevy’s Zebra, Endangered Species Series, 1983
ID # w-6849 Sold
Jeff Koons Porcelain, Lobster, 2025
Jeff Koons Porcelain
Lobster, 2025
ID # W-10036 Price on Request
Georges Braque Lithograph, Equinoxe, 1962
Georges Braque Lithograph
Equinoxe, 1962
ID # w-9795 Price on Request
Pablo Picasso Linocut, Picador debout avec son cheval et une femme (Picador, Woman, and Horse),1959
Pablo Picasso Linocut
Picador debout avec son cheval et une femme (Picador, Woman, and Horse),1959
ID # W-7781 $35,000
Pablo Picasso Lithograph, Le Clown (The Clown),  1962
Pablo Picasso Lithograph
Le Clown (The Clown), 1962
ID # W-5983
Marc Chagall Lithograph, l'Oiseau bleu (The Blue Bird), 1968
Marc Chagall Lithograph for sale
l'Oiseau bleu (The Blue Bird), 1968
ID # W-10009 $30,000 $18,000
Pablo Picasso Linocut, Bacchanale au taureau noir (Bacchanalia with a Black Bull), 1959
Pablo Picasso Linocut
Bacchanale au taureau noir (Bacchanalia with a Black Bull), 1959
ID # w-8388
Marc Chagall Lithograph, La flûte enchantée (The Magic Flute), 1967
Marc Chagall Lithograph
La flûte enchantée (The Magic Flute), 1967
ID # W-8060 $85,000
Pablo Picasso Linocut, Corrida (Bullfight), 1959
Pablo Picasso Linocut
Corrida (Bullfight), 1959
ID # w-8374
Pablo Picasso Linocut, Faunes et chèvre (Fauns and a Goat), 1959
Pablo Picasso Linocut
Faunes et chèvre (Fauns and a Goat), 1959
ID # w-8387
Marc Chagall Lithograph, Romeo et Juliette (Romeo and Juliet), 1964
Marc Chagall Lithograph
Romeo et Juliette (Romeo and Juliet), 1964
ID # w-8319 $65,000

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Buy Original James Rosenquist Signed and Numbered Artwork For Sale

Beginning his artistic career as a billboard painter, James Rosenquist quickly rose to prominence within the Pop Art movement. Unlike his contemporaries, Rosenquist maintained that he "was never concerned with logos or brand names or movie stars" and jokingly referred to his work as "antipop."

Genres: Pop Art American Hyperrealism Americana Popular Culture Post War Contemporary

Have one to sell? Sell James Rosenquist fine art with us

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James Rosenquist Biography

James Rosenquist
James Rosenquist (American, 1933–2017)

Born an only child in 1933 in Grand Forks, North Dakota, American painter, printmaker and sculptor James Rosenquist was one of the leaders of the Pop-Art movement. While still in high school in 1948 he won a scholarship to study at the Minneapolis School of Art, and from 1952 to 1955 he studied painting at the University of Minnesota. In 1955 he moved to New York to study at the Art Students League on a scholarship. Earning his living as a billboard painter, it was in 1960 when he began to apply similar techniques of grossly enlarged and fragmented images to huge paintings such as President Elect (1960-61). Influenced by Surrealism, Rosenquist's early work had a reliance on seemingly irrational juxtapositions. His references however to mass-produced goods and to magazines, films and other aspects of the mass media, coupled with his dispassionate and seemingly anonymous technique, is what gained him fame. They also allowed him to be one of the key figures in the development of Pop Art in the United States. Rosenquist's treatment of typical Pop subject-matter however had little in common with such artists as Andy Warhol and Roy Lichtenstein. Rather than seeking to duplicate his source material, he preferred to disrupt and dislocate, as is seen in Marilyn Monroe I (1962), in which the film star's features are presented in a dismembered form as if to imply that her personality had been shattered by the pressures of fame. Rosenquist was also unusual among Pop artists in his overt involvement with political themes in works such as Painting for the American Negro (192-63) and above all in his most famous work, F-111 (1965), which is a huge painting occupying four walls of a room on fifty-one separate but interlocking pieces, as if it had been blown apart by the American fighter plane pictured on its surface and then reassembled. Such interest in technical experimentation led Rosenquist to produce a few sculptures and assemblage. It was his screenprints and particularly lithographs, however that held a creative outsource for him. Currently residing in Florida, he remains committed to the Pop aesthetic of his work from the early 1960's.

Browse James Rosenquist Catalogue Raisonnés Online.

En español: James Rosenquist.

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