A Simple Guide to Picasso Ceramic Markings and Stamps
In 1946, Picasso first set foot into the Madoura Pottery studio, and later began a prolific partnership between himself and Georges and Suzanne Ramie, owners of the studio. He approached this ceramic medium with the same inventiveness and imagination he brought to his previous paintings and prints. This would result in the creation of more than 1,000 plates, vases and plaques etc. numbered from editions of 25 to editions of 500 and some unique pieces. Broadly speaking, Picasso used two methods to produce his ceramic editions:
1st: Directly replicating the shape and decoration of an original ceramic piece as closely as possible.
2nd: Engraving the original image into a dry mould which was then transferred to the new clay.
Each piece is certified and authenticated by the markings on the underside or the inside of any Picasso ceramic (also referred to as Picasso Madoura ceramics and Picasso pottery). The most common stamps and inscriptions read Madoura Plein Feu, Edition Picasso, Empreinte Originale de Picasso and Poinçon Original de Picasso. All of which indicate an authentic and limited edition.
Madoura Plein Feu
All Picasso ceramic works from the Madoura studio are engraved with the Madoura Plein Feu stamp. The stamp is a sign of authenticity and all works recognized by the studio are documented by Alain Ramié in the Picasso Catalogue of the Edited Ceramic Works 1947-1971.
Empreinte Originale de Picasso
Empreinte Originale de Picasso literally translates into “original print of Picasso”. This stamp appears on many of the Picasso ceramic pieces and signifies that Picasso created the work by transferring the original image onto new clay. This is the second method of creation from the aforementioned list.
Poinçon Original de Picasso
Picasso’s later ceramics (A.R. 613-633) will bear the Poinçon original de Picasso stamp. The Poinçon is made by stamping an original Picasso linoleum cut into the clay or terracotta. The last edition in this category was made in 1971. You can see an example from our collection here.
Picasso Ceramic Marking/Stamp – Edition Numbers
Edition numbers oftentimes accompany the stamps. As a general rule, a smaller edition, such as an edition of 25, will be more valuable than larger editions, such as an edition of 500. Moreover, the number within an edition indicates the relative age of a ceramic. Specifically, a work numbered 1/25 was created much earlier than a work numbered 25/25. Although the earlier edition numbers are considered more valuable, they are also more likely to be damaged due to aging.
Knowing and understanding the meaning of Picasso Ceramics markings and stamps is essential to the process of purchasing a Picasso ceramic. To learn more about what to keep in mind when purchasing, check out our guide to collecting Picasso ceramics.
MORE ON PABLO PICASSO:
Check out our collection of Picasso Ceramics
Suggested Picasso artworks:
Tete d’Homme aux Cheveux Longs (Man’s Head with Long Hair), 1968-1969 Pablo Picasso Picasso Madoura ceramicsSOLDItem # 4723
Madoura Ceramic, Bouquet à la pomme (Bunch with Apple), 1956 Pablo Picasso Pablo Picasso CeramicsREQUEST PRICE/SUBMIT BEST OFFERItem # 4874
Famille des Saltimbanques (Family of Acrobats), c. 1950 Pablo Picasso Hand Signed Etching for SaleREQUEST PRICE/SUBMIT BEST OFFERW-5863
Visage à la barbiche (Face with Goatee), 1968 – 1969 Pablo Picasso Pablo Picasso CeramicsREQUEST PRICE/SUBMIT BEST OFFERItem # 5243
Crouching Model, Sculpture of Back and Bearded Head from the Vollard Suite ,1933 Pablo Picasso Original Hand Signed Etching for SaleSOLDItem # 5643
Wood Owl, 1948 Pablo Picasso Pablo Picasso CeramicREQUEST PRICE/SUBMIT BEST OFFERItem # 5607