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Raphael Soyer Etchings

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Other Etchings

Joan Miró Etching, L'Invitée du Dimanche I (Sunday Guest I), 1969
Joan Miró Etching
L'Invitée du Dimanche I (Sunday Guest I), 1969
Sold ID # w-8061
Wayne Thiebaud Etching, Candied Apples, from Delights, 1964
Wayne Thiebaud Etching
Candied Apples, from Delights, 1964
Sold ID # w-9879
Wayne Thiebaud Etching, Banana Splits, from Delights, 1964
Wayne Thiebaud Etching
Banana Splits, from Delights, 1964
Sold ID # w-9817
Wayne Thiebaud Etching, Cigars, from Recent Etchings II 1979
Wayne Thiebaud Etching
Cigars, from Recent Etchings II 1979
Sold ID # w-9806
Wayne Thiebaud Etching, Estate 2, 1998
Wayne Thiebaud Etching
Estate 2, 1998
Sold ID # w-9812
Wayne Thiebaud Etching, Candied Apples, from Delights 1964
Wayne Thiebaud Etching
Candied Apples, from Delights 1964
Sold ID # w-9848
Wayne Thiebaud Etching, Eight Dogs, 1990
Wayne Thiebaud Etching
Eight Dogs, 1990
Sold ID # w-9865
Wayne Thiebaud Etching, Estate I, 1998
Wayne Thiebaud Etching
Estate I, 1998
Sold ID # w-9880
Wayne Thiebaud Etching, Lemon Meringue, from Delights, 1964
Wayne Thiebaud Etching
Lemon Meringue, from Delights, 1964
Sold ID # w-9863
Wayne Thiebaud Etching, Night River, 1998-2011
Wayne Thiebaud Etching
Night River, 1998-2011
Sold ID # w-9874
No image available
Wayne Thiebaud Etching
Beach Dogs, 2006
Sold ID # w-9920
Wayne Thiebaud Etching, Coconut Cake, 1964
Wayne Thiebaud Etching
Coconut Cake, 1964
Sold ID # w-9916

Buy Original Raphael Soyer Signed and Numbered Artwork For Sale

Focusing on the people and settings around him, Raphael Soyer made a career in depicting the daily lives of New Yorker's. Carrying a stark truth about humanity, Soyer's works are full of emotion and beauty.

Genres: Realism Cityscapes Scenes of Everyday Life Modern Art

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Raphael Soyer Biography

Raphael Soyer
Raphael Soyer (American, 1899–1987)

Also considered an American Scene Painter, Raphael Soyer excelled in paintings and prints which depicted men and women in everyday, commonplace settings.  He was able to evoke a sentiment so characteristic of his time through the expressions, settings, and actions within his works.  Born in Russia during the oppression, his family emigrated to the Bronx in 1912 where Soyer derived most of his early cultural influences for his future canvases and drawings.

Coming from a large, Jewish, and intellectual family, Soyer underwent his academic career in and around New York during the 1920s where he gathered most of his inspiration amidst the depression-era working class and immigrant urban sprawl.  His renditions were considered to be genuine, heartfelt works of mostly his friends and family, using a combination of quick, successive strokes and organic uses of color and light.  His style emerged to include eye-opening studies of the hard-working, average, American, encapsulating struggle, grief, and the grace of defeat.  He deviated from making overtly political commentaries through his works, rather, he focused on the emotions surrounding the socio-economic plight that many immigrant Americans felt during the Great Depression and just before WWII.

By the 1930s, Soyer began showing at exhibitions held at The Whitney Museum of American Art, The Carnegie Institute, and the Art Institute of Chicago.  Dubbed the “dean of American realists” by the New York Times, he ventured into teaching and writing, co-founding the magazine, Reality and also publishing several books including Diary of an Artist (New Republic Books, 1977), Raphael Soyer: Self-Revealment: A Memoir (Random House, 1969), and Homage to Thomas Eakins, etc. (Thomas Yoseloff, 1966).  Soyer died in New York in 1987.

Browse Raphael Soyer Catalogue Raisonnés Online.

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