Details

Artist: David Hockney (British, b. 1937) (1937 - )
Title: Tyler Dinning Room, from Moving Focus, 1984
Series: Moving Focus, 1984
Medium: Lithograph in colors on TGL handmade paper.
Image Size: 32 x 40 in (81.3 x 101.6 cm)
Sheet Size: 32 x 40 in (81.3 x 101.6 cm)
Edition: Numbered from the edition of 98 in pencil in the lower left.
Signature: This work is hand signed by David Hockney (Bradford 1937-) in pencil in the lower right.
Item # W-101994

Historical Description

David Hockney, Tyler Dining Room, from Moving Focus, 1984, is one of the most visually distinctive interior scenes from David Hockney’s landmark Moving Focus series, created during one of the most innovative periods of the artist’s career. The work depicts the dining room of master printer Kenneth Tyler, transforming a familiar domestic setting into an inventive exploration of perspective, space, color, and visual memory.

By the early 1980s, Hockney had become increasingly dissatisfied with the fixed viewpoint of traditional Renaissance perspective. Influenced by Cubism, his photographic “joiners,” and his continuing study of how the eye moves through an environment, he developed compositions in which multiple viewpoints and moments of observation could exist within one image. The Moving Focus series became one of the clearest expressions of these ideas, combining interiors, portraits, furniture, and architectural spaces through constantly changing perspectives.

Rather than presenting the room from one stable position, Tyler Dining Room uses reverse perspective, placing the narrower end of the dining table closer to the viewer and allowing it to expand toward the back of the composition. Wooden chairs, a hanging chandelier, pink walls, patterned blue flooring, and a bold Cubist painting are arranged within a space that feels both intimate and deliberately unstable. The reversed table and shifting architectural lines draw the viewer directly into the room, creating an image that is unmistakably Hockney: warm, intelligent, playful, and visually engaging.

Works from Hockney’s 1980s period are highly valued for combining recognizable domestic subjects with major conceptual and technical experimentation. Within the Moving Focus series, Tyler Dining Room is especially desirable for its vivid palette, large scale, unusual use of reverse perspective, and close connection to Hockney’s influential collaboration with Kenneth Tyler. With a standard edition of only 98, signed impressions remain limited and increasingly difficult to acquire.

Produced in collaboration with the master printers at Tyler Graphics, Tyler Dining Room is a color lithograph printed from 14 aluminum plates on luxurious handmade TGL paper. Printed by Roger Campbell and Lee Funderburg, the work was published by Tyler Graphics Ltd. in 1985 and bears the publisher’s blindstamp. The image measures approximately 28¾ by 38 inches, with a full sheet measuring approximately 32 by 39¾ inches. It stands as an exceptional example of Hockney’s ability to bring the complexity of painting and drawing into the printmaking medium.

Museum Collections:

The significance of Tyler Dining Room is reflected by its inclusion in the permanent collections of several internationally recognized museums, including:

Tate, London

Walker Art Center, Minneapolis

National Gallery of Australia, Canberra

Museum of Contemporary Art Tokyo

Its presence in these prestigious institutions underscores the importance of both the Moving Focus series and Hockney’s innovative contributions to late twentieth-century interior art and printmaking.

This example, numbered from the limited edition of only 98 and hand signed and dated by David Hockney, represents an outstanding opportunity to acquire one of the artist’s most recognizable and museum-quality print editions. An additional 18 artist’s proofs were produced outside the standard edition. Combining rarity, historical significance, exceptional craftsmanship, and one of the strongest periods of Hockney’s career, Tyler Dining Room is an important work for serious collectors of modern and contemporary art.

David Hockney’s Moving Focus series, created between 1984 and 1986, is one of the most ambitious print projects of his career. Moving beyond traditional fixed perspective, Hockney used shifting viewpoints, fragmented forms, expressive drawing, and vivid color to explore how people experience subjects over time. Featuring portraits, interiors, still lifes, chairs, and views of the Hotel Romano Angeles in Mexico, the series was produced with Kenneth Tyler using innovative combinations of lithography, etching, screenprinting, collage, and handmade papers. Together, the works represent a major achievement in modern printmaking and a powerful exploration of movement, perspective, and memory.

The works in David Hockney’s Moving Focus Series (1984–1986) include: Conversation in the Studio, Tyler Dinning Room, Pembroke Studio Interior, Pembroke Studio with Blue Chairs and Lamp, Two Pembroke Studio Chairs, The Perspective Lesson, Amaryllis in Vase, Red Celia, Celia in Green Hat, Hotel Acatlan: First Day, Hotel Acatlan: Second Day, Hotel Acatlan: Two Weeks Later, Views of Hotel Well I, Views of Hotel Well II, Views of Hotel Well III, Walking Past Two Chairs, An Image of Gregory, An Image of Celia, An Image of Celia, State I, An Image of Celia, State II, An Image of Celia Study, Portrait of Mother I, Portrait of Mother II, Portrait of Mother III, An Image of Ken, White Porcelain, A Picture of Two Chairs, Number One Chair.

Catalogue Raisonné & COA:

David Hockney Tyler Dining Room, from Moving Focus, 1984 is fully documented and referenced in the below catalogue raisonnés and related texts. Copies will be enclosed as added documentation with the invoices that will accompany the sale of the work.

Museum of Contemporary Art Tokyo, catalogue number 261.
Tyler Graphics, catalogue number 278.

  1. A Certificate of Authenticity will accompany this artwork.

David Hockney (British, b. 1937)

Tyler Dinning Room, from Moving Focus, 1984

Lithograph in colors on TGL handmade paper.
from the edition of 98 in pencil in the lower left.
hand signed by David Hockney (Bradford 1937-) in pencil in the lower right.
 
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