| Artist: | David Hockney (British, b. 1937) (1937 - ) |
|---|---|
| Title: | Slow Forest, from Some New Prints, 1993 |
| Series: | Some New Prints, 1993 |
| Medium: | Lithograph in colors on Arches 88 paper. |
| Image Size: | 25 x 33 in (63.5 x 83.8 cm) |
| Sheet Size: | 25 x 33 in (63.5 x 83.8 cm) |
| Edition: | Numbered from the edition of 68 in pencil in the lower left. |
| Signature: | This work is hand signed by David Hockney (Bradford 1937-) in pencil in the lower right. |
| Item # | W-101986 |
David Hockney, Slow Forest, from Some New Prints, 1993, is one of the most distinctive and visually energetic works from David Hockney’s Some New Prints series, created during an important period of renewed abstraction in the artist’s career. Executed in 1993, the composition transforms the familiar idea of a wooded landscape into an expressive field of color, repeated forms, and rhythmic movement. Rather than describing a specific location, Hockney creates an imaginative environment that explores the visual experience of moving through dense natural space.
During the early 1990s, Hockney became increasingly interested in figureless, abstract compositions that allowed color, texture, and gesture to carry the image. The Some New Prints series developed alongside his abstract studio paintings of the period and translated many of the same ideas into printmaking. By combining traditional techniques with the precision and flexibility of Gemini G.E.L.’s workshop, Hockney produced images that appear spontaneous while remaining technically complex.
Rather than presenting a realistic forest, Slow Forest builds the landscape through repeated vertical trunks and loosely brushed forms. Dark blue and black lines rise through the composition, surrounded by swirling areas of blue and white that suggest foliage, shadows, and changing light. A band of green creates a dense canopy across the upper edge, while vivid yellow, red, and green accents bring warmth and energy to the lower portion. The overlapping marks make the forest feel crowded yet constantly moving, creating an image that is unmistakably Hockney: bold, imaginative, experimental, and visually engaging.
Works from Hockney’s early 1990s period are highly valued for the way they combine recognizable subjects with increasingly abstract forms. Within Some New Prints, Slow Forest is particularly memorable for its vivid palette, strong graphic rhythm, and unusual interpretation of landscape. Collectors prize these editions for their limited production, exceptional craftsmanship, and importance within Hockney’s continuing exploration of color, space, and visual perception.
Produced in collaboration with the master printers at Gemini G.E.L., Slow Forest is an eight-color lithograph and screenprint on Arches 88 wove paper. Published by Gemini G.E.L. in Los Angeles with its blindstamp and inkstamp on the reverse, the image measures approximately 23 by 30⅞ inches, with a full sheet measuring 25 by 33 inches. The combination of lithography and screenprinting gives the composition a rich contrast between painterly marks, layered textures, and concentrated areas of color.
Museum Collections:
The significance of Slow Forest is reflected by its inclusion in the permanent collection of:
National Gallery of Art, Washington, D.C.
Its presence in this prestigious institution underscores the importance of Some New Prints and Hockney’s innovative contributions to late twentieth-century abstraction and printmaking.
This example, numbered from the limited edition of only 68 and hand signed and dated by David Hockney, represents an outstanding opportunity to acquire one of the artist’s most distinctive abstract landscape prints. Fourteen artist’s proofs were also produced outside the standard edition. Combining rarity, technical complexity, exceptional craftsmanship, and a highly recognizable palette, Slow Forest is an important work for serious collectors of modern and contemporary art.
David Hockney’s Some New Prints series, created between 1993 and 1994, marks an important shift toward abstraction in his printmaking. Using vivid color, layered textures, organic shapes, and energetic patterns, Hockney created imaginative compositions that move between landscape, interior space, and pure abstraction. Produced with Gemini G.E.L. through combinations of lithography and screenprinting, the series explores movement, depth, and visual rhythm while preserving the spontaneity of drawing and painting.
The works in David Hockney’s Moving Focus Series (1984–1986) include: Slow Forest, Ink in the Room, Four Part Splinge, Blue Hang Cliff, Going Out, Warm Start.
Catalogue Raisonné & COA:
David Hockney Slow Forest, from Some New Prints, 1993 is fully documented and referenced in the below catalogue raisonnés and related texts. Copies will be enclosed as added documentation with the invoices that will accompany the sale of the work.
Museum of Contemporary Art Tokyo, catalogue number 332.
Gemini G.E.L. sequence number 1603.
David Hockney (British, b. 1937)Slow Forest, from Some New Prints, 1993 |
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| Lithograph in colors on Arches 88 paper. | |
| from the edition of 68 in pencil in the lower left. | |
| hand signed by David Hockney (Bradford 1937-) in pencil in the lower right. | |
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