| Artist: | David Hockney (British, b. 1937) (1937 - ) |
|---|---|
| Title: | Pembroke Studio Interior, from Moving Focus, 1984 |
| Series: | Moving Focus, 1984 |
| Medium: | Lithograph in colors on TGL handmade paper. |
| Image Size: | 40 1/2 in x 49 4/5 in (102.9 cm x 126.4 cm) |
| Sheet Size: | 40 1/2 in x 49 4/5 in (102.9 cm x 126.4 cm) |
| Framed Size: | approx.: 42 in x 51 in (106.68 cm x 129.54 cm) |
| Edition: | Numbered from the edition of 70 in pencil in the lower left. |
| Signature: | This work is hand signed by David Hockney (Bradford 1937- London 2026) in pencil in the lower right. |
| Item # | W-10472 |
David Hockney, Pembroke Studio Interior is one of the most celebrated and visually engaging prints from David Hockney's landmark Moving Focus series, created during what is widely regarded as the artist's most important and innovative decade.
Executed in 1984, this vibrant lithograph captures the interior of Hockney's famed Hollywood Hills studio, transforming an everyday domestic space into an extraordinary exploration of perception, perspective, and memory.
By the early 1980s, Hockney had become increasingly dissatisfied with the fixed viewpoint of traditional Renaissance perspective. Inspired by his groundbreaking photographic "joiners," he began developing a revolutionary approach to depicting space—one that reflected how the human eye naturally experiences an environment by constantly shifting focus and moving through it over time. The Moving Focus series represents the culmination of these investigations and stands among the most intellectually significant bodies of work in Hockney's career.
Rather than presenting a static room, Pembroke Studio Interior invites the viewer to wander through Hockney's creative world. Familiar objects—chairs, easels, furniture, lamps, and architectural details—are woven together through multiple viewpoints, creating a composition that feels simultaneously ordered and dynamic. Sweeping linear patterns across the floor pull the viewer into the space, while delicate line work and vibrant passages of color balance precision with spontaneity. The result is an image that is unmistakably Hockney: playful, sophisticated, and endlessly engaging.
Works from Hockney's 1980s period are among the most sought-after and collectible of his entire career. During this remarkable decade, he fundamentally redefined contemporary landscape and interior painting while simultaneously pushing the technical boundaries of printmaking. Collectors prize these editions not only for their rarity and exceptional craftsmanship, but because they represent one of the artist's most groundbreaking creative achievements. As demand for Hockney's work continues to grow internationally, major prints from the Moving Focus series have become increasingly difficult to acquire, particularly impressions of this quality.
Produced in collaboration with the legendary master printers at Tyler Graphics, Pembroke Studio Interior showcases one of the most ambitious lithographic projects of the 1980s. Printed on luxurious handmade TGL paper and often presented in Hockney's distinctive artist-designed frame, the work possesses a richness of color, texture, and scale that rivals original paintings. It stands as one of the finest examples of Hockney's mastery of the printmaking medium.
Museum Collections:
The significance of Pembroke Studio Interior is reflected by its inclusion in the permanent collections of several of the world's leading museums, including:
The Museum of Modern Art (New York)
The British Museum (London)
Tate (London)
National Gallery of Australia (Canberra)
Its presence in these prestigious institutions underscores the importance of both the Moving Focus series and Hockney's revolutionary contributions to late twentieth-century art.
This example, numbered from the edition of only 70 and hand signed by David Hockney, represents an outstanding opportunity to acquire one of the artist's most desirable and museum-quality print editions. Combining rarity, historical significance, exceptional provenance, and one of the strongest periods of Hockney's career, Pembroke Studio Interior is a cornerstone work for serious collectors of modern and contemporary art.
David Hockney’s Moving Focus series, created between 1984 and 1986, is one of the most ambitious print projects of his career. Moving beyond traditional fixed perspective, Hockney used shifting viewpoints, fragmented forms, expressive drawing, and vivid color to explore how people experience subjects over time. Featuring portraits, interiors, still lifes, chairs, and views of the Hotel Romano Angeles in Mexico, the series was produced with Kenneth Tyler using innovative combinations of lithography, etching, screenprinting, collage, and handmade papers. Together, the works represent a major achievement in modern printmaking and a powerful exploration of movement, perspective, and memory.
The works in David Hockney’s Moving Focus Series (1984–1986) include: Conversation in the Studio, Tyler Dinning Room, Pembroke Studio Interior, Pembroke Studio with Blue Chairs and Lamp, Two Pembroke Studio Chairs, The Perspective Lesson, Amaryllis in Vase, Red Celia, Celia in Green Hat, Hotel Acatlan: First Day, Hotel Acatlan: Second Day, Hotel Acatlan: Two Weeks Later, Views of Hotel Well I, Views of Hotel Well II, Views of Hotel Well III, Walking Past Two Chairs, An Image of Gregory, An Image of Celia, An Image of Celia, State I, An Image of Celia, State II, An Image of Celia Study, Portrait of Mother I, Portrait of Mother II, Portrait of Mother III, An Image of Ken, White Porcelain, A Picture of Two Chairs, Number One Chair.
Catalogue Raisonné & COA:
David Hockney Pembroke Studio Interior, from Moving Focus, 1984 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work).
1. A Certificate of Authenticity will accompany this artwork.
David Hockney (British, b. 1937)Pembroke Studio Interior, from Moving Focus |
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| Lithograph in colors on TGL handmade paper. | |
| from the edition of 70 in pencil in the lower left. | |
| hand signed by David Hockney (Bradford 1937- London 2026) in pencil in the lower right. | |
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