Marc Chagall, Songe de Lamon et de Dryas (Lamons and Dryass Dream) from Daphnis and Chloe, 1961
Signed Marc Chagall lithograph, Songe de Lamon et de Dryas (Lamons and Dryass Dream) from Daphnis and Chloe, 1961
|Artist:||Marc Chagall (1887 - 1985)|
|Title:||Songe de Lamon et de Dryas (Lamons and Dryass Dream) from Daphnis and Chloe, 1961|
|Image Size:||16 11/16 in x 12 5/8 in (42.3 cm x 32.1 cm)|
|Sheet Size:||21 1/4 in x 14 15/16 in (54 cm x 37.9 cm)|
|Framed Size:||36 3/8 in x 31 1/4 in (92.4 cm x 79.4 cm)|
|Edition:||Numbered from the edition of 60 in pencil in the lower left margin.|
|Signature:||This work is hand-signed by Marc Chagall (Vitebsk, 1887 - Saint-Paul, 1985) in pencil in the lower right margin.|
|Condition:||This work is in excellent condition.|
Item # 5155
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Historical Description of this artwork
Chagall Songe de Lamon et de Dryas is from a series that was considered by Fernand Mourlot to be of “the most important graphic works that Marc Chagall has created thus far.” Chagall dedicated three years to creating his Daphnis and Chloe series (Mourlot 131). Daphnis and Chloe, iconic romantic protagonists of Greek lore, are two childhood friends who undergo the trials and tribulations of growing up and, consequently, falling in love. In this lithograph from his critically acclaimed series featuring their story, Chagall combines the Mediterranean lushness of the realm of Pan and Eros with memories of Russian Jewish folktales to commend the protection of the lover’s adoptive parents, Lamons and Dryass. Both dream of maintaining the innocence of their children, but realize that cupid and pan are waiting to throw their adolescents into love.
Created in 1961, Songe de Lamon et de Dryas is one of 42 lithographs contained in the illustrated book Daphnis & Chloe printed by Tériade Éditeur, Paris. Hand-signed in the lower right by Marc Chagall (Vitebsk, 1887 – Saint-Paul, 1985), this work is numbered from the edition of 60 in pencil in the lower left (there is also an unsigned edition without margins).
Catalogue Raisonné & COA:
Marc Chagall Lamons and Dryass Dream (Songe de Lamon et de Dryas), 1961 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work).
1. Cramer, Patrick. Marc Chagall, The Illustrated Books: Catalogue Raisonnè, Geneva, 1995.Listed and illustrated as catalogue raisonné no. 46.
2. Gauss, Ulrike, ed. Marc Chagall: The Lithographs, La Collection Sorlier. Stuttgart: D.A.P., 1960. Listed and illustrated as catalogue raisonné no. 311.
3. Sorlier, Charles. Chagall Lithographs, Vol. II 1957-1962. New York: Crown Publishers, 1984. Listed and illustrated as catalogue raisonné no. 311.
4. A Certificate of Authenticity will accompany this work.
About the Framing:
Marc Chagall Lamons and Dryass Dream (Songe de Lamon et de Dryas), 1961 is framed to museum-grade, conservation standards, presented in a complementary moulding and finished with linen-wrapped mats and optical grade Plexiglas.
What Do I Get With My Purchase?
The Certificate of Authenticity accompanies this work, guaranteeing its authenticity for as long as you own it.
All catalogue raisonné and historical documentation is included with your purchase.
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Marc Chagall Biography
Marc Chagall was born July 7, 1887, in Vitebsk, Russia. From 1907 to 1910, he studied in Saint Petersburg, at the Imperial Society for the Protection of the Arts and later with Léon Bakst. In 1910, he moved to Paris, where he associated with Guillaume Apollinaire and Robert Delaunay and encountered Fauvism and Cubism. He participated in the Salon des Indépendants and the Salon d’Automne in 1912. His first solo show was held in 1914 at Der Sturm gallery in Berlin.
Chagall visited Russia in 1914, and was prevented from returning to Paris by the outbreak of war. He settled in Vitebsk, where he was appointed Commissar for Art in 1918. He founded the Vitebsk Popular Art School and directed it until disagreements with the Suprematists resulted in his resignation in 1920. He moved to Moscow and executed his first stage designs for the State Jewish Chamber Theater there. After a sojourn in Berlin, Chagall returned to Paris in 1923 and met Ambroise Vollard. His first retrospective took place in 1924 at the Galerie Barbazanges-Hodebert, Paris. During the 1930s, he traveled to Palestine, the Netherlands, Spain, Poland, and Italy. In 1933, the Kunsthalle Basel held a major retrospective of his work.
During World War II, Chagall fled to the United States. The Museum of Modern Art, New York, gave him a retrospective in 1946. He settled permanently in France in 1948 and exhibited in Paris, Amsterdam, and London. During 1951, he visited Israel and executed his first sculptures. The following year, the artist traveled in Greece and Italy. During the 1960s, Chagall continued to travel widely, often in association with large-scale commissions he received. Among these were windows for the synagogue of the Hadassah-Hebrew University Medical Center, Jerusalem, installed in 1962; a ceiling for the Paris Opéra, installed in 1964; a window for the United Nations building, New York, installed in 1964; murals for the Metropolitan Opera House, New York, installed in 1967; and windows for the cathedral in Metz, France, installed in 1968. An exhibition of the artist’s work from 1967 to 1977 was held at the Musée du Louvre, Paris, in 1977-78, and a major retrospective was held at the Philadelphia Museum of Art in 1985. During his lifetime he also created popular lithographs, such as Maternity. Chagall died March 28, 1985, in Saint-Paul-de-Vence, France.
“When Matisse dies,” Pablo Picasso remarked, “Chagall will be the only painter left who understands what color really is.” Picasso claimed he was not a fan of the “flying violins and all the folklore, but his canvases are really painted, not just thrown together.” He followed up by saying, “There’s never been anybody since Renoir who has the feeling for light that Chagall has.”
The Museum of Biblical Art describes The Bible Chagall prints as showing “Chagall’s fluid forms, dreamlike sense of space and unique style. In his choice of subject matter, Chagall reveals his reading of the Old Testament in its moments of triumph, sorrow, and prophecy.”