Marc Chagall, La Parade (The Parade), 1980
|Artist:||Marc Chagall (1887 - 1985)|
|Title:||La Parade (The Parade), 1980|
|Medium:||Color Lithograph on Arches wove paper with Arches watermark|
|Image Size:||37 in x 23 3/8 in (94 cm x 59.5 cm)|
|Sheet Size:||45 1/8 in x 29 3/4 in (114.6 cm x 75.6 cm)|
|Framed Size:||approx. 56 1/8 in x 40 3/4 in (142.6 cm x 103.5 cm)|
|Edition:||Numbered from the edition of 50 in pencil in the lower left margin.|
|Signature:||This work is hand signed by Marc Chagall (Vitebsk, 1887 - Saint-Paul, 1985) in pencil in the lower right margin.|
|Condition:||This piece is in excellent condition.|
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Historical Description of this artwork
Marc Chagall La Parade (The Parade), 1980, offers a colorful scene of a circus – a popular theme in Marc Chagall’s repertoire. Using a palate of primarily blue, green, and red each relegated to their respective corners, Chagall depicts acrobats, musicians, figures riding donkeys, and two animated flying trapeze artists. The audience of the parade occupies the upper register of the lithograph, highlighted by the lighter greens. Two larger figures ride astride donkeys, one lofting a bouquet above his head, the other playing an instrument. The composition is circular, with the parading figures moving counterclockwise around the center of the circus tent. The seated audience curves around the same center. The circuity invites the viewer in – as an audience member privy to the same show as those depicted in the lithograph. The vibrant explosions of color are a dominate feature of Chagall’s painting, here expressing the lively energy of the performers as well as the onlookers.
Created in 1980, this color lithograph on Arches wove paper with Arches watermark is hand-signed by Marc Chagall (Vitebsk, 1887 – Saint-Paul, 1985) in pencil in the lower right margin, numbered from the edition of 50 in pencil in the lower left margin, and published by Maeght Éditeur, Paris.
Catalogue Raisonné & COA:
Marc Chagall The Parade (La Parade), 1980, is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work).
1. Gauss, Ulrike, ed. Marc Chagall, The Lithographs – la Collection Sorlier. New York: Distributed Art Publishers, Inc., 1998. Listed and illustrated as catalogue raisonné no. 981.
2. Sorlier, Charles. Chagall Lithographs, vol. VI 1980-1985. New York: Crown Publishers, Inc., 1986. Listed and illustrated as catalogue raisonné no. 981.
3. A Certificate of Authenticity will accompany this artwork.
About the Framing:
Framed to museum-grade, conservation standards, Marc Chagall The Parade (La Parade), 1980, is presented in a complementary moulding and finished with silk-wrapped mats and optical grade Plexiglas.
What Do I Get With My Purchase?
The Certificate of Authenticity accompanies this work, guaranteeing its authenticity for as long as you own it.
All catalogue raisonné and historical documentation is included with your purchase.
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Marc Chagall Biography
Marc Chagall was born July 7, 1887, in Vitebsk, Russia. From 1907 to 1910, he studied in Saint Petersburg, at the Imperial Society for the Protection of the Arts and later with Léon Bakst. In 1910, he moved to Paris, where he associated with Guillaume Apollinaire and Robert Delaunay and encountered Fauvism and Cubism. He participated in the Salon des Indépendants and the Salon d’Automne in 1912. His first solo show was held in 1914 at Der Sturm gallery in Berlin.
Chagall visited Russia in 1914, and was prevented from returning to Paris by the outbreak of war. He settled in Vitebsk, where he was appointed Commissar for Art in 1918. He founded the Vitebsk Popular Art School and directed it until disagreements with the Suprematists resulted in his resignation in 1920. He moved to Moscow and executed his first stage designs for the State Jewish Chamber Theater there. After a sojourn in Berlin, Chagall returned to Paris in 1923 and met Ambroise Vollard. His first retrospective took place in 1924 at the Galerie Barbazanges-Hodebert, Paris. During the 1930s, he traveled to Palestine, the Netherlands, Spain, Poland, and Italy. In 1933, the Kunsthalle Basel held a major retrospective of his work.
During World War II, Chagall fled to the United States. The Museum of Modern Art, New York, gave him a retrospective in 1946. He settled permanently in France in 1948 and exhibited in Paris, Amsterdam, and London. During 1951, he visited Israel and executed his first sculptures. The following year, the artist traveled in Greece and Italy. During the 1960s, Chagall continued to travel widely, often in association with large-scale commissions he received. Among these were windows for the synagogue of the Hadassah-Hebrew University Medical Center, Jerusalem, installed in 1962; a ceiling for the Paris Opéra, installed in 1964; a window for the United Nations building, New York, installed in 1964; murals for the Metropolitan Opera House, New York, installed in 1967; and windows for the cathedral in Metz, France, installed in 1968. An exhibition of the artist’s work from 1967 to 1977 was held at the Musée du Louvre, Paris, in 1977-78, and a major retrospective was held at the Philadelphia Museum of Art in 1985. During his lifetime he also created popular lithographs, such as Maternity. Chagall died March 28, 1985, in Saint-Paul-de-Vence, France.
“When Matisse dies,” Pablo Picasso remarked, “Chagall will be the only painter left who understands what color really is.” Picasso claimed he was not a fan of the “flying violins and all the folklore, but his canvases are really painted, not just thrown together.” He followed up by saying, “There’s never been anybody since Renoir who has the feeling for light that Chagall has.”
The Museum of Biblical Art describes The Bible Chagall prints as showing “Chagall’s fluid forms, dreamlike sense of space and unique style. In his choice of subject matter, Chagall reveals his reading of the Old Testament in its moments of triumph, sorrow, and prophecy.”