Marc Chagall, Marc Chagall Aleko and his wife Zemphira from an Old Russian Tale, 1955


original Marc Chagall Aleko and his wife Zemphira from an Old Russian Tale, 1955 for sale

Signed Marc Chagall etching, Marc Chagall Aleko and his wife Zemphira from an Old Russian Tale, 1955

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Artist:Marc Chagall (1887 - 1985)

Title:Marc Chagall Aleko and his wife Zemphira from an Old Russian Tale, 1955

Medium:Color Etching and Aquatint on Rives BFK Paper

Image Size:20 5/8 in x 18 1/4 in (52.4 cm x 46.36 cm)

Sheet Size:25 5/16 in x 21 3/4 in (64.3 cm x 55.2 cm)

Framed Size:approx. 38 1/4 in x 36 3/4 in (97.16 cm x 93.3 cm)

Edition:Numbered from the edition of 300 in pencil in the lower left margin.

Signature:This work is hand signed by Marc Chagall (Vitebsk, 1887 - Saint-Paul, 1985) in pencil in the lower right margin

Condition:This piece is in excellent condition with bold, bright and vibrant colors throughout

Contact Us:1-800-805-7060

Gallery Price:
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Item # 5524
 
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Historical Description of this artwork


This enchanting moonlight scene depicts Aleko and his wife, Zemphira from an old Russian tale of love. Chagall, commissioned to illustrate and create backdrops for the ballet of Aleko, uses the emotion, passion, and excitement from the story to inspire this work. In it, he embraces his wife under the light of a brilliant moon; the deep, rich hues of the midnight blue is augmented by the bright red rooster, used to signify virility and re-birth. The bright red color also represents the passion of love, and the contrast between the deep blue and the vibrant red is striking. Like many of Chagall’s more romantic works, the couple is floating above a town that we see detailed in the foreground, making them appear separate from time – where they can embrace alone forever. The story follows Aleko, an old and tired husband who is devoted to his young, hapless wife. We follow him through a journey in which true love is revealed and explained to him, his values challenged, his morals questioned. It is a tale reminiscent of a Shakespearean tragedy which Chagall uses as a foundation on which to create an equally rich and inspiring work.

Created in 1955, this artwork is based on the original oil on canvas by Marc Chagall from 1951. Published by Maeght and printed by Georges Visat, this color etching and aquatint is numbered from the edition of 300, and hand-signed by Marc Chagall (Vitebsk, 1887 – Saint-Paul, 1985) in pencil in the lower right margin.

Catalogue Raisonné & COA:
1. A Certificate of Authenticity will accompany Marc Chagall Aleko and his Wife Zemphira, 1955.

About the Framing:
Marc Chagall Aleko and his Wife Zemphira, 1955, from Old Russian Tale is framed to museum-grade, conservation standards, presented in a complementary moulding and finished with silk-wrapped mats and optical grade Plexiglas.

What Do I Get With My Purchase?

The Certificate of Authenticity accompanies this work, guaranteeing its authenticity for as long as you own it.

All catalogue raisonné and historical documentation is included with your purchase.

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Why Chagall?

Lover and dreamer, folk artist Marc Chagall chased the fantastic and dreamlike his whole life. Buy an original signed color lithograph or original print and bring his unique vision of beauty home with you.

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Artistic Styles of Chagall

20th Century Modern Master, Lovers, French and Russian

Marc Chagall Complete Biography

Read our complete Marc Chagall Biography

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Marc Chagall Lithographs etchings and paintings for sale
Marc Chagall (1887-1985)

Marc Chagall Biography

Marc Chagall was born July 7, 1887, in Vitebsk, Russia. From 1907 to 1910, he studied in Saint Petersburg, at the Imperial Society for the Protection of the Arts and later with Léon Bakst. In 1910, he moved to Paris, where he associated with Guillaume Apollinaire and Robert Delaunay and encountered Fauvism and Cubism. He participated in the Salon des Indépendants and the Salon d’Automne in 1912. His first solo show was held in 1914 at Der Sturm gallery in Berlin.

Chagall visited Russia in 1914, and was prevented from returning to Paris by the outbreak of war. He settled in Vitebsk, where he was appointed Commissar for Art in 1918. He founded the Vitebsk Popular Art School and directed it until disagreements with the Suprematists resulted in his resignation in 1920. He moved to Moscow and executed his first stage designs for the State Jewish Chamber Theater there. After a sojourn in Berlin, Chagall returned to Paris in 1923 and met Ambroise Vollard. His first retrospective took place in 1924 at the Galerie Barbazanges-Hodebert, Paris. During the 1930s, he traveled to Palestine, the Netherlands, Spain, Poland, and Italy. In 1933, the Kunsthalle Basel held a major retrospective of his work.

Watch: Marc Chagall’s exhibition in Moscow’s Tretyakov Gallery

During World War II, Chagall fled to the United States. The Museum of Modern Art, New York, gave him a retrospective in 1946. He settled permanently in France in 1948 and exhibited in Paris, Amsterdam, and London. During 1951, he visited Israel and executed his first sculptures. The following year, the artist traveled in Greece and Italy. During the 1960s, Chagall continued to travel widely, often in association with large-scale commissions he received. Among these were windows for the synagogue of the Hadassah-Hebrew University Medical Center, Jerusalem, installed in 1962; a ceiling for the Paris Opéra, installed in 1964; a window for the United Nations building, New York, installed in 1964; murals for the Metropolitan Opera House, New York, installed in 1967; and windows for the cathedral in Metz, France, installed in 1968. An exhibition of the artist’s work from 1967 to 1977 was held at the Musée du Louvre, Paris, in 1977-78, and a major retrospective was held at the Philadelphia Museum of Art in 1985. During his lifetime he also created popular lithographs, such as Maternity. Chagall died March 28, 1985, in Saint-Paul-de-Vence, France.

“When Matisse dies,” Pablo Picasso remarked, “Chagall will be the only painter left who understands what color really is.” Picasso claimed he was not a fan of the “flying violins and all the folklore, but his canvases are really painted, not just thrown together.” He followed up by saying, “There’s never been anybody since Renoir who has the feeling for light that Chagall has.”

The Museum of Biblical Art describes The Bible Chagall prints as showing “Chagall’s fluid forms, dreamlike sense of space and unique style. In his choice of subject matter, Chagall reveals his reading of the Old Testament in its moments of triumph, sorrow, and prophecy.”

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