Marc Chagall, Le Cirque a Clown Jaune (The Circus with the Yellow Clown),1967
Signed Marc Chagall Original Color Lithograph on Vélin d’Arches Paper, Le Cirque a Clown Jaune (The Circus with the Yellow Clown),1967
|Artist:||Marc Chagall (1887 - 1985)|
|Title:||Le Cirque a Clown Jaune (The Circus with the Yellow Clown),1967|
|Medium:||Original Color Lithograph on Vélin d’Arches Paper|
|Image Size:||26 1/4 in x 20 1/4 in (67 cm x 51.5 cm)|
|Sheet Size:||30 1/8 in x 22 3/4 in (76.5 cm x 58 cm)|
|Framed Size:||43 in x 36 in (109.2 cm x 91.4 cm)|
|Edition:||Numbered from the edition of 150 in pencil in the lower left; there are also a few trial proofs in blue tones.|
|Signature:||Hand signed by Marc Chagall (Vitebsk, 1887 – Saint-Paul, 1985) in pencil in the lower right.|
|Condition:||This work is in excellent condition.|
REQUEST PRICE/SUBMIT BEST OFFER
|Have One To Sell?|
Historical Description of this artwork
In Marc Chagall Le Cirque a Clown Jaune (The Circus with the Yellow Clown), 1967, a vividly colored yellow clown is central to the lively circus scene. Its charismatic expression and whimsical gestures make this one of Chagall’s more humorous and exciting circus renditions. The bright mustard yellows are cleverly offset with subtle sea greens and blues, set against a background of chestnut brown. We can even see the roaring crowd stacked in the stands, excitedly watching his gestural and colorful performance. Chagall invites us to be an active participant in this delightful circus show, successfully accomplishing the often difficult task of engaging an audience with a work of art. We become even more entranced with the work because the clown looks directly out at us, and cups his hand by his mouth, as if saying something just for us to hear. He holds his left hand in a beckoning position – and the viewer is taken in.
Created in 1967, this original color lithograph is hand signed by Marc Chagall (Vitebsk, 1887 – Saint-Paul, 1985) in pencil in the lower right margin and numbered from the edition of 150 in pencil in the lower left margin.
Catalogue Raisonné & COA:
Marc Chagall The Circus with the Yellow Clown (Le Cirque a Clown Jaune), 1967, is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoice accompanying the final sale of the work).
1) Gauss, Ulrike, ed. Marc Chagall: The Lithographs, La Collection Sorlier. Stuttgart: D.A.P., 1960. Listed and illustrated as catalogue raisonné no. 443
2) Mourlot, F. & Sorlier, C. (1969). The Lithographs of Chagall 1962 – 1968. Boston Book & Art Shop, Inc.: Boston. Listed and illustrated as catalogue raisonné no. 443
3) A Certificate of Authenticity will accompany this work.
ABOUT THE FRAMING:
Framed to museum-grade, conservation standards, Marc Chagall The Circus with the Yellow Clown (Le Cirque a Clown Jaune), 1967 is presented in a complementary moulding and finished with silk-wrapped mats and optical grade Plexiglas.
What Do I Get With My Purchase?
The Certificate of Authenticity accompanies this work, guaranteeing its authenticity for as long as you own it.
All catalogue raisonné and historical documentation is included with your purchase.
You may also like
- Le Flots engloutissent Ulysses (The Waves Swallow up Ulysses), from the Odyssey Suite, 1975 Marc Chagall Hand Signed Color Lithograph for saleSOLDItem # 4837
- Bonjour Paris (Good Morning Paris), 1972 Marc Chagall Original Color LithographREQUEST PRICE/SUBMIT BEST OFFERItem # 2806
- Sirène au Pine (Siren with Pine), from Nice & the Côte d’Azur, 1967 Marc Chagall Hand Signed Color Lithograph for saleSOLDW-5781
- The Buttercups, 1973 Marc Chagall Hand Signed Color Lithograph for saleREQUEST PRICE/SUBMIT BEST OFFERItem # 5136
- The Tribe of Zebulun from The Twelve Maquettes Of Stained Glass Windows For Jerusalem, 1964 Marc Chagall Hand Signed Color Lithograph for saleSOLDItem # 5202
We have openings for a few new members each day. Members receive exclusive offers on our entire inventory. Join Now!
Lover and dreamer, folk artist Marc Chagall chased the fantastic and dreamlike his whole life. Buy an original signed color lithograph or original print and bring his unique vision of beauty home with you.
Sell Your Chagall
Sell your Chagall fine art with us. We offer free evaluations.
Artistic Styles of Chagall
20th Century Modern Master, Lovers, French and Russian
Marc Chagall Complete Biography
News About Chagall
Windows of Jerusalem: Art – Ancient, Modern, Chagall?
Marc Chagall’s Stained Glass Windows
LA Art Show 2017
Chagall and Picasso, A Friendship that Wasn’t Meant to Be
Masterworks Fine Art Gallery featured on the Huffington Post News
Masterworks Fine Art strives to be the best source of fine art for our clients and collectors all over the world. We also want to be an educational resource to the artcommunity. We have educational fine art material for students and researchers, and we will continue to donate fine art to charities. You can see some of our donationsmade by Masterworks Fine Art. We believe the most direct way to accomplish this is byestablishing a lifetime of personal and professional relationships with our clients. More About Us »
Marc Chagall Biography
Marc Chagall was born July 7, 1887, in Vitebsk, Russia. From 1907 to 1910, he studied in Saint Petersburg, at the Imperial Society for the Protection of the Arts and later with Léon Bakst. In 1910, he moved to Paris, where he associated with Guillaume Apollinaire and Robert Delaunay and encountered Fauvism and Cubism. He participated in the Salon des Indépendants and the Salon d’Automne in 1912. His first solo show was held in 1914 at Der Sturm gallery in Berlin.
Chagall visited Russia in 1914, and was prevented from returning to Paris by the outbreak of war. He settled in Vitebsk, where he was appointed Commissar for Art in 1918. He founded the Vitebsk Popular Art School and directed it until disagreements with the Suprematists resulted in his resignation in 1920. He moved to Moscow and executed his first stage designs for the State Jewish Chamber Theater there. After a sojourn in Berlin, Chagall returned to Paris in 1923 and met Ambroise Vollard. His first retrospective took place in 1924 at the Galerie Barbazanges-Hodebert, Paris. During the 1930s, he traveled to Palestine, the Netherlands, Spain, Poland, and Italy. In 1933, the Kunsthalle Basel held a major retrospective of his work.
During World War II, Chagall fled to the United States. The Museum of Modern Art, New York, gave him a retrospective in 1946. He settled permanently in France in 1948 and exhibited in Paris, Amsterdam, and London. During 1951, he visited Israel and executed his first sculptures. The following year, the artist traveled in Greece and Italy. During the 1960s, Chagall continued to travel widely, often in association with large-scale commissions he received. Among these were windows for the synagogue of the Hadassah-Hebrew University Medical Center, Jerusalem, installed in 1962; a ceiling for the Paris Opéra, installed in 1964; a window for the United Nations building, New York, installed in 1964; murals for the Metropolitan Opera House, New York, installed in 1967; and windows for the cathedral in Metz, France, installed in 1968. An exhibition of the artist’s work from 1967 to 1977 was held at the Musée du Louvre, Paris, in 1977-78, and a major retrospective was held at the Philadelphia Museum of Art in 1985. During his lifetime he also created popular lithographs, such as Maternity. Chagall died March 28, 1985, in Saint-Paul-de-Vence, France.
“When Matisse dies,” Pablo Picasso remarked, “Chagall will be the only painter left who understands what color really is.” Picasso claimed he was not a fan of the “flying violins and all the folklore, but his canvases are really painted, not just thrown together.” He followed up by saying, “There’s never been anybody since Renoir who has the feeling for light that Chagall has.”
The Museum of Biblical Art describes The Bible Chagall prints as showing “Chagall’s fluid forms, dreamlike sense of space and unique style. In his choice of subject matter, Chagall reveals his reading of the Old Testament in its moments of triumph, sorrow, and prophecy.”