James Abbot McNeill Whistler
No products were found matching your selection.
Why Whistler ?
Signed original James Abbot Whistler etchings, lithographs and drawings at 25-50% off gallery retail prices. Buy art and invest in what you LOVE.
Sell Your Whistler
Sell your Whistler fine art with us. We offer free evaluations.
Artistic Styles of Whistler
James Abbot McNeill Whistler Complete Biography
News About Whistler
SOFA Chicago 2017 Nov 2nd – Nov 5th
Picasso Blue Period Piece “La Grommeuse, 1901” Reveals Hidden Wonder
Pop Artist James Rosenquist Dies at 83
Art New York May 3rd – 7th
Art Market San Francisco
Print Annotations: Artist Proofs- What do they mean?
Matisse’s Paintings: Most Famous Works and Periods from his Life
A Closer Look: Roy Lichtenstein Crying Girl, 1963
Masterworks Fine Art strives to be the best source of fine art for our clients and collectors all over the world. We also want to be an educational resource to the artcommunity. We have educational fine art material for students and researchers, and we will continue to donate fine art to charities. You can see some of our donationsmade by Masterworks Fine Art. We believe the most direct way to accomplish this is byestablishing a lifetime of personal and professional relationships with our clients. More About Us »
James Abbot McNeill Whistler Biography
1834 Lowell (Massachusetts) – 1903 London James Abbot McNeill Whistler grew up in New England. In 1843 the family moved to Russia, where he received his first drawing lessons at the St. Petersburg Academy in 1845. On the death of his father in 1849 the family returned to America. In 1851 he became a cadet at the military college at West Point, but decided to follow art as a profession. in 1855 he went to Paris, entering the studio of Gleyre in 1856. Important for his artistic development was his meeting with Fantin-Latour and Courbet; other friends included Manet, Monet and Degas. On his rejection by the Salon in 1859 he left Paris for London. His work during this period showed the Japanese influence. In 1866 he visited Chile. Around 1870 his first “nocturnes” were produced, an exquisite series of Thames etchings, intended to capture the poetic mood of pictorial and musical harmony. This theme was to hold his attention for nearly a decade. From the 1870s he increasingly turned to painting portraits, which formed his major source of income until the 1800s. In 1878 he sued Ruskin for libel. Despite winning a moral victory, Whistler was driven into bankruptcy by the cost of the action. From 1886 to 1888 he was the president of the Society of British Artists. In 1892 the Goupil Grallery in London arranged a successful one-man exhibition of his work. Whistler’s aesthetic approach found expression in the subtle effect of delicate colours and tone values. His portraits, landscapes and interiors exercise great charm. His manner of painting owes less to the analytical technique of Impressionism, but rather more to the colour impressionism developed in the 17th century.