Harmensz van Rijn Rembrandt, The Raising of Lazarus, c. 1632


original Harmensz van Rijn Rembrandt The Raising of Lazarus, c. 1632 for sale

Signed Harmensz van Rijn Rembrandt etching, The Raising of Lazarus, c. 1632

Artist:Harmensz van Rijn Rembrandt ( - )

Title:The Raising of Lazarus, c. 1632

Reference:B. 73

Medium:Original Etching Signed in the plate

Image Size:14 1/2 in x 10 1/8 in (36.8 cm x 25.7 cm)

Sheet Size:14 5/8 in x 10 1/8 in (37.2 cm x 25.7 cm)

Framed Size:33 in x 28 1/2 in (83.8 cm x 72.4 cm)

Edition:Nowell-Usticke State VIII (of X)

Signature:Signed by Harmensz van Rijn Rembrandt (Leiden, 1606 - Amsterdam, 1669) in the plate in the center, 'RHL van Ryn f.'

Condition:A superb, rich impression; some minor expert conservation to the center right of the image near the man drawing back from the grave.

Contact Us:1-800-805-7060

Gallery Price:
SOLD
Item # 3458
 
Have One To Sell?

Historical Description of this artwork


Following the Biblical tale from the New Testament, Rembrandt The Raising of Lazarus, c. 1632 dramatically captures the moment in which Lazarus rises from the grave. Rembrandt utilizes light and shadow to highlight Lazarus’ resurrection, illuminating Lazarus’ grave with a stream of white light. However, the centrally located Christ, shrouded partially in shadow, remains the focal point of the composition. Christ appears as a massive figure worthy of awe and admiration. He turns his back to the viewer, denying a clear view of his face, and raises his hand in a gesture of holiness as the surrounding figures draw back and open their eyes in wonderment and disbelief at the miraculous sight before them.

Created in c.1632, this original etching is signed in the plate by Harmensz van Rijn Rembrandt (Leiden, 1606 – Amsterda, 1669), ‘RHL van Ryn f.’ According to Nowell-Usticke, a VIII (of X) impression.

Catalogue Raisonné & COA:
Rembrandt The Raising of Lazarus, c. 1632 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work).

1. Bartsch. The Illustrated Bartsch Vol. 50. Edited by Stephanie S. Dickey. New York: Abaris Books, 1981. Illustrated as catalogue raisonné no. 73 (another example illustrated) on page 59.
2. Hind, Arthur. A Catalogue of Rembrandt’s Etchings. New York, 1967. Listed and illustrated as catalogue raisonné no. 96.
3. M?nz, Ludwig. Rembrandt’s Etchings: Reproductions of the Whole Original Etched Work, Vol. 1. London: Phaidon Press, 1952. Listed and illustrated as catalogue raisonné no. 214 and 215 (another example illustrated).
4. M?nz, Ludwig. Rembrandt’s Etchings: Reproductions of the Whole Original Etched Work, Vol.2. London: Phaidon Press, 1952. Listed and illustrated as catalogue raisonné no.192 on pg. 92.
5. Nowell-Usticke, G.W. Rembrandt’s Etchings. Narberth, 1988. Listed and illustrated as catalogue raisonné no. 73.
6. Schwartz, Gary. Rembrandt: All the etchings reproduced in true size. New York, 1977. Listed and illustrated as B 73.
7. White, Christopher & Karel Boon. Rembrandt’s Etchings, Vol. I: Text. Amsterdam, 1969. Listed as catalogue raisonné no. B.73 on pg. 38-39.
8. White, Christopher & Karel Boon. Rembrandt’s Etchings, Vol. II: Plates. Amsterdam, 1969. Illustrated as catalogue raisonné no. B.73 on pg. 60-63.

About the Framing:

Rembrandt The Raising of Lazarus, c. 1632 is framed to museum-grade, conservation standards, presented in a complementary moulding and finished with linen-wrapped mats and optical grade Plexiglas.

What Do I Get With My Purchase?

The Certificate of Authenticity accompanies this work, guaranteeing its authenticity for as long as you own it.

All catalogue raisonné and historical documentation is included with your purchase.

Learn more

Request Invitation:

We have openings for a few new members each day. Members receive exclusive offers on our entire inventory. Join Now!


Style:

Why ?

Sell Your

Sell your fine art with us. We offer free evaluations.

Artistic Styles of

Complete Biography

News About

About Us

Masterworks Fine Art

Masterworks Fine Art strives to be the best source of fine art for our clients and collectors all over the world. We also want to be an educational resource to the artcommunity. We have educational fine art material for students and researchers, and we will continue to donate fine art to charities. You can see some of our donationsmade by Masterworks Fine Art. We believe the most direct way to accomplish this is byestablishing a lifetime of personal and professional relationships with our clients. More About Us »

original Harmensz van Rijn Rembrandt The Raising of Lazarus, c. 1632 for sale
  (-)

  Biography

Following the Biblical tale from the New Testament, Rembrandt The Raising of Lazarus, c. 1632 dramatically captures the moment in which Lazarus rises from the grave. Rembrandt utilizes light and shadow to highlight Lazarus’ resurrection, illuminating Lazarus’ grave with a stream of white light. However, the centrally located Christ, shrouded partially in shadow, remains the focal point of the composition. Christ appears as a massive figure worthy of awe and admiration. He turns his back to the viewer, denying a clear view of his face, and raises his hand in a gesture of holiness as the surrounding figures draw back and open their eyes in wonderment and disbelief at the miraculous sight before them.

Created in c.1632, this original etching is signed in the plate by Harmensz van Rijn Rembrandt (Leiden, 1606 – Amsterda, 1669), ‘RHL van Ryn f.’ According to Nowell-Usticke, a VIII (of X) impression.

Catalogue Raisonné & COA:
Rembrandt The Raising of Lazarus, c. 1632 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work).

1. Bartsch. The Illustrated Bartsch Vol. 50. Edited by Stephanie S. Dickey. New York: Abaris Books, 1981. Illustrated as catalogue raisonné no. 73 (another example illustrated) on page 59.
2. Hind, Arthur. A Catalogue of Rembrandt’s Etchings. New York, 1967. Listed and illustrated as catalogue raisonné no. 96.
3. M?nz, Ludwig. Rembrandt’s Etchings: Reproductions of the Whole Original Etched Work, Vol. 1. London: Phaidon Press, 1952. Listed and illustrated as catalogue raisonné no. 214 and 215 (another example illustrated).
4. M?nz, Ludwig. Rembrandt’s Etchings: Reproductions of the Whole Original Etched Work, Vol.2. London: Phaidon Press, 1952. Listed and illustrated as catalogue raisonné no.192 on pg. 92.
5. Nowell-Usticke, G.W. Rembrandt’s Etchings. Narberth, 1988. Listed and illustrated as catalogue raisonné no. 73.
6. Schwartz, Gary. Rembrandt: All the etchings reproduced in true size. New York, 1977. Listed and illustrated as B 73.
7. White, Christopher & Karel Boon. Rembrandt’s Etchings, Vol. I: Text. Amsterdam, 1969. Listed as catalogue raisonné no. B.73 on pg. 38-39.
8. White, Christopher & Karel Boon. Rembrandt’s Etchings, Vol. II: Plates. Amsterdam, 1969. Illustrated as catalogue raisonné no. B.73 on pg. 60-63.

About the Framing:

Rembrandt The Raising of Lazarus, c. 1632 is framed to museum-grade, conservation standards, presented in a complementary moulding and finished with linen-wrapped mats and optical grade Plexiglas.

Raisonne Title

< ?php if (get_field('reference') !="") { ?>

< ?php } ?>

< ?php if (get_field('dimension') != "") { ?>

< ?php } ?>

< ?php if (get_field('edition') != "") { ?>

< ?php } ?>

< ?php if (get_field('series') != "") { ?>

< ?php } ?>

< ?php if (get_field('printer') != "") { ?>

< ?php } ?>

< ?php if (get_field('publisher') != "") { ?>

< ?php } ?>

< ?php if (get_field('style') != "") { ?>

< ?php } ?>

Artist< ?php the_field('artist_name'); ?>

Title:< ?php the_title(); ?>

Reference< ?php the_field('reference');?>

Medium:< ?php the_field('medium'); ?>

Sheet Size< ?php the_field('dimension'); ?>

Edition< ?php the_field('edition'); ?>

Series< ?php the_field('series'); ?>

Printer< ?php the_field('printer'); ?>

Publisher< ?php the_field('publisher'); ?>

Style< ?php the_field('style'); ?>
x

Inquire

To inquire about this particular artwork, please fill out the following form:
  • This field is for validation purposes and should be left unchanged.
x
Shipping Informatoin

Custom Packing and Insured Shipping
Expert custom packaging and insured shipping guarantees the safety of your work and the security of your investment while in transit.
We typically ship using FedEx, as they assume full insurance for door-to-door transit of your artwork. We charge actual shipping and insurance costs, plus the cost of the packing materials. We never charge a handling fee. Feel free to contact us for shipping quotes. Should you opt to use a shipper other than FedEx, we ask that you please notify us prior to shipping. Please note: shipments to California residents are subject to local sales tax.

Masterworks Fine Art Gallery schedules shipping for our clients. Works can be shipped via FedEx Ground (3-5 business days), 3-Day, 2-Day, Standard Overnight or Priority Overnight shipping. Purchases typically ship within 3 days of payment clearance. We ship daily, Monday – Friday. Special delivery arrangements can be made, if needed.

x

Submit Best Offer.

  • This field is for validation purposes and should be left unchanged.
x