Harmensz van Rijn Rembrandt, The Artist Drawing From a Model, c. 1647


original Harmensz van Rijn Rembrandt The Artist Drawing From a Model, c. 1647 for sale

Signed Harmensz van Rijn Rembrandt etching, The Artist Drawing From a Model, c. 1647

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Artist:Harmensz van Rijn Rembrandt ( - )

Title:The Artist Drawing From a Model, c. 1647

Reference:Bartsch 192

Medium:Etching

Image Size:9 3/16 in x 7 7/16 in (23.3 cm x 18.9 cm)

Sheet Size:9 3/16 in x 7 7/16 in (23.3 cm x 18.9 cm)

Framed Size:26 1/2 inx 24 1/2 in (67.3 cm x 62.2 cm)

Edition:Nowell-Usticke late State I (of II), a Biörklund 47-2 State II (of II); White and Boon State II (of II), a Biörklund, state II (of II); a Hind State II (of II).

Signature:This work is in excellent condition.

Condition:This work is in excellent condition.

Contact Us:1-800-805-7060

Gallery Price:
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Item # 4556
 
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Historical Description of this artwork


In the fascinating Rembrandt The Artist Drawing from a Model, c. 1647, Rembrandt uses an array of styles and finesse to depict an intimate scene of the artist’s studio. The setting of the studio is rendered in great detail, highlighting the environment of props and tools, yet the foreground, is filled with subtle, whispery sketches. With an understated grace, a female nude materializes from crosshatched shadows and delicate outlines. Sometimes called the unfinished plate, this extraordinary work shows a drawing in process, emerging before your eyes.

Created in c. 1647, this etching is A Nowell-Usticke late impression State I (of II) , a Biörklund 47-2 State II (of II); White and Boon State II (of II), a Biörklund, state II (of II); a Hind State II (of II).

Provenance:

1. Harrods Fine Art- London, United Kingdom
2. Private Collection- Great Neck, New York

Catalogue Raisonné & COA:
Rembrandt The Artist Drawing from a Model, c. 1647 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work).

1. Bartsch. The Illustrated Bartsch Vol. 50. Edited by Stephanie S. Dickey. New York: Abaris Books, 1981. Illustrated as catalogue raisonné no. 192.

2. Biörklund, George, Rembrandt’s Etchings: True and False, 1968. Listed and illustrated as catalogue raisonné no. BB 47-2.

3. Hind, Arthur. A Catalogue of Rembrandt’s Etchings. New York, 1967.Listed and illustrated as catalogue raisonné no. 231.

4. Nowell-Usticke, G.W. Rembrandt’s Etchings. Narberth, 1988. Listed and illustrated as catalogue raisonné no. B 192.

5. White, Christopher & Karel Boon. Rembrandt’s Etchings, Vol. I: Text. Amsterdam, 1969. Listed as catalogue raisonné no. B.192.

6. White, Christopher & Karel Boon. Rembrandt’s Etchings, Vol. II: Plates. Amsterdam, 1969. Illustrated as catalogue raisonné no. B.192

7. A Certificate of Authenticity will accompany this work. A Certificate of Authenticity will accompany this work.

About the Framing:
Framed to museum-grade, conservation standards, Rembrandt The Artist Drawing from a Model, c. 1647 is presented in a complementary moulding and finished with silk-wrapped mats and optical grade Plexiglas.

What Do I Get With My Purchase?

The Certificate of Authenticity accompanies this work, guaranteeing its authenticity for as long as you own it.

All catalogue raisonné and historical documentation is included with your purchase.

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original Harmensz van Rijn Rembrandt The Artist Drawing From a Model, c. 1647 for sale
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  Biography

In the fascinating Rembrandt The Artist Drawing from a Model, c. 1647, Rembrandt uses an array of styles and finesse to depict an intimate scene of the artist’s studio. The setting of the studio is rendered in great detail, highlighting the environment of props and tools, yet the foreground, is filled with subtle, whispery sketches. With an understated grace, a female nude materializes from crosshatched shadows and delicate outlines. Sometimes called the unfinished plate, this extraordinary work shows a drawing in process, emerging before your eyes.

Created in c. 1647, this etching is A Nowell-Usticke late impression State I (of II) , a Biörklund 47-2 State II (of II); White and Boon State II (of II), a Biörklund, state II (of II); a Hind State II (of II).

Provenance:

1. Harrods Fine Art- London, United Kingdom
2. Private Collection- Great Neck, New York

Catalogue Raisonné & COA:
Rembrandt The Artist Drawing from a Model, c. 1647 is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the sale of the work).

1. Bartsch. The Illustrated Bartsch Vol. 50. Edited by Stephanie S. Dickey. New York: Abaris Books, 1981. Illustrated as catalogue raisonné no. 192.

2. Biörklund, George, Rembrandt’s Etchings: True and False, 1968. Listed and illustrated as catalogue raisonné no. BB 47-2.

3. Hind, Arthur. A Catalogue of Rembrandt’s Etchings. New York, 1967.Listed and illustrated as catalogue raisonné no. 231.

4. Nowell-Usticke, G.W. Rembrandt’s Etchings. Narberth, 1988. Listed and illustrated as catalogue raisonné no. B 192.

5. White, Christopher & Karel Boon. Rembrandt’s Etchings, Vol. I: Text. Amsterdam, 1969. Listed as catalogue raisonné no. B.192.

6. White, Christopher & Karel Boon. Rembrandt’s Etchings, Vol. II: Plates. Amsterdam, 1969. Illustrated as catalogue raisonné no. B.192

7. A Certificate of Authenticity will accompany this work. A Certificate of Authenticity will accompany this work.

About the Framing:
Framed to museum-grade, conservation standards, Rembrandt The Artist Drawing from a Model, c. 1647 is presented in a complementary moulding and finished with silk-wrapped mats and optical grade Plexiglas.

Raisonne Title

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