Fernand Leger, Branches, c. 1955


Signed Fernand Leger lithograph, Branches, c. 1955

View More Images

Artist:Fernand Leger (1881 - 1955)

Title:Branches, c. 1955

Reference:Saphire 140

Medium:Original Color Lithograph

Image Size:18 1/2 in x 23 5/8 in (47 cm x 60 cm)

Sheet Size:20 in x 26 in (50.8 cm x 66 cm)

Framed Size:40 1/4 in x 34 3/4 in (102.2 cm x 88.3 cm)

Edition:Numbered 50/75 in pencil in the lower left margin; printed on watermarked Arches Script wove paper by Mourlot, Paris, published by Galerie Louise Leiris, Paris.

Signature:This work is hand-signed by Fernand Léger (Argentan, 1881- Gif-sur-Yvette, 1955) in ink in the lower right margin; also signed 'FL-51' in the stone in black.

Condition:This work is in great condition, with full margins and bright fresh

Contact Us:1-800-805-7060

Gallery Price:
REQUEST PRICE/SUBMIT BEST OFFER
Item # 2829
 
Have One To Sell?

Historical Description of this artwork


Putting a new spin on one of his favorite subjects, Léger here depicts tree trunks and logs as objects in space rather than related to the ground. The gnarled branches form an abstract still-life composition, twisting and turning in unanticipated directions. The earthy grey-blues, sienna reds, and light yellows contrast with the bold black outlines. At the center of the composition, branches take on a new form- one that hints at curled and crumpled paper. By suggesting the presence of paper amidst tree branches, Léger depicts logs both in their natural and man-made forms and shows the versatility of the material nature of his subject matter.

Created in c. 1955, this work was printed on watermarked Arches Script wove paper by Mourlot, Paris and published by Galerie Louise Leiris, Paris. Hand signed by Fernand Léger (Argentan, 1881- Gif-sur-Yvette, 1955) in ink in the lower right margin and numbered 50/75 (from the total edition of 75) in pencil in the lower left margin.

Catalogue Raisonné & COA:
This work is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work).

1. Saphire, Lawrence, Fernand Léger, The Complete Graphic Work, 1978, listed as cat no 140 on pgs 232-33, 285, another example from the same edition illustrated.

2. A Certificate of Authenticity will accompany this work.

About the Framing:
This work is framed to museum-grade, conservation standards, presented in a complimentary moulding and finished with silk-wrapped mats and optical grade Plexiglas.

What Do I Get With My Purchase?

The Certificate of Authenticity accompanies this work, guaranteeing its authenticity for as long as you own it.

All catalogue raisonné and historical documentation is included with your purchase.

Learn more

Request Invitation:

We have openings for a few new members each day. Members receive exclusive offers on our entire inventory. Join Now!


Style:

Why Leger?

Fernand Leger's unique Cubism contains its own populist vocabulary. The French artist's monumental figures speak to everyone; his strong color work and graphic sensibility characterize his prints, lithographs, paintings, sculptures and art.

Sell Your Leger

Sell your Leger fine art with us. We offer free evaluations.

Artistic Styles of Leger

20th Century French Modern Master, pochoir, ceramic and tapestries

Fernand Leger Complete Biography

About Us

Masterworks Fine Art

Masterworks Fine Art strives to be the best source of fine art for our clients and collectors all over the world. We also want to be an educational resource to the artcommunity. We have educational fine art material for students and researchers, and we will continue to donate fine art to charities. You can see some of our donationsmade by Masterworks Fine Art. We believe the most direct way to accomplish this is byestablishing a lifetime of personal and professional relationships with our clients. More About Us »

Fernand Leger
Fernand Leger (1881-1955)

Fernand Leger Biography

French painter and designer. From c.1909 Fernand Leger participated in the Cubist movement. He is generally considered one of its major masters but his curvilinear and tubular forms (he was for a time called a ‘tubist‘) contrasted with the fragmented forms preferred by Picasso and Braque. The First World War, during which he was gassed whilst serving as a stretcher-bearer, had a profound effect on Leger. His contact with men of different social classes and different walks of life came as a revelation: ‘I was abruptly thrust into a reality which was both blinding and new,’ he said. Henceforward he made it his ambition to create an art which should be accessible to all ranks of modem society.

In 1920 he met Le Corbusier and Ozenfant and in the early 1920s he was associated with their Purist movement. Fernand Leger’s paintings were static, with the precise and polished facture of machinery, and he had a fondness for including representations of mechanical parts.During the late 1920s and 1930s he also painted single objects isolated in space and sometimes blown up to gigantic size, In the inter-war years he expanded his range beyond easel painting, with murals and designs for the theatre and cinema. He was also busy as a teacher, notably at his own school, the Academie de I’Art Contemporain, and he traveled widely, making three visits to the USA in the 1930s. The connections he had made there stood him in good stead when he lived in America. During the Second World War he lived in the USA, teaching at Yale University, and at Mills College, California. Acrobats and cyclists were favorite subjects in his paintings of this time. From his return to France in 1945 his painting reflected more prominentlyhis political interest in the working classes. But its static, monumental style remained, with flat, unmodulated colours, heavy black contours, and a continuing concern with the contrast between cylindrical and rectilinear forms. in his later career Fernand Leger worked much on large decorative commissions, notably the windows and tapestries for the church at Audincourt (1951). Many honours came to him late in life, and a museum dedicated to him opened at Biot in France in 1957. In the catalogue of the exhibition Leger and Purist Paris’ (Tate Gallery, London, 1970), John Golding wrote of Leger: ‘No other major twentieth-century artist was to react to, and to reflect, such a wide range of artistic currents and movements . . . And yet he was to remain supremely independent as an artistic personality. Never at any moment in his career could he be described as a follower … But his originality lay basically in his ability to adapt the ideas and to a certain extent even the visual discoveries of others to his own ends.’ He saw the poetic value that lies in the clear delineation of everyday objects, the in trinsic beauty of modem machinery and the things which are mass-produced by machinery, and he favoured proletarian subjects, depicting them with the same clarity and precision as the themes taken from machine culture.

Raisonne Title

< ?php if (get_field('reference') !="") { ?>

< ?php } ?>

< ?php if (get_field('dimension') != "") { ?>

< ?php } ?>

< ?php if (get_field('edition') != "") { ?>

< ?php } ?>

< ?php if (get_field('series') != "") { ?>

< ?php } ?>

< ?php if (get_field('printer') != "") { ?>

< ?php } ?>

< ?php if (get_field('publisher') != "") { ?>

< ?php } ?>

< ?php if (get_field('style') != "") { ?>

< ?php } ?>

Artist< ?php the_field('artist_name'); ?>

Title:< ?php the_title(); ?>

Reference< ?php the_field('reference');?>

Medium:< ?php the_field('medium'); ?>

Sheet Size< ?php the_field('dimension'); ?>

Edition< ?php the_field('edition'); ?>

Series< ?php the_field('series'); ?>

Printer< ?php the_field('printer'); ?>

Publisher< ?php the_field('publisher'); ?>

Style< ?php the_field('style'); ?>
x

Inquire

To inquire about this particular artwork, please fill out the following form:
  • This field is for validation purposes and should be left unchanged.
x
Shipping Informatoin

Custom Packing and Insured Shipping
Expert custom packaging and insured shipping guarantees the safety of your work and the security of your investment while in transit.
We typically ship using FedEx, as they assume full insurance for door-to-door transit of your artwork. We charge actual shipping and insurance costs, plus the cost of the packing materials. We never charge a handling fee. Feel free to contact us for shipping quotes. Should you opt to use a shipper other than FedEx, we ask that you please notify us prior to shipping. Please note: shipments to California residents are subject to local sales tax.

Masterworks Fine Art Gallery schedules shipping for our clients. Works can be shipped via FedEx Ground (3-5 business days), 3-Day, 2-Day, Standard Overnight or Priority Overnight shipping. Purchases typically ship within 3 days of payment clearance. We ship daily, Monday – Friday. Special delivery arrangements can be made, if needed.

x

Submit Best Offer.

  • This field is for validation purposes and should be left unchanged.
x