Anthony van Dyck (Antwerp, 1559 - London, 1641) collaborated with masterful
engravers to create his remarkable Iconography series, a large and … [Read biography »]
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| | Le Christ au Rosea (Christ Crowned with Thorns), c. 1700s | | Artist: | The School of Van Dyck |
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| Medium: | Original Engraving |
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| Image Size: | 10 1/4 in x 8 1/4 in (26 cm x 21 cm) |
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| Sheet Size: | 10 7/16 in x 8 3/8 in (26.5 cm x 21.3 cm) |
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| Framed Size: | approx. 24 1/2 in x 21 5/8 in (62.2 cm x 54.9 cm) |
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| Signed: | Signed in the plate 'Anton. Van Dyck inven' in the lower left; also signed 'Daret. Sculp' in the lower center and 'Mariette ex.' in the lower right. |
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| Edition: | A copy in reverse after the original engraving by Anthony van Dyck (Antwerp, 1559 - London, 1641). |
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| Condition: | This work is in very good condition; adhered to backing board with small tear along right border. |
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Gallery Price
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$1,500
Item# 3731
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Created after the original engraving by Van Dyck, this copy in reverse glorifies Christ in his moment of torment. Though donned in a crown of thorns and prodded by a reed, Christ appears as the epitome of health and holiness, calmly and virtuously bearing his unjust treatment.
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Gallery Price: This is a common gallery retail price
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| | Antonius Triest (Antoine Triest), c. 1650 - 1660 | | Artist: | The School of Van Dyck |
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| Medium: | Original Engraving |
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| Image Size: | 9 3/8 in x 6 7/8 in (23.8 cm x 17.5 cm) |
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| Sheet Size: | 9 3/4 in x 7 in (24.8 cm x 17.8 cm) |
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| Framed Size: | approx. 24 1/2 in x 21 5/8 in (62.2 cm x 54.9 cm) |
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| Signed: | Signed in the plate 'Ant. van Dyck pinxit' in the lower left; also signed 'Pet. de Ioden fcup' in the lower left. |
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| Edition: | A copy in reverse after the original engraving by Anthony van Dyck (Antwerp, 1559 - London, 1641). This piece is printed on a fine paper with the Cow in a Shield with Crown watermark (Mauquoy - Hendrickx no. 281), dating this piece to c. 1650 - 1660. |
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| Condition: | This work is in very good condition; slight paper thinning along right border with tape remnants on verso. |
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Gallery Price
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$1,250
Item# 3730
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Created in reverse after an original engraving from Van Dyck's "Iconographie" series, this portrait truly captures the essence of its subject. As the Bishop of Bruges, Antoine Triest appears draped in rich garbs before monumental columns, a man with a powerful position and a commanding appearance.
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Gallery Price: This is a common gallery retail price
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Styles of The School of Van Dyck: Old Master
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The School of Van Dyck Biography
Anthony van Dyck (Antwerp, 1559 - London, 1641) collaborated with masterful
engravers to create his remarkable Iconography series, a large and extensive
series of prints with half-length portraits of eminent contemporaries. Van Dyck
produced drawings and, for eighteen of the portraits, he himself engraved the
plates with the heads and the main outlines of the figures with much skill.
However, for most of the series, he left the printmaking work to specialists
who engraved the plates based on Van Dyck's own drawings. The series was highly
successful and exists as Van Dyck's only venture into printmaking. It was also
greatly influential as a commercial model for reproductive printmaking, as Van
Dyck's work was greatly admired by other artists as being accessible and possible
to emulate to certain level of exactness.
Van Dyck's success with the Iconography series compelled him to maintain a large
workshop in London. While he did have assistants and students such as Adriaen
Hanneman (1604 - 1671), Van Dyck's Iconography prints are considered more of
a collaborative effort with other known artists, who engraved these works of
portraiture after original sketches and paintings by Van Dyck.
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