Title: Baigneuse
S'essuyant (Bathers Drying Themselves)
Medium: Brush, Black Ink And Wax Crayon On Paper
Image Size: 21" X 17 ¾" (53.3cm X 45.4cm)
Framed Size: 39 ½" X 35" (100.3cm X 88.9cm)
Signature: Stamped 'Renoir' In The Upper Left And Inscribed
'Cote A Danse [Sic]' In The Upper Right.
Edition: A Unique, Original Drawing, Authenticated By
Guy-Patrice & Michel Dauberville And Included Within
The Bernheim-Jeune Archives As An Authentic Work.
Condition: This Drawing Is In Good, Sound Condition. There
Are Some Marginal Repairs At The Sheet Edges And Scattered
Staining Associated. Provenance:
The Estate Of Bo Widerberg, Sweden Documentation / Coa: It Is Fully Documented And
Referenced In (Copies Will Be Enclosed As Added Documentation
With The Invoices That I Will Enclose With The Sale Of
The Work):
1. P. Renoir & S. Pirra, 125 Dessin Inédits
De Pierre-Auguste Renoir, Turin 1971. Illustrated As Cat.
No. D 0264.
2. This Work Will Be Included In The Bernheim-Jeune Archives
As Authenticated By Guy-Patrice And Michel Dauberville;
Original Certificates Of Authenticity Will Be Included
With The Work.
Price: $80,000
Title: L'enfant Au Biscuit (Child With Cookie) - Jean
Renoir, (C. 1898-9)
Medium: Original Color Lithograph Printed In Five Colors
Image Size: 12 ½" X 10 5/8" (32cm X 27cm)
Framed Size: 27 ¼" X 25" (69.23cm X 63.5cm)
Edition: From The Rare Trial Proof In Five Colors Printed
By Auguste Clot With Blue Added To The Eyes And White Added
To The Face And Background.
Condition: Good Condition, With Bright, Vibrant Color Throughout.
Illustrated in: Stella 31.
Price: $35,000
Title: Les
Baigneuses (Women Bathers),
( C. 1912)
Medium: Original Transfer Lithograph
Image Size: 14.37" X 23.4" (36.5cm X 59.5cm)
Sheet Size: 18 ¼" X 25" (46.36cm X 63.5cm)
Framed Size: 38 ¾" X 45" (98.43cm X 114.3cm)
Edition: A Rare Print From The Only State Printed In An
Edition Of 30-50 Proofs.
Condition: Good Condition, A Bright And Vibrant Impression.
Illustrated in: Stella 51.
Price: $25,500
French painter
born in Limoges, died in Cagnes. He was the son
of a tailor. In 1845 his family moved to Paris.
Between 1856 and 1859 he took an apprenticeship and then
worked as a porcelain painter, also taking evening classes
in drawing. He then studied at the Ecole des Beaux-Arts,
Paris. He was a fellow student of Monet, Sisley
and Bazille; he went on summer painting trips with them
to Chailly and Fountainbleau. He studied the eighteenth
century paintings in the Louvre and also met Corot, Millet
and Diaz. In 1864 his work was first accepted at
the Salon. During the 1870s he painted with Monet
at Argenteuil and elsewhere, and came to know Cezanne,
Dega, Pissarro, etc. In 1874 his work was included
in the first Impressionist exhibition (and in three of
the subsequent seven.) He had little public success
but was patronized by Caillebotte, Chocquet and others.
From the late 1870s on he enjoyed increased success at
the Salons, especially with portraiture. Eventually, he
became dissatisfied with Impressionism and felt renewed
admiration for Ingres, Raphael and eighteenth-century
art. During the 1880s he worked increasingly in
the south of France. Renoir's early work as a porcelain
painter reflects two constant characteristics of his art:
an enormous natural facility and a dedication to eighteenth
century standards of decoration and craftsmanship.
Apart from the personality of his brushwork, the main
distinction of his 1870s Impressionism was his preoccupation
with the figure as subject matter and particularly with
the gay vitality of Parisian life. Less rigorously
introspective than Monet, he made his reputation at the
Salons from the late 1970s with a series of fashionable
portraits. Here his dexterity was combined with
anecdotal charm. many of the sculptures he made
at the end of his life are direct transpositions of painted
motifs. These were largely made by an assistant
(a pupil of Maillol), Renoir's own hands being almost
crippled with arthritis.
Phaidon
Dictionary of Twentieth Century Art.
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