Title: The
Hundred Guilder Print (Christ Healing The Sick) (B.
74, H. 236, Bb 49-I, B&W 74), C.1649
Medium: Drypoint And Etching On A Rare, Fibrous Oriental
Paper
Image Size: 15.5" X 11.1" (39.37 X 28.2 Cm)
Sheet Size: 15.5" X 11.1" (39.37 X 28.2 Cm)
Framed Size: Approx. 40" X 35.5" (101.6 X 90.2
Cm)
Signature: This Work Is Not Signed Or Dated In The Plate,
As Discussed By Scholar Nowell-Usticke.
Edition: A Nowell-Usticke Early/Intermediate State Ii
(Of V); Hind State Ii (Of Iii); Biörklund State Ii
(Of Ii); Boon & White State Ii (Of Ii).
Condition: A Rich, Velvety Impression With Even Margins
All Around; A Minor Tear (1mm) In Lower Center Margin
And Pinpoint Thin Showing On Reverse Only (Not Effecting
Image).
Price: $265,000
Title: Self-Portrait:
Drawing At A Window
(B. 22, H. 229, BB 48-A, B&W 22)
Medium: Original Etching
Image Size: 6 ¼" X 5" (15.88cm X 12.7cm)
Framed Size: 24 ½" X 23 1/8" (62.23cm
X 58.75cm)
Edition: According To Nowell-Usticke, This Is An Intermediate
State Ii/Iii (Of Viii) After The Shading Of The Right
Hand, Prior To The Shading Of The Left Cuff. Hind State
Iv (Of V); Biörklund State Iv (Of V); Boon &
White State Iv (Of V).
Condition: A Rich, Velvety Impression With Even Margins
All Around.
Price: $37,500
Title: The
Presentation In The Temple
(B. 49, H. 162, Bb 40-1, B&W 49)
Medium: Etching
Image Size: 11.14" X 8.14" (28.3 X 20.7 Cm)
Sheet Size: 11.14" X 8.14" (28.3 X 20.7 Cm)
Framed Size: 27 ¾" X 25" (70.5cm X 63.5cm)
Edition: A Nowell-Usticke State Iii (Of Vi); Hind State
Ii (Of Iii); Biörklund State Ii (Of Iii); Boon &
White State Ii (Of Iii) Impression Printed On A Fine Laid
Paper With Inclusions.
Condition: Large print with fine etching and crisp detail.
A minor conserved crease that does not affect the image-a
wonderful work in excellent condition with strong plate
marks and a ½" margin on all sides.
Price: SOLD
Title: Jan
Asselyn, Painter
(B. 277, H. 227, Bb. 47-I, B&W 277)
Medium: Original Etching
Image Size: 7 ½" X 6 ¾" (19.05cm
X 17.15cm)
Sheet Size: 8 ½" X 6 ¾" (21.59cm
X 17.15cm)
Framed Size: 23 ¾" X 21 ½" (60.33cm
X 54.61cm)
Edition: A Nowell-Usticke State I (Of Vi); Hind State
I (Of Iii); Biörklund State I (Of Iv); Boon &
White State I (Of Iii) Impression Printed On A Fine Laid
Paper.
Condition: Large Print With Fine Etching And Crisp Detail.
A Wonderful Work In Excellent Condition With Strong Plate
Marks And A ½" Margin On All Sides. SOLD
Title: Circumcision
In The Stable
(B. 47, Bb. 54-B, H 274, B&W B 47)
Medium: Original Etching
Image Size: 5.5" X 3.75" (13.97 X 9.53 Cm)
Sheet Size: 5.5" X 3.75" (13.97 X 9.53 Cm)
Framed Size: 23 ¼" X 21 ¼" (59.06cm
X 53.98cm)
Signature: This Work Is Signed And Dated Twice In The
Plate 'Rembrandt F. 1654' (In The Upper Left Signature
The 'D' Is Reversed).
Edition: A State I (Of Iii) Nowell-Usticke; Hind State
I (Of Iii), Biörklund State I (Of Ii); Boon &
White State I (Of Ii). B. 47, Bb. 54-B, H 274, B&W
47.
Condition: This Work Is In Excellent Condition, A Fine
Dark Impression With Large, Even Margins All Around.
Price: $17,000
Title: Bald
Old Man With A Short Beard, In Profile (Kahl Kopfiger
Greis Mit Kurzen Bart, Im Profile )
(B.306, H.136, Bb. 35-6, B&W. 306, N.-U. 306)
Medium: Etching
Image Size: 1 7/8" X 1 7/8" (4.78cm X 4.78cm)
Sheet Size: 2 ½" X 2 ¼" (6.35cm
X 5.72cm)
Framed Size: 21 1/8" X 20" (53.67cm X 50.8cm)
Edition: A 1st State (Of Ii) Impression Due To Its Square
Corners, Inky Plate Edges, And Fine Wiping Scratches.
Condition: In Great Condition, Clean And Dark Impression
Of The Print With Fine Wiping Scratches And Backed On
Thin Japon Paper.
Price: $12,500
Title: Man
In Cloak & Fur Cap, Leaning Against A Bank (B.
151, H. 14, Bb 30-6, B&W 151, Mz. 109)
Medium: Etching
Image Size: 4 ½" X 3 ¼" (11.43cm
X 8.26cm)
Framed Size: 21" X 19 ¾" (53.34cm X 50.12cm)
Signature: Signed 'Rhl' In The Plate In The Upper Right.
Edition: A Nowell-Usticke State I (Of Iii), Biörklund
State I (Of Iii), Boon & White State I (Of Iii), And
Münz State Ii (Of Ii) Impression Printed On A Fine
Laid Paper With Inclusions.
Condition: A Fine Etching With Crisp Detail and In Good
Condition.
Price: $23,500
Title: Clement
De Jonghe, Print Seller (B. 272, H. 251, Bb 51-C,
B&W 272)
Medium: Etching
Image Size: 8.2" X 6.5" (20.8 X 16.5 Cm)
Sheet Size: 8.2" X 6.5" (20.8 X 16.5 Cm)
Framed Size: 24" X 22" (60.96 X 55.9 Cm)
Signature: This Work Is Signed And Dated In The Plate
By Rembrandt, 'Rembrandt F. 1651'.
Edition: A Nowell-Usticke Late State Iv Or Early State
V (Of Ix); Hind State Iv (Of Vi); Biörklund State
V (Of Vi); Boon & White State Iv Or V (Of Vi ), Printed
On A Fine Laid Paper. A Late 17th Or Early 18th Century
Impression.
Condition: Large And Wonderful Portrait, A Dark Impression
In Excellent Condition
Price: $20,000
Title: Rembrandt's
Mother in Widow's Dress and Black Gloves (B.344, H.91,
N.-U.344) Medium: Original Etching
Image size: 5 5/8" x 4 ½" (14.3 x 11.4
cm)
Sheet size: 6" x 4 ¾" (15.2 x 12.1 cm)
Framed size: 22" x 20.75" (55.88 x 52.71 cm)
Edition: A wonderful lifetime impression from the Nowell-Usticke
State I (of III), as evidenced by the etched thumb in
the upper left corner above the signature. This work is
accepted by some, including Nowell-Usticke, and not accepted
by Biörklund.
Illustrated: Bartsch 91. Hollstein 91.
Price: $9,500
Born in Leiden
- died in Amsterdam Rembrandt, the son of a miller and
a baker's daughter, was originally intended to become
a scholar. He went to Latin School and then enrolled at
the University of Leiden. After only a year he left to
become apprenticed from 1622 to 1624 to a mediocre Leiden
painter, Jacob van Swanenburgh. More important for his
artistic development, however, was the short period of
about six months that be spent training under Pieter Lastman
in Amsterdam. In 1625 he began a working association with
his friend Jan Lievens in Leiden, finally moving to Amsterdam
in 1631/32. In the history of Dutch painting this date
represents an important milestone, as Rembrandt was to
become the incomparable representative of Amsterdam art.
He soon established himself in Amsterdam, received many
commissions and opened a large workshop. In 1634 he married
Saskia, a lawyer's daughter, who brought a considerable
dowry into the marriage.
In 1639 he
bought a large house, never quite paid for, which he filled
with works of art and curios. Soon his passion for collecting
exceeded his finances. In 1642, the year he painted "The
Night Watch" Saskia died, and from 1649 he lived with
Hendrickje Stoffels whom he could not marry without losing
Saskia's legacy to their son Titus. In 1656 he went bankrupt,
and his house and all possessions were put up for compulsory
auction. Rembrandt spent his final years in poverty and
isolation in rooms on the outskirts of Amsterdam, his
powers of creation undiminished.
Rembrandt was
the most universal artist of his time and he influenced
painting for half a century, irrespective of schools or
regional style. From his many fields of activity his pupils
developed their own specialties, ranging from trompe l'oeil
painting to the very detailed Leiden style. Unlike most
Dutch painters of the time, who worked in fairly narrow
fields, Rembrandt depicted almost every type of subject.
Although Amsterdam's
leading portraitist for a decade ("Jan Six", Amsterdam,
Foundation Six), also doing group portraits (The Staalmeesters,"
he was a painter of numerous biblical scenes ("The
Sacrifice of Isacc," St. Petersburgh, Hermitage),
of the mythological works works ("Philemon and Baucis",
Washington, National Gallery) and landscapes ("Landscape
in Thunders Brunswik, Herzog-Utrich-Museum) as well at
life. In his work, branches of painting often overlapped,
as for example in the group portrait "The Night Watch,"
where he took liberties with a number of rules. Rembrandt's
fame rests on his continual development of pictorial devices
and unvarying excellence of execution (unlike the works
of Rubens, man which were left in part to workshop routine),
a well as on his brilliant handling of light and shade
and his ability to suggest states of mind through facial
expression.
Apart from
his greatness as a painter he was a powerful draughtsman
and etcher. About 300 of his etchings survive. In this
field he extended the technique and artistic possibilities,
for example introducing the chiaroscuro effect, raising
it to an art for in its own right. Amongst his approximately
15 drawings, the landscape scenes are particularly captivating
in their serenity and harmony despite the spontaneous
handling of line.
Our
inventory changes frequently. We are constantly being
offered new images which we do not have a chance to display
on our web site. Call now for current images, availability
and pricing!
We
offer you 25% - 50% off Gallery Retail Prices. Discount already reflected on
the current pricing.
Reproduction, including downloading of art works images is prohibited by copyright
laws and international conventions without the express written permission of
the copyright holder. All images on this site are copyrighted and may
not be reproduced or distributed in any way without express written permission
under penalty of law. The availability and price of all work illustrated and/or
listed on this site are subject to change without notice.
Rembrandt
Etchings | Rembrandt Lifetime Impression Drypoint Etchings | Albrecht Durer
Woodcut | Sir Anthony Van Dyck Etching | Rembrandt Original Art | Pieter Bruegel
The Elder Engraving | Heinrich Aldegrever Drawings | Pieter Brueghel Engravings
| Albrecht Altdorfer Woodcuts | Lucas Van Leyden Engravings | Durer Engravings
| Print | Albrecht Dürer Original Artwork | Adriaen Van Ostade Etchings | Rembrandt
Harmensz Van Rijn Etchings | Heinrich Aldegrever Dutch Old Master Prints | Barthel
Beham Engravings | Hans Sebald Beham Engraving | Old Masters | Signed
