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13470 Campus Drive Oakland, CA 94619
phone: 510-777-9970 or 800-805-7060 fax: 510-777-9972
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15% OFF ALL LIST PRICES ON ALL ARTWORK AND FREE SHIPPING
SALE ENDS MAY 8, 2008

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ARTIST: Pablo Picasso (1881-1973)
TITLE: Woman Lamp
MEDIUM: White earthenware clay with decoration in Engobes, Glaze inside, with Blue, Black and Grey.
HEIGHT: 13.5" (34.29 cm)
WIDEST WIDTH: 5" (12.7 cm)
SIGNATURE: This work contains guaranteed authentic 'D' Apres Picasso' and 'Madoura' Stamps on the bottom of the base.
EDITION: From the edition of only 100.
CONDITION: Delicate surface in wonderful condition with clear markings on the bottom.
PRICE: $16,500

DISCUSSION:
Spectacular design, technically complicated ceramic structure with exquisite coloration, this is a truly remarkable ceramic vase.

Created in 1955, this ceramic turned vase was created with white earthenware clay. Decoration in Engobes in blue, black and grey, with glaze inside. From the edition of only 100, this work contains guaranteed authentic 'D' Apres Picasso' and 'Madoura' Stamps on the bottom of the base. Delicate surface in wonderful condition with clear markings on the bottom.

Inspired by traditional utilitarian vase designs from the south of France, this ceramic vase has been reengineered to include a complicated circular handle interwoven into the neck of the vase. This sold construction circle handle merges two designs: a classic jug with a traditional vase. This type of ceramic constructions is a technical achievement because of the delicate balance elements necessary to allow the vase to stand upright, without leaning. Balance is perfectly achieved in this work, as the vase stands firmly on its own. The delicate color palate of blue, black and grey, gracefully contributes to the overall sense of harmony and balance within the work.

FREESTANDING VASE PLACEMENT:
A freestanding ceramic vase is best enjoyed in an environment where it is accessible from all sides. Pedestals are often an appropriate way to showcase larger ceramic pieces. In some instances collectors have chosen to encase the freestanding ceramic under traditional museum bonnets. Museum bonnets are transparent acrylic cubes constructed with one open side that can be placed over the ceramic as an added layer of protection from an unpredictable environment. If you are placing the ceramic in an area where it might be touched or disturbed, the museum bonnet is an excellent conservation solution that can be custom made to fit over your ceramic. If you would like more information please contact finepoints@masterworksfineart.com

DOCUMENTATION / COA: It is fully documented and referenced in (copies will be enclosed as added documentation with the invoices that I will enclose with the sale of the work):
1) Ramié, Alain. Picasso Catalogue of the edited ceramic works 1947-1971. 1988, listed as cat no 294 on pg. 152.

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© 2008 MASTERWORKS FINE ART INC.
phone: 510- 777- 9970
or 800- 805-7060 fax: 510-777-9972
Gallery
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13470 Campus Drive, Oakland, CA 94619

E-mail to MASTERWORKS FINE ART: alex@masterworksfineart.com

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