| |
|
13470 Campus Drive Oakland, CA 94619 phone: 510-777-9970 or 800-805-7060 fax: 510-777-9972 |
 
 |
ARTIST: Pablo Picasso (1881-1973)
TITLE: Face
MEDIUM: White earthenware clay with decoration in Engobes, Glaze inside, with
Red and Black.
HEIGHT: 11.75" (29.85 cm)
GREATEST WIDTH: 5.5" (13.97 cm)
SIGNATURE: This work contains guaranteed authentic 'Edition Picasso' and 'Madoura'
Stamps on the bottom of the base. Written onto the base is also the text, 'Edition
Picasso Madoura'.
EDITION: From the edition of 500
CONDITION: The delicate surface retains remarkable freshness with clear markings,
this work is in wonderful condition!
PRICE: $16,500
DISCUSSION:
Characterized by beautiful decoration with engobes, a delicate textural surface,
and well balanced tradition shape, this is a marvelous ceramic pitcher.
Created in 1955, this ceramic turned pitcher was created from white earthenware clay with decoration in engobes with red and black, and glaze inside. From the edition of 500, this work contains guaranteed authentic 'Edition Picasso' and 'Madoura' Stamps on the bottom of the base. Written onto the base is also the text, 'Edition Picasso Madoura'. The delicate surface retains remarkable freshness with clear markings, this work is in wonderful condition!
Decoration with engobes is the placement of liquid clay slips that can be used for more deeply saturated color and/or precise detailing. Engobes can be applied during the wet or dry period of the ceramic process. This is an especially difficult decorative process because the engobe clay compound must be precisely mixed in order to resist shriveling or cracking. The engobe decoration in this piece, most visible in the face, is exquisitely executed with flawless application. Engobes also attribute to the interesting texture of the surface, which has a raw and natural appearance. Presented on a traditional pitcher, the style from the southern Vallauris region of France, this work also reflects is geographical creative origins-combining to make this an extremely well designed and beautifully executed ceramic piece.
FREESTANDING VASE PLACEMENT:
A freestanding ceramic vase is best enjoyed in an environment where it is accessible
from all sides. Pedestals are often an appropriate way to showcase larger ceramic
pieces. In some instances collectors have chosen to encase the freestanding
ceramic under traditional museum bonnets. Museum bonnets are transparent acrylic
cubes constructed with one open side that can be placed over the ceramic as
an added layer of protection from an unpredictable environment. If you are placing
the ceramic in an area where it might be touched or disturbed, the museum bonnet
is an excellent conservation solution that can be custom made to fit over your
ceramic. If you would like more information please contact finepoints@masterworksfineart.com
DOCUMENTATION / COA: It is fully documented and referenced in (copies will be enclosed as added documentation with the invoices that I will enclose with the sale of the work):
1) Ramié, Alain. Picasso Catalogue of the edited ceramic works 1947-1971. 1988, listed as cat no 288 on pgs. 150.
inventory
list | search | about
us | links | contact
us |
home
glossary of terms | print
techniques | frequently asked questions | submit
© 2008 MASTERWORKS
FINE ART INC.
phone: 510- 777- 9970 or
800- 805-7060 fax: 510-777-9972
Gallery
Open by Appointment Only
13470 Campus Drive, Oakland, CA 94619
E-mail to MASTERWORKS
FINE ART: alex@masterworksfineart.com
We
offer you 25% - 50% off Gallery Retail Prices. Discount already reflected on
the current pricing.
Reproduction, including downloading of art works images is prohibited by copyright
laws and international conventions without the express written permission of
the copyright holder. All images on this site are copyrighted and may
not be reproduced or distributed in any way without express written permission
under penalty of law. The availability and price of all work illustrated and/or
listed on this site are subject to change without notice.
