Claude Monet Lithographs Paintings Drawings Signed Originals
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Claude Monet

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Claude Monet was a French Impressionist painter. He is regarded as the archetypal Impressionist in that his devotion to the ideals of the movement … [Read biography »]

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Monet, La Plage et la Falaise d'Amont, c. 1908
Title: La Plage et la Falaise d'Amont, c. 1908
Artist: Monet, Claude
Medium:
Color lithograph printed in orange Chine Applique on white wove paper
Image Size: 8 1/4 in x 7 1/2 in (21cm x 19.1 cm)
Framed Size: 31 in x 29 1/2 in (78.7 cm x 74.9 cm)
Signed: This work is hand-signed by Claude Monet (Paris, 1840 - Giverny, 1926) in pencil in the lower left; also hand-signed in pencil by George Thornley in the lower right.
Edition: Unique in coloration; printed by Belfond & Cie, Paris and marked by their blind stamp in the lower right.
Condition: This work is in excellent condition.
Gallery Price 
$80,000
Item# 3232
MFA SALE 50% Off: $40,000 
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This rare, hand signed work is exemplary of Monet's Impressionistic style, revealing his perceptions before nature, in this case, a scene of the seashore. The sienna orange color contributes a sense of warmth to this work, as we contemplate the peaceful scene before us.


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Gallery Price: This is a common gallery retail price
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Monet, La Côte Sauvage, c. 1908
Title: La Côte Sauvage, c. 1908
Artist: Monet, Claude
Medium:
Original Lithograph
Image Size: 8 1/4 in x 11 in (21 cm x 28 cm
Sheet Size: 22 1/2 in x 15 1/2 in (57.2 cm x 39.4 cm)
Framed Size: 35 1/4 in x 32 5/8 in (89.5 cm x 82.9 cm)
Signed: This work is hand-signed by Claude Monet (Paris, 1840 - Giverny, 1926) in pencil in the lower left hand side of the work; in addition the signature of the printer, G. W. Thornley appears in the lower right.
Edition: From an edition of only 25 proofs hand signed by both Claude Monet (Paris,1840 - Giverny, 1926) and G.W. Thornley (there was a further edition of 100 that were not signed by Monet but had a block stamp). This piece is also stamped with the publisher's blind stamp in the lower left and the printer's blind stamp in red ink in the lower right.
Condition: This work is in excellent condition, a fine dark impression with full margins.
Gallery Price:
Item# 3329
Sorry, this item is sold
 
Monet, Ravin de la petite creuse, c. 1892
Title: Ravin de la petite creuse, c. 1892
Artist: Monet, Claude
Medium:
Original Lithograph
Image Size: 11 5/8 in x 8 1/4 in (29.5 cm x 21 cm)
Sheet Size: 22 1/2 in x 15 3/4 in (57.2 cm x 40 cm)
Framed Size: 33 7/8 in x 30 1/2 in (86 cm x 77.5 cm)
Signed: This work is hand-signed by Claude Monet (Paris, 1840 - Giverny, 1926) in pencil in the lower left hand side of the work; in addition the signature of the printer, G. W. Thornley appears in the lower right.
Edition: From an edition of only 25 proofs hand signed by both Claude Monet (Paris,1840 - Giverny, 1926) and G.W. Thornley (there was a further edition of 100 that were not signed by Monet but had a block stamp). This piece is also stamped with the publisher's blind stamp in the lower left and the printer's blind stamp in red ink in the lower right; printed in greenish blue on grayish green Chine appliqu&e
Condition: This work is in excellent condition.
Gallery Price:
Item# 3309
Sorry, this item is sold
 
Monet, Bâteaux de pêche, Étretat, c. 1892
Title: Bâteaux de pêche, Étretat, c. 1892
Artist: Monet, Claude
Medium:
Original Lithograph
Image Size: 10 in x 7 1/4 in (25.4 cm x 18.4 cm)
Sheet Size: 22 1/2 in x 15 3/4 in (57.2 cm x 40 cm)
Framed Size: 33 7/8 in x 30 1/2 in (86 cm x 77.5 cm)
Signed: This work is hand-signed by Claude Monet (Paris, 1840 - Giverny, 1926) in pencil in the lower left hand side of the work; in addition the signature of the printer, G. W. Thornley appears in the lower right.
Edition: From an edition of only 25 proofs hand signed by both Claude Monet (Paris, 1840 - Giverny, 1926) and G.W. Thornley (there was a further edition of 100 that were not signed by Monet but had a block stamp). This piece is also stamped with the publisher's blind stamp in the right and the printer's blind stamp in red ink in the lower right; printed in reddish brown on cream Chine appliqué.
Condition: This work is in excellent condition, a fine dark impression with full margins.
Gallery Price:
Item# 3308
Sorry, this item is sold
 
Monet, Tempête à Belle-île, 1908
Title: Tempête à Belle-île, 1908
Artist: Monet, Claude
Medium:
Color lithograph on off-white India appliqué on cream wove paper.
Image Size: 9 9/16 in x 7 7/8 in (24.3 cm x 20 cm)
Sheet Size: 22 5/16 in x 15 11/16 in (56.7 cm x 39.8 cm)
Signed: This work is hand-signed by Claude Monet (1840-1926) in pencil in the lower left; also hand-signed in pencil by George Thorney in the lower right.
Edition: From the edition of 25; printed by Belfond & Cie, Paris and marked by their blind stamp in the lower right.
Condition: This work is excellent condition.
Gallery Price:
Item# 3101
Sorry, this item is sold

A Monet lithograph, drawing, or painting is a wonderful addition to your fine art collection. The iconic works of this French artist are some of the most famous of the Impressionist art movement. Claude Monet has been considered the forefather of Impressionism, whose influence is felt and recognized by all.

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Claude Monet biography

Claude MonetClaude Monet (1840 - 1926)

Claude Monet was a French Impressionist painter. He is regarded as the archetypal Impressionist in that his devotion to the ideals of the movement was unwavering throughout his long career, and it is fitting that one of his pictures-Impression: Sunrise (Musee Marmottan, Paris, 1872) gave the group its name. His youth was spent in Le Havre, where he first excelled as a caricaturist but was then converted to landscape painting by his early mentor Boudin, from whom he derived his firm predilection for painting out of doors: 'By the single example of this painter devoted to his art with such independence, my destiny as a painter opened out to me.'

In 1859 he studied in Paris at the Atelier Suisse and formed a friendship with Pissarro. After two years' military service in Algiers, he returned to Le Havre and met Jongkind, to whom he said he owed 'the definitive education of my eye'. He then, in 1862, entered the studio of Gleyre in Paris and there met Renoir, Sisley, and Bazille, with whom he was to form the nucleus of the Impressionist group. Monet's devotion to painting out of doors is illustrated by the famous story concerning one of his most ambitious early works, Women in the Garden (Musee d' Orsay, Paris, 1866-7). The picture is about 2.5 in. high and to enable him to paint all of it outside he had a trench dug in the garden so the canvas could be raised or lowered by pulleys to the height he required. Courbet visited him when he was working on it and said Monet would not paint even the leaves in the background unless the lighting conditions were exactly right.

During the Franco-Prussian War (1870-1) Claude Monet took refuge in England with Pissarro: he studied the work of Constable and Turner, painted the Thames and London parks, and met the dealer Durand-Ruel, who was to become one of the great champions of the Impressionists. From 1871 to 1878 he lived at Argenteuil, a village on the Seine near Paris, and here were painted some of the most joyous and famous works of the Impressionist movement, not only by Monet, but by his visitors Edouard Manet, Pierre-Auguste Renoir, and Sisley. In 1878 he moved to Vetheuil and in 1883 he settled at Giverny, also on the Seine, but about 40 miles from Paris.

After having experienced extreme poverty, Monet began to prosper. By 1890 he was successful enough to buy the house at Giverny he had previously rented and in 1892 he married his mistress, with whom he had begun an affair in 1876, three Years before the death of his first wife. From 1890 he concentrated on a series of pictures in which he painted the same subject at different times of the day in different lights - Haystacks or Grainstacks (1890-1) and Rouen Cathedral (1891-5) are the best known. He continued to travel widely, visiting London and Venice several times (and also Norway as a guest of Queen Christiana), but increasingly his attention was focused on the celebrated water-garden he created at Giverny, which served as the theme for the series of paintings on Waterlilies that began in 1899 and grew to dominate his work completely (in 1914 he had a special studio built in the grounds of his house so he could work on the huge canvases). In his final years he was troubled by failing eyesight, but he painted until the end, completing a great decorative scheme of water-lily paintings that he donated to the nation in the year of his death. They were installed in the Orangerie, Paris, in 1927. Monet was enormously prolific. Claude Monet lithographs, paintings and drawings are in many major galleries around the world. Read more about the differences between Monet and Manet.