Title: Croquis
À L'encre (Sketch In Ink), C. 1876
Medium: Unique, Original Pen & Ink Drawing On Paper
Image Size: 9 ¼" X 7 1/8" (23.5cm X 18.1cm)
Framed Size: 28 3/8" X 26 3/8" (72.09cm X 67cm)
Signature: Stamped With Artist's Monogram, 'Tl' In Red
In The Lower Left (Catalogued As Lugt No. 1338).
Edition: Unique, Original Drawing
Condition: The Work Remains In Fine Condition, With Clear
Image And Bold Lines. There Are Miscellaneous Pencil Notations
On The Reverse
Price: $20,000
Title: Croquis
(Sketch), C. 1881
Medium: Unique Original Pencil Drawing On Paper
Image Size: 6 ¾" X 4 ¼" (17.1cm
X 10.8cm)
Framed Size: 22 5/8" X 21 ¾" (57.48cm
X 55.25cm)
Signature: Stamped With Artist's Monogram, 'Tl' In Red
In The Lower Left.
Edition: Unique, Original Drawing
Condition: The Work Remains In Fine Condition, With Clear
Image And Bold Lines.
Price: $16,000
Title: Croquis
De Têtes (Sketch Of Heads), 1895
Medium: Unique Original Pencil Drawing On Paper (Double-Sided)
Image Size: 6 7/8" X 4 3/8" (17.48cm X 11.13cm)
Framed Size: 23 1/8" X 21" (58.75cm X 53.34cm)
Signature: Stamped With The Collector's Stamp 'T.N.H.T.L'
In The Lower Right Margin (Catalogued As Lugt No. 2449a)
Edition: Unique, Original Drawing
Condition: The Work Remains In Fine Condition, With Clear
Image And Bold Lines.
Price: $17,000
Title: Recherche:
Portrait Charge De Lamartaine (Research: Walking Portrait
Of Lamartaine), 1894
Medium: Unique Original Pencil Drawing On Paper
Image Size: 8 3/8" X 4 7/8" (21.3cm X 12.4cm)
Framed Size: 25" X 21 ½" (63.5cm X 54.61cm)
Signature: Stamped With Artist's Monogram, 'Tl' In Red
In The Lower Left (Catalogued As Lugt No. 1338).
Edition: Unique, Original Drawing
Condition: The Work Remains In Fine Condition, With Clear
Image And Bold Lines
Price: $17,000
Title: Sur
La Plage (On The Beach), C. 1880
Medium: Unique Original Pen & Ink Drawing On Paper
Image Size: 8 ¾" X 5 ½" (22.23cm
X 13.97cm)
Sheet Size: 8 5/8" X 5 3/8" (21.92cm X 13.67cm)
Framed Size: 25 ¼" X 22 ½" (64.14cm
X 57.15cm)
Edition: Unique, Original Drawing
Condition: The Work Remains In Good Condition.
Price: $18,000
Title: May
Milton, 1895
Medium: Original Color Lithograph
Image Size: 30 1/2" X 23 1/2" (77.5 X 59.1cm)
Framed Size: 48" X 41" (121.92cm X 104.14cm)
Signature: Artist's Monogram Stamp (Lugt 1338) In Black
Ink In The Lower Left With Added Date Of '95.'
Edition: According To Wittrock, This Is A State B (Of
C) Impression, Laid On Japon Paper. This Work Has Also
Been Featured In Various Public Exhibitions Including
The Kunsthalle In Bremen And The Milwaukee Museum Of Art.
Condition: Incredibly Bold, Vibrant Color Throughout Print
And In Good Condition.
Price: $25,000
Title: Le
Petit Trottin (The Little Errand-Girl), 1893
Medium: Original Brush Lithograph
Image Size: 10 7/8" X 7 3/8" (27.64cm X 18.75cm)
Sheet Size: 14.2" X 10.8" (36cm X 27.5cm)
Framed Size: 30 1/8" X 26 1/8" (76.53cm X 66.37cm)
Signature: Hand Signed By Henri Toulouse-Lautrec (1864
- 1901) In Pencil In The Lower Left Margin. Toulouse-Lautrec's
Monogram Stamp Also Printed In Black In The Lower Left
(Lugt 1338).
Edition: From The First Edition Of 1893 (Wittrock 82).
An Extremely Rare Print Out Of A Total Of 30 Impressions
Printed In Black On Mounted Wove Paper And Hand-Signed
By The Artist.
Condition: A Very Rich And Bold Impression; Good Condition SOLD
Title: Le
Tocsin (The Alarm Bell) Aka La Châtelaine (The Lady
Of The Manor), 1895
Medium: Original Color Lithograph
Image Size: 22.52" X 17.8" (57.2cm X 45.2cm)
Sheet Size: 28.35" X 21.57" (72cm X 54.8cm)
Framed Size: 39 ¼" X 33 ¾" (99.7cm
X 85.73cm)
Signature: Monogram Stamp And Date Is Engraved In The
Lower Left With Date, '95'.
Edition: From Wittrock's First State Of Three, Also Known
As A State A Impression Printed In Blue Before The Printed
Text On Wove Paper With Wide Margins; Uncommon.
Condition: In Good Condition.
Price: $17,000
Title: La
Loge au Mascaron Dore (Programme Pour le Missionnaire) (D. 16; W. 16; Adr.69) (1893)
Medium: Original Brush, Spatter, Crayon Lithograph with
Scraper
Image Size: 12" x 9.5" (30.5 x 24.1 cm)
Sheet Size: 12" x 9.5" (30.5 x 24.1 cm)
Framed Size: 30" x 27" (76.2 x 68.6 cm)
Edition: Wittrock first and only state, "from the
theatre programme edition.
Illustrated in: Adriani, plate 69. Delteil, plate 16.
Wittrock, plate 16.
Title: Mademoiselle
Lender Et Baron (1893) (D. 43; A. 46; W. 33; ADR.
48)
Medium: Lithograph printed in olive green
Image Size: 12 5/8 x 9 1/4 inches (321 x 235 mm)
Framed Size: 15 x 11 inches (381 x 279 mm)
Signature: Stamped With Artist's Monogram, 'Tl' In Red
In The Lower Left.
Edition: Numbered No. 9 and with the artist's red monogram
stamp (Lugt 1338), on wove paper, edition of 100
Condition: The Work Remains in Fine Condition.
Provenance: Estate of Robert Berger
Price: $10,000
Title: Bruant
Au Mirliton (Bruant At The Mirliton)
(D. 394; W. 10; Adr.57) (1893)
Medium: Crayon, Brush And Spatter Lithograph
Image Size: 31" X 22 5/8" (78.74cm X 57.48cm)
Framed Size: 48" X 39 ½" (121.92cm X
100.33cm)
Signature: Features Signature Stamp Of Toulouse-Lautrec
(1864-1901) In The Stone In The Lower Right.
Edition: From The Fourth State; Edition Size Unknown.
Condition: A Great Impression And In Good, Sound Condition;
Has Had Expert Conservation Of Minor Defects, The Work
Has Been Mounted To A Rag Backing Using Archival Adhesives
And Materials.
Illustrated in: Adriani, plate 57. Delteil, plate 394.
Wittrock, plate 10.
Price: $18,000
Title: Au
Pied De L'echafaud (On Foot, From L'echafaud) 1983
Medium: Original Crayon & Brush Lithograph
Image Size: 32.48" X 23.23" (82.5cm X 59cm)
Sheet Size: 32.48" X 23.62" (82.5cm X 60cm)
Framed Size: 48 ¼" X 38 ½" (122.56cm
X 97.79cm)
Signature: Toulouse-Lautrec's Monogram Stamp Printed In
Black In The Lower Left.
Edition: From Wittrock's Only State Of 1893 With The Republique
Française Inkstamp.
Condition: A Very Good Impression With Rich, Bold Color,
Trimmed Slightly Within The Image At The Bottom And Left.
Illustrated in: Adriani, plate 14. Delteil, plate 347.
Wittrock, plate p8.
Price: $18,500
Title: Au
Theatre Libre, Antoine Dans 'L'inquietude' (At The Free
Theatre, Antoine In 'Worrying') 1983
Medium: Original Crayon & Brush Lithograph
Image Size: 14.65" X 10.36" (37.2cm X 26.3cm)
Sheet Size: 14.96cm X 11.02" (38cm X 28cm)
Framed Size: 31 ¼" X 28 ¾" (79.38cm
X 73.03cm)
Signature: Toulouse-Lautrec's Red Monogram Stamp In The
Lower Left Of The Image In Addition To A Monogram Stamp
In Black In The Stone In The Lower Right.
Edition: From The 1st And Only State Of The Edition Of
100 Printed In 1894. Inscription In Pencil In The Lower
Left, Above The Red Monogram Stamp, '36' Appearing On
Only Some Of The Prints Out Of The Total Edition.
Condition: Lithograph Printed In Colors, 1893, The Second
(Final) State, Printed By Chaix, Paris, On Wove Paper,
Mounted On Wove And Linen-Backed, Lacking The Margins
At Left And Right, With A Central Vertical Fold And Four
Horizontal Folds, Breaking Through And Occasionally Touched-In,
The Upper And Lower Sheet Corners And Portions Of The
Left And Right Sheet Edge Made-Up, Additional Repaired
Tears In The Sheet, Framed
Illustrated in: Adriani, plate 56. Delteil, plate 51.
Wittrock, plate 41.
Price: $12,500
Title: À
L'opera: Madame Caron Dans Faust (At The Opera: Madame
Caron In Faust)
(D. 49; W. 39; Adr.54) (ca 1894)
Medium: Original Color Brush, Spatter And Crayon Lithograph
Image Size: 14 ¼" X 10 ¼" (36.2cm
X 26.04cm)
Sheet Size: 14 7/8" X 11" (37.8cm X 27.94cm)
Framed Size: 34 ¾" X 31 ¼" (88.27cm
X 79.38cm)
Signature: Toulouse-Lautrec's Signature Monogram Stamp
Is Featured In The Lower Right In Red And Is Also Engraved
In The Plate In The Lower Center.
Edition: Numbered 38 In Pencil Above The Red Signature
Stamp In The Lower Right; The Total Edition Was Of 100
Impressions.
Condition: An Excellent Impression. The Sheet Is In Overall
In Great, Sound Condition. There Are A Couple Of Minor
Waves In The Paper Along The Left Sheet Edges Not Affecting
The Image.
Price: $9,850
Title: Eros
Vanné (D. 81; W. 56; Adr.92) (1894)
Medium: Original Lithograph on Japan Paper
Image Size: 7 ¼" x 5 ½" (18.4
x 14 cm)
Framed Size: 29" x 25 ½" (73.7 x 64.5
cm)
Edition: From the Second New Edition after 1901, the figures
from previous editions are removed except for the heavily
beat-up Eros. Approximately 30 known impressions, only
10 on Japan paper
Signed: This work contains the Toulouse-Lautrec red monogram
stamp (Lugt 1338) in the lower right and is also initialed
‘TL’ in the plate in the lower right side of
the image
Illustrated in: Adriani, plate 92. Delteil, 81. Wittrock,
plate 56
Price: $10,500
Title: Portrait
d’un Homme (D. 276; W. 246; Adr.284) (1894)
Medium: Original Drypoint Etching on Japan Paper
Image Size: 6 ½” x 4 1/8” (16.5 x 10.5
cm)
Framed Size: 24 ¼” x 21 ¾” (61.6
x 55.3 cm)
Edition: From the First Edition of 1911, only 15 known
impressions.
Signed: This work contains the Toulouse-Lautrec red monogram
stamp (Lugt 1338) in the lower right and is also initialed
‘TL’ in the plate in the lower right side of
the image.
Illustrated in: Adriani, plate 284. Delteil, 276. Wittrock,
plate 246.
Price: $6,500
Title: Eros
Vanne (1894) (D. 74; A. 81; W. 56; ADR. 92)
Medium: Lithograph
Image Size: 11 3/8 x 8 5/8 inches (389 x 219 mm)
Framed Size: 19 3/4 x 12 3/4 inches (502 x 324 mm)
Edition: From the first new edition printed after 1901,
edition of approximately 45, published by Gustave Pellet,
Paris
Condition: The Work Remains in Fine Condition.
Provenance: Estate of Robert Berger
Price: $6,000
Toulouse-Lautrec,
Henri de (Henri-Marie-Raymond de Toulouse-Lautrec Monfa).
French painter, draughtsman and lithographer, born in
Albi and died in Malrome. The child of aristocratic parents,
he had a conventional boyhood, with plenty of riding and
shooting. A son of the wealthy and aristocratic Lautrec
family line, Toulouse suffered the effects of several
hundred years of inbreeding: he was genetic dwarf. Because
his dwarfism was due to insufficient genetic variety,
he was incapable of retaining nutrients, including calcium,
to strengthen bones, promote growth, and prevent fracture.
In 1878, and again in 1879, he broke his left leg and
right femur. He would never fully recover from this accident,
and while his torso continued to develop, his legs remained
stunted. In 1882, he enrolled in Bonnat's studio in Paris;
when Bonnat gave up teaching, he went on to work under
Cormon. In 1885 he settled in Montmartre, a raffish area
that satisfied his need to find a milieu in which his
physical appearance would be accepted without embarrassment
or attention. Montmartre also provided Lautrec with a
series of dubious women, from one of whom he contracted
the syphilis that contributed to his early death.
In 1888, Lautrec produced his first really independent,
mature work: The Cirque Fernando (Art Institute of Chicago),
which reveals such characteristic Impressionist devices
as the flattening of the picture space, the employment
of a rather unusual viewpoint, and the cutting of the
figures by the edge of the composition. Peculiar to Lautrec
himself, however, is an ingredient of caricature (in the
ringmaster, for example) and the use of bold, simplified,
non-naturalistic color. The painting already contains
most of the elements that Lautrec was to exploit in his
posters.
His first lithographic print, a poster for the Moulin
Rouge, dates from 1891; in the remaining ten years of
his life, he was to make nearly 400 prints in black and
white and in color, and produce thirty-one posters proper.
Lautrec was among the first and, in many respects, the
greatest of all poster designers. A man with a strong
theatrical sense, interested in individual personality
and fascinated by social extremes, he had the right kind
of flair, panache and an appropriate, often sardonic sense
of exaggeration.
The Divan Japonais or Jane Avril-Jardin de Paris combine
inventiveness and keen visual precision with a kind of
careless, cynical elegance in a way that is quite breath-taking.
Lautrec's influence on the development of the poster was
enormous. His first lithographic print, a poster for the
Moulin Rouge, dates from 1891; in the remaining ten years
of his life, he was to make nearly 400 prints in black
and white and in color, and produce thirty-one posters
proper. Lautrec was among the first and, in many respects,
the greatest of all poster designers.
Like Degas - but unlike most of the Impressionists -Lautrec
was not really interested in landscape; and the lighting
in his pictures is often most convincing and effective
when it is artificial. His favorite themes were the Parisian
dance halls, cabarets and circuses (notably the Moulin
Rouge and the Moulin de la Galette). And even life in
the brothels, where he spent a great deal of his time-as
an observer as well as a customer. His ordered and calculated
pictures of the calculating but disordered world of the
prostitute are neither lascivious nor coy; and in their
unglamorized. acceptance of the facts of real life, they
were to be influential in the history of twentieth century
art. The young Picasso, for example, was obviously influenced
by them.
Lautrec also painted relatively conventional nude studies,
and he incorporated in his work in various ways many of
the celebrities of the music-hall world: Jane Avril, 'La
Goulue', Valentin-le Desosse, Loie Fuller and Yvette Guilbert.
As the 1890s wore on, Lautrec's life became increasingly
dissipated; and the quantity and quality of his work began
to decline. In 1899 he suffered a complete physical and
mental breakdown, and was confined to a sanatorium. While
he was still an inmate he resumed work (partly to establish
his sanity), and on his release he began painting again.
His style, however, was now different. In the later works
(In a Private Room at the 'Rat Mort', 1899, London, Courtauld
Gallery), the coloring is more somber, the handling broader;
the emphasis has become painterly rather than linear.
His health broken, and worn out by his excesses, Lautrec
died in September 1901, surrounded by his family. The
contents of his studio were later presented to his native
town of Albi.
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