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ARTIST: Albrecht Dürer (1471-1528)
TITLE: The Witch (B.67, M.68, BB.68, Pan.174)
MEDIUM: Original Engraving
IMAGE SIZE: 4 ½" x 2 ¾" (11.43cm x 6.9cm)
FRAMED SIZE: 20 ½" x 18 ½" (52.07cm x 46.99cm)
SIGNATURE: The artist's monogrammed initials are engraved in the plate in the lower right.
EDITION: A Meder State I (b) impression
CONDITION: This piece is in good condition.
PRICE: $7,500

DISCUSSION:
The relationship between witches and goats dates back to the early centuries of witch mythology, especially within the Catalonian culture. Witches would often use goats as their companions and in this case, as a means of transport. Below this dramatic scene dance a series of cherubs scattered throughout the composition. The witch is portrayed atop the ram, holding a scepter in one hand and one of the ram's horns in the other.

Created in c. 1500, this work is a Meder State I (b) impression featuring the monogrammed initials of Albrecht Dürer (1471 - 1528) engraved in the plate in the lower right.

CATALOGUE RAISONNÉ & COA: It is fully documented and referenced in the below catalogue raisonnés and texts (copies will be enclosed as added documentation with the invoices that will accompany the final sale of the work):
1. Boon, Karel G. & Robert W. Scheller. The Graphic Art of Albrecht Dürer, Hans Dürer, and The Dürer School, Amsterdam, 1971. Listed and illustrated as catalogue raisonné no. 68 on pg. 62.
2. Holzschnitte & Holzschnittfolgen. Albrecht Dürer - Das Druckgraphische Werk, Band I, New York, 2002. Listed and illustrated as catalogue raisonné no. 28 on pgs. 86-7.
3. Meder, Joseph. Dürer-Katalog, Vienna, 1932. Listed as catalogue raisonné no. 68 on pg. 97.
4. Pawlak, Manfred, et. al. Albrecht Dürer, 1471 bis 1528. Listed and illustrated on pgs. 1949.
5. Strauss, Walter L., ed. The Intaglio Prints of Albrecht Dürer - Engravings, Etchings, and Drypoints, Abaris Books: NY, 1981. Listed and illustrated as catalogue raisonné no. 29 on pgs. 92-3.

ABOUT THE FRAMING:
Framed in museum-quality, archival materials, this work is set in an Italian style bronze and gold-leaf frame. The muted tones of the moulding compliment the black, outer frame and also highlights the tones and textures of the highly detailed etching. The Witch is completed with white, linen-wrapped mats and a matching gold inner fillet and finished behind an archival Plexiglas® cover.

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