Mary Cassatt Etchings & Drawings
Mary Cassatt captures the personal lives of women through her drawings and etchings. She especially concentrated on the bond between mother and chi… [Read biography »]
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| | Title: | The Party Dress, c. 1904 |
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| Artist: | Cassatt, Mary |
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| Medium: | Original drypoint etching on watermarked Vanderley laid paper |
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| Image Size: | 8 1/2 in x 5 3/4 in (21.3 cm x 14.6 cm) |
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| Sheet Size: | 14 in x 8 1/4 in (35.6 cm x 21 cm) |
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| Framed Size: | 27 3/4 in x 24 3/4 in (70.5 cm x 63 cm) |
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| Signed: | Hand-signed by Mary Cassatt (Pennsylvania, 1844 - Paris, 1926) in pencil in the lower right margin. |
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| Condition: | This work is in excellent condition, with deckle edges on all sides. |
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Gallery Price
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$40,000
Item# 3242
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50% Off: $20,000 |
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One of a small number of prints hand signed by Cassatt, this lovely work clearly depicts Cassatts masterful skill at portraiture. Conveying a beautiful girl in her party dress, Cassatt chooses to focus on the unique facial features of her subject, highlighting the individual nature of the girl's face rather than the clothing that she dons.
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| | Title: | Sara Smiling, c. 1904 |
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| Artist: | Cassatt, Mary |
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| Reference: | Breeskin 195 |
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| Medium: | Drypoint etching with hand coloring |
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| Image Size: | 9 3/16 in x 6 1/2 in (23.4 cm x 16.5 cm) |
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| Sheet Size: | 12 3/4 in x 10 1/8 in (32.4 cm x 25.7 cm) |
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| Framed Size: | 25 in x 23 |
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| Edition: | A late impression printed from the original plate, with additional hand coloring. |
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| Condition: | This work is in very good condition, with a pronounced plate mark and wide margins. |
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Super Price
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$3,000
Item# 3696
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Cassatt returns to a favored subject in this drypoint etching. From underneath her familiar blond curls, little Sara smiles at something unseen, looking very much a poster child for innocence.
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Gallery Price: This is a common gallery retail price Read more about our pricing |
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| | Title: | Margot Wearing a Bonnet (No. 1), c. 1902 |
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| Artist: | Cassatt, Mary |
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| Reference: | Br.179 |
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| Medium: | Original drypoint etching with hand coloring in watercolor |
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| Image Size: | 9 3/16 in x 6 1/2 in (23.4 cm x 16.5 cm) |
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| Sheet Size: | 12 3/4 in x 10 1/8 in (32.4 cm x 25.7 cm) |
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| Framed Size: | 31 1/8 in x 28 3/4 in (79 cm x 73 cm) |
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| Edition: | This work is presumably an early impression, from the only state. |
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| Condition: | This work is in excellent condition, a fine impression with traces of burr in the face and watercolor. | | Gallery Price: Item# 2830 | Sorry, this item is sold |
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| | Title: | Mère et enfant (Mother & Child) |
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| Artist: | Cassatt, Mary |
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| Reference: | Lugt 2665a |
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| Medium: | Pencil and color chalk drawing on light blue wove paper |
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| Image Size: | approx. 4 in x 4 in (10.2 cm x 10.2 cm) |
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| Sheet Size: | 7 in x 4 3/4 in (17.8 cm x 12 cm) |
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| Framed Size: | 22 3/4 in x 21 in (57.8 cm x 53.3 cm) |
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| Signed: | With the ‘COLLECTION | MARY CASSATT | MATHILDE X’ circular collector’s stamp in black ink in the lower right margin (Lugt 2665a) |
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| Condition: | This work is in excellent condition; mounted on mat board with minor surface abrasion at right sheet edge. Slight browning/staining at sheet edges. | | Gallery Price: Item# 2438 | Sorry, this item is sold |
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| | Title: | Denise Holding Her Child, c. 1905 |
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| Artist: | Cassatt, Mary |
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| Medium: | Original Cassatt Etching and Drypoint |
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| Image Size: | 8 1/4 in x 5 7/8 in (21 cm x 15 cm) |
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| Framed Size: | 24 3/4 in x 22 3/8 in (62.87 cm x 56.85 cm) |
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| Condition: | This work is in excellent condition | | Gallery Price: Item# 2109 | Sorry, this item is sold |
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| | Title: | Femme Tenant Son Enfant Sur Les Genoux (Mother Jeanne Holding Her Baby) |
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| Artist: | Cassatt, Mary |
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| Medium: | Cassatt drawing in a charcoal and warm graphite pencil on paper |
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| Image Size: | 11.74 in x 8.5 in (30 x 21.5 cm) |
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| Sheet Size: | 12.63 in x 9.38 in (32 x 23.9 cm) |
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| Framed Size: | 33.25 in x 29.5 in (84.46 cm x 74.93 cm) |
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| Signed: | Has the Marry Cassatt (Pennsylvania, 1844 - Paris, 1926) 'Mathilde X' collector's stamp in the lower right |
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| Edition: | Unique original |
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| Condition: | This work is in excellent condition. | | Gallery Price: Item# 1450 | Sorry, this item is sold |
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A signed Mary Cassatt drawing, etching, or lithograph offers an affectionate touch of maternity and the intimate relationship between mother and child.
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Mary Cassatt biography
Mary Cassatt (1845 - 1926)
Mary Cassatt captures the personal lives of women through her drawings and etchings. She especially concentrated on the bond between mother and child. Under the guidance of Impressionist artists, Cassatt's works became increasingly popular.
Mary Cassatt was born in Allegheny City (Pennsylvania) and died in Le Mesnil-Theribus (Oise). The daughter of a banker, she moved with her family to Paris in 1851. From 1853 to 1855 she lived at Heidelberg and Darmstadt. From 1861-1865 she studied at the Pennsylvania Academy of Fine Arts in Philadelphia, then in the studio of Charles Chaplin in Paris. In 1868 she exhibited for the first time at the Salon. While studying at the Academy Raimondi in Parma in 1871, she copied Correggio and Parmigianino and became an admirer of Velazquez and Rembrandt. In 1873 she traveled to Madrid, Seville, Belgium and the Netherlands, and made copies especially of Velazquez and Rubens, before finally settling in Paris. There she met Edgar Degas in 1877, who suggested her joining the Impressionists. Her work was greatly influenced by Degas and Renoir, taking as principal subject portraits of women and children. Cassatt took part in the IV to VI and again in the VIII Impressionist exhibition. Her own work was shown by Durand-Ruel in 1891. In 1898 she visited the United States, went to Italy and Spain in 1901, and for the last time to the United States in 1908. In 1910 she became a member of the National Academy of Design in New York. In 1914 she was awarded the gold medal of the Pennsylvanian Academy of Art. Cassatt gradually lost her sight and was compelled to give up painting. It was due to her efforts that French Impressionism became known and understood in America, and also thanks to her initiative that the Havemeyer collection, now at the New York Metropolitan Museum, came into being.