Arman
Armand Fernandez. French born sculptor who settled in New York in 1963 and became an American citizen in 1972. He was born in Nice and studied brie… [Read biography »]
Arman sculptures, hand-knotted tapestries, color screenprints, and beer cap hanging works all speak to a fascination with form, music & rhythm.
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| | Title: | Ali Baba, 2005 |
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| Artist: | Arman |
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| Medium: | Original relief sculpture of varnished iron mounted on wood multiple |
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| Image Size: | 51 1/4 in x 41 1/4 in x 2 1/4 in (130.2 cm x 104.8 cm x 5.7cm) |
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| Signed: | Hand signed by Fernandez Arman (1928 - 2005) in silver ink |
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| Edition: | Annotated 'EA I/IV' on the wood mount (aside from the edition of 8 and 2 hors commerce) |
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| Condition: | This work is in good condition. |
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Gallery Price
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$50,000
Item# 2785
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| | Title: | Untitled (Saxophone), 1984 |
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| Artist: | Arman |
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| Medium: | Original bronze sculpture with nickel plating |
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| Image Size: | DIMENSIONS: 30 x 19 x 8 in (76.2 x 48.3 x 20.3 cm) |
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| Signed: | Hand signed by Fernandez Arman (Nice, 128 - New York, 2005) along lower side of the sculpture. |
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| Edition: | Annotated E.A. (Epreuve d'Artiste or artist's proof) along the lower side of the sculpture. |
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| Condition: | This work is in pristine condition. |
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Gallery Price
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$35,000
Item# 3076
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Retaining a certain lightness of form, this stunning sculpture clearly exemplifies Arman's delicate touch when working with metal. Remarkably designed, this piece retains a sense of uniformity despite its disconnected appearance addressing the concept of unity amidst division.
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| | Title: | Komposition Med Penslar |
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| Artist: | Arman |
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| Medium: | Original monotype silkscreen on canvas |
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| Image Size: | 30 in x 22 7/16 in (76 cm x 57 cm) |
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| Framed Size: | 32 1/4 in x 24 1/2 in (81.9 cm x 62.2 cm) |
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| Signed: | Hand-signed by Fernandez Arman (Nice, 1928 New York, 2005) in brown ink in the lower right |
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| Condition: | This work is in excellent condition. |
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Gallery Price
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$25,000
Item# 3147
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Thinking outside of the box, Arman incorporates an unlikely pairing in this spectacular work: the violin and the paintbrush. The colorful paintbrushes tilt and turn, relaying a sense of frenetic motion, as if they are in the process of painting the violin.
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| | Title: | Tubes de Couleurs |
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| Artist: | Arman |
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| Medium: | Original wool, hand knotted tapestry |
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| Image Size: | 98 7/16 in x 70 15/16 in (250 cm x 180 cm) |
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| Framed Size: | 98 7/16 in x 70 15/16 in (250 cm x 180 cm) |
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| Signed: | Hand signed by Fernandez Arman (Nice, 1928 - New York, 2005) in blue ink on the label on the reverse; woven signature in black on verso. |
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| Edition: | Numbered 9/100 (from the edition of 100) in black marker on the label on the reverse; published by Art Surface, Paris. |
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| Condition: | This piece is in excellent condition. |
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Gallery Price
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$25,000
Item# 3132
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Exemplifying his ability to work in a variety of mediums, this original wool tapestry addresses a significant concept within Arman's work: the accumulation of vast quantities of the same object. In this striking work, he arranges colorful tubes of paint, playing with the idea of one medium upon an entirely different medium.
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| | Title: | Violin Coupé II - Hommage à Picasso, 2004 |
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| Artist: | Arman |
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| Medium: | Original bronze sculpture with brown and black patina |
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| Image Size: | 25 3/16 in x 8 1/3 in x 6 11/16 in (64 cm x 21 cm x 17 cm) |
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| Signed: | Hand signed by Fernandez Arman (Nice, 128 - New York, 2005) in gold on the base. |
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| Edition: | Etched into the side of the base, 'bocquel fd. 53/100' |
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| Condition: | This work is in pristine condition. |
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Gallery Price
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$25,000
Item# 3131
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Paying hommage to Picasso's abstract still life works that incorporate fractured, geometric pieces of the violin, Arman creates a stunning, nearly life-size sculpture of this beautiful instrument. Remarkable for its disjointed yet harmonious nature, this lovely work relays a sense of motion, as if the violin is dancing to the sound of its own music.
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| | Title: | Violin Coupé III - Violin Classique, 2005 |
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| Artist: | Arman |
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| Medium: | Original bronze sculpture with brown and black patina |
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| Image Size: | 24 1/16 in x 8 in x 6 11/16 in (61.2 cm x 20.2 cm x 17 cm |
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| Signed: | Hand signed by Fernandez Arman (Nice, 128 - New York, 2005) in gold on the base. |
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| Edition: | Etched into the side of the base, 'bocquel fd. 14/100' |
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| Condition: | This work is in pristine condition. |
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Gallery Price
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$25,000
Item# 3130
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This piece represents Arman's long held fascination with the violin, for the artist adeptly captures both the solidity of the instrument and the emotional range of the music which it produces. Fanning out in vertical divisions, this lovely work retains a sense of motion, as if mimicking the swaying motion required to play the violin.
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| | Title: | Double Châssis, 1994 |
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| Artist: | Arman |
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| Medium: | Bronze Sculpture |
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| Image Size: | 11.4 in x 7.9 in (29 cm x 20 cm) |
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| Signed: | Hand-signed and etched into the bronze base by Fernandez Arman (Nice, 1928 New York, 2005) |
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| Edition: | Etched into the side of the base, 'bocquel rd. 45/140' |
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| Condition: | This work is in pristine condition. |
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Gallery Price
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$15,000
Item# 2229
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Composed of disjointed saxophones divided and stacked in the fashion of a pyramid, this tower of music relays the impression of ordered chaos. This stunning work retains a sense of animation, as if we can almost imagine the soulful music produced by the subject of this glistening bronze sculpture.
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Arman biography
Arman (1928 - 2005)
Armand Fernandez. French born sculptor who settled in New York in 1963 and became an American citizen in 1972. He was born in Nice and studied briefly in Paris at the Ecole des Arts Decoratifs and the Ecole du Louvre. In 1957, with his friend Yves Klein, he decided to be known by his first name only, and the form 'Arman' was adopted in 1958 as the result of a printer's error on the cover of a catalogue. Like Klein, he was interested in Japanese culture, particularly Zen Buddhism, and (again like Klein) he worked for a time as a judo instructor. In the early 1960s Arman gained a reputation as one of the leading exponents of Nouveau Réalisme and he is best known for his assemblages of junk material. These range from modest collections of household debris (Accumulation of Sliced Teapots, Walker Art Center, Minneapolis, 1964) to a huge tower (about 20 meters high) of 60 automobiles embedded in cement (Long-Term Parking, Cartier Museum, jouy-en-josas, 1982).
Chilvers, Ian, Oxford Dictionary of 20th Century Art, Oxford, New York, Oxford University Press, 1998.