Signed original prints, drawings, paintings, and sculptures for sale
fine art home > BUY ORIGINALS > JOAN MIRO > Etching Aquatint

Joan Miro, Bethsabée, 1972


Signed Joan Miro, Etching Aquatint, Bethsabée, 1972

Miro Etching Aquatint Signed, Bethsabée, 1972

Place your cursor over the thumbnails below to view the full-size image:

Miro Etching Aquatint Signed, Bethsabée, 1972 (thumbnail 1) Miro Etching Aquatint Signed, Bethsabée, 1972 (thumbnail 2) Miro Etching Aquatint Signed, Bethsabée, 1972 (thumbnail 3) Miro Etching Aquatint Signed, Bethsabée, 1972 (thumbnail 4)

Click each room to better visualize its scale and beauty in different contexts.:



Miro Etching Aquatint Signed, Bethsabée, 1972 (thumbnail room-view)
Miro Etching Aquatint Signed, Bethsabée, 1972 (thumbnail room-view)
Miro Etching Aquatint Signed, Bethsabée, 1972 (thumbnail room-view)
Miro Etching Aquatint Signed, Bethsabée, 1972 (thumbnail room-view)
Miro Etching Aquatint Signed, Bethsabée, 1972 (thumbnail room-view)
Miro Etching Aquatint Signed, Bethsabée, 1972 (thumbnail room-view)
Artist: Miro, Joan (1893 - 1983)
Title: Bethsabée, 1972
Reference: Dupin 556
Medium:
Color Etching and Aquatint
Image Size: 26 1/2 in x 21 in (67.3 x 53.3 cm)
Sheet Size: 40 in x 25 in (101.6 x 63.5 cm)
Framed Size: approx. 49 1/2 in x 40 1/2 in (125 cm x 102.9 cm)
Signed: This work is hand-signed by Joan Miró (1893-1983) in pencil in the lower right margin.
Edition: Numbered from the edition 50 in the lower left margin.
Condition: This work is in excellent condition
Gallery Price 
$25,000
Item# 4092
Questions? Submit Best Offer Purchase Now

Read more about our pricing
Gallery Price: This is a common gallery retail price
Read more about our pricing
 

Request Invitation:

We have openings for a few new members each day. Members receive exclusive offers on our entire inventory.

Historical Description:
Depicting a bold and colorful image with a variety of textural qualities, this work captures the viewer's attention through the use of dark saturated hues in strong contrast with the bright white background. Intensely executed with painterly strokes of color, the abstract quality of the image leaves the subject up to the viewer's imagination. A bold dark black figure occupies the central area in this work, with an interior of deep red washes. The accents of gold across the middle, green in the lower left, and blue in the upper middle of the figure, attach to the dark figure like ornamental details. A splatter of grey in the upper right adds texture and tone, which contrasts with the remaining imagery of the piece-giving the work a sense of controlled chaos.

Created in 1972, this color etching and aquatint was published by Maeght éditeur Paris and printed by Morsang, Paris. Signed by Miró in pencil in the lower right.

DOCUMENTED AND ILLUSTRATED IN:
1) Dupin, Jacques, Miró Engraver, Vol. II, 1989, image listed as cat no 556 on pg
197.

About the Framing:
Conservation framed with archival materials and museum quality, this work is set in an ornate gold leaf frame. The sculptural elements of the moulding compliment the lyrical and loose linear quality of this piece. The bright tone of the framing accentuates the vibrant hues in the image. Completed with cream silk wrapped mattes and a matching gold inner fillet, this work is set behind an archival Plexiglas cover.

Style: Surrealism, 20th Century Modern Surrealist Spanish Master
 

About Us: Masterworks Fine Art strives to be the best source of fine art for our clients and collectors all over the world. We believe the most direct way to accomplish this is by establishing a lifetime of personal and professional relationships with our clients. More About Us »

Do you own a similar Miro to sell? We offer free evaluations.

Biography of Joan Miro

Joan MiroJoan Miro (1893 - 1983)

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.

Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.

Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹

Historical Joan Miró exhibitions

¹ Lives and Treasures Taken. Library of Congress.

Miro Etching Aquatint Signed, Bethsabée, 1972
Miro Etching Aquatint Signed, Bethsabée, 1972
Miro Etching Aquatint Signed, Bethsabée, 1972
Miro Etching Aquatint Signed, Bethsabée, 1972
Miro Etching Aquatint Signed, Bethsabée, 1972
Miro Etching Aquatint Signed, Bethsabée, 1972
Miro Etching Aquatint Signed, Bethsabée, 1972
Miro Etching Aquatint Signed, Bethsabée, 1972
Miro Etching Aquatint Signed, Bethsabée, 1972
Miro Etching Aquatint Signed, Bethsabée, 1972
Miro Etching Aquatint Signed, Bethsabée, 1972