Print Page
Email to FriendSigned Pablo Picasso, Etching Aquatint, Mother and Child, 1929  |
Place your cursor over the thumbnails below to view the full-size image:
Click each room to better visualize its scale and beauty in different contexts.:
| Artist: | Picasso, Pablo (1881 - 1973) |
|---|---|
| Title: | Mother and Child, 1929 |
| Reference: | Zervos 370 |
| Medium: | Original Color Etching and Aquatint with Roulette |
| Image Size: | 22 1/4 in x 18 1/4 in (56.5 cm x 46.4 cm) |
| Sheet Size: | 30 7/10 in x 25 1/5 in (78 cm x 64 cm) |
| Framed Size: | 45 in x 41 1/5 in (114.3 cm x 104.6 cm) |
| Signed: | This work is hand signed by Pablo Picasso (Malaga, 1881 - Mougins, 1973) in pencil in the lower right margin. |
| Edition: | This work is annotated 'Epreuve d'artiste' in pencil in the lower margin; aside from the numbered edition of 100. |
| Gallery Price: Item# 4061 | Sorry, this item is sold |
| Historical Description: | |
|---|---|
In this rare work, Picasso returns to the image of mother and child, a recurring theme in his long career. The quiet profile of the woman holding her son becomes a visual metaphor for the strength and certitude of the maternal bond. Drawn with confident lines, this double portrait feels more like an allegory than a portrait of a particular family unit. Picasso portrays the idea of motherhood. The solid form of the woman's body fills the frame while the gesture of her right hand draws the eye to her child. Leaning towards each other, the pair are engaged only with each other - their bond creates an inner world to which only they have access. Their love is not exclusionary. Just as the child reaches for his mother's hand, the viewer is pulled. It was the birth of Picasso's son Paulo to his wife - the Russian ballerina Olga Khokhlova - in 1921 that sparked an artistic exploration of motherhood lasting the length of his career. Created after an original work by Picasso, this rare color etching and aquatint with roulette is annotated 'Epreuve d'artiste' (artist's proof) in the lower margin; it exists aside from the numbered edition of 100. The work is hand-signed by Pablo Picasso (Malaga, 1881 - Mougins, 1973) in pencil in the lower right, and has only come on the market a few times in the past ten years. Catalogue Raisonné & COA: A Certificate of Authenticity will accompany this work. About the Framing: Framed to archival museum grade conservation standards, this piece is presented in a complementary moulding with silk-wrapped mats and optical-grade Plexiglas. | |
| Style: | Cubism, Blue Period, Rose Period, 20th Century Spanish Modern Master, Madoura ceramics of Vallauris, Vollard |
About Us: Masterworks Fine Art strives to be the best source of fine art for our clients and collectors all over the world. We believe the most direct way to accomplish this is by establishing a lifetime of personal and professional relationships with our clients. More About Us »
Do you own a similar Picasso to sell? We offer free evaluations.
Biography of Pablo Picasso
Pablo Picasso (1881 - 1973)
"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.
"He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.
"Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland's Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso's features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man's Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).
"The Rose Period began around 1904 when Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery's large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.
"In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein.
Picasso enjoyed creating his art on many media. From paintings to etchings to ceramics, all of his works are a testament to his skills. There are even Picasso prints that are worth more than unique original works.
