Signed original prints, drawings, paintings, and sculptures for sale
fine art home > BUY ORIGINALS > JOAN MIRO > Lithograph

Joan Miro, Oda à Joan Miró, Plate 9, 1973


Signed Joan Miro, Lithograph, Oda à Joan Miró, Plate 9, 1973

Miro Lithograph Signed, Oda à Joan Miró, Plate 9, 1973

Place your cursor over the thumbnails below to view the full-size image:

Miro Lithograph Signed, Oda à Joan Miró, Plate 9, 1973 (thumbnail 1)
Artist: Miro, Joan (1893 - 1983)
Title: Oda à Joan Miró, Plate 9, 1973
Reference: M. 911
Medium:
Original Color Lithograph on Guarro paper
Image Size: 34 1/2 in x 24 in (87.6 cm x 61 cm)
Sheet Size: 34 1/2 in x 24 in (87.6 cm x 61 cm)
Framed Size: Approx. 45 in x 35 in (114.3 cm x 88.9 cm)
Signed: This work is hand-signed by Joan Miró (Barcelona, 1893 - Palma, 1983) in pencil in the lower right.
Edition: Annotated 'H.C.' in pencil in the lower left margin; one of 10 H.C. copies; aside from the numbered edition of 75.
Condition: This work is in excellent condition with bold and rich colors.
Gallery Price:
Item# 4060
Sorry, this item is sold. Please visit the rest of our Miro fine art collection
Historical Description:

Using his intuitive skill and revisiting familiar characteristics from his other works, this piece contains playful elements with some slightly daunting undertones. In usual Miró style, unsure what this creature could possibly be, we are left to guess by inspecting the various attributes of its form. A large figure eight makes up the figure's head, with a vibrant red eye, and strange linear appendages covered in a rich green background, creating the body of the whimsical creature. Surrounding this playful creature are delicate black stars and a subtle color burst of purple. The integration of ethereal color spots with the bold black lines creates a dynamic and unique artwork that captivates our attention and inspires our imagination.

Created in 1973, this original color lithograph is hand-signed by Joan Miró (Barcelona, 1893 - Palma, 1983) in pencil in the lower right. Annotated 'H.C.' in pencil in the lower left margin, this work is one of 10 H.C. copies; aside from the numbered edition of 75. Printed on Guarro paper by La Poligrafa, Barcelona, this work was published by Edicions Poligrafa, Barcelona.

Catalogue Raisonné & COA:
It is fully documented and referenced in (copies will be enclosed as added documentation with the invoices that I will enclose with the sale of the work):

1. Cramer, Patrick, Joan Miró, Lithographs, Vol V. 1972-1975, 1992, listed as cat no 911 on pg 48.

2. Cramer, Patrick, Joan Miro The Illustrated Books: Catalogue Raisonne, listed as cat. no. 175 on pages 430-431.

3. A Certificate of Authenticity will accompany this work.

About the Framing:
This work is framed to museum-grade, conservation standards, presented in a complimentary moulding and finished with silk-wrapped mats and optical grade Plexiglas.

Style: Surrealism, 20th Century Modern Surrealist Spanish Master

About Us: Masterworks Fine Art strives to be the best source of fine art for our clients and collectors all over the world. We believe the most direct way to accomplish this is by establishing a lifetime of personal and professional relationships with our clients. More About Us »

Do you own a similar Miro to sell? We offer free evaluations.

Biography of Joan Miro

Joan MiroJoan Miro (1893 - 1983)

Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.

In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.

Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.

Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.

Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹

Historical Joan Miró exhibitions

¹ Lives and Treasures Taken. Library of Congress.