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Email to FriendSigned Andy Warhol, Screenprint, Dracula from Myths Series, 1981  |
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| Artist: | Warhol, Andy (1928 - 1987) |
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| Title: | Dracula from Myths Series, 1981 |
| Reference: | FS II.264 |
| Medium: | Original screenprint on Lenox Museum Board |
| Image Size: | 38 x 38 in (96.5 x 96.5 cm) |
| Sheet Size: | 38 x 38 in (96.5 x 96.5 cm) |
| Framed Size: | approx. 48 x 48 in (121.9 x 121.9 cm) |
| Signed: | Hand-signed by Andy Warhol (Pennsylvania, 1928 - New York, 1987) in pencil in lower right. |
| Edition: | Numbered from the edition of 200; aside from 30 Artisit's Proofs, 5 Printer's Proofs, 5 Exhibition Proofs; Printed by Rupert Jasen Smith, New York;Published by Ronald Feldman Fine Arts Inc, New York. |
| Condition: | This screenprint is in excellent condition, with bright and vivid colors. |
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Super Price
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Item# 3519
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Created after his 1974 film Blood for Dracula as part of his Myths series, this print exemplifies Warhol's extraordinary fascination with Bram Stoker's haunting character. Appropriately conveyed in dark hues that hint at the black of night, Dracula faces us head-on, fangs bared as if preparing to feed his hunger. |
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| Historical Description: | |
The enduring popularity of Bram Stoker's Dracula is undeniable; traveling from generation to generation with slight revisions along the way, Dracula remains a haunting mythological figure shrouded in mystery. Warhol's print captures Dracula in a more menacing pose, as he faces the viewer head-on, fangs bared as if ready to feed his hunger. Warhol's use of dark hues of black and grey are appropriate for his subject, as Dracula cannot reveal himself in light but only in the shroud of darkness. Only a few lines of neon pink delineate Dracula's form, which is clearly apparent to the viewer despite the dark nature of the print. While clearly fascinated with every aspect of popular culture, Warhol appears to have a special fascination for the character of Dracula to the extent that he created a film Blood for Dracula (1974) prior to his Myths series of prints.
1. Feldman, Frayda and Jörg Schellmann, A Catalogue Raisonne, 4th ed. Listed as catalogue raisonné no. II.264 on pp. 122-123. ABOUT THE FRAMING: | |
| Style: | multiples, screen printing, paintings, drawings |
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Biography of Andy Warhol
Andy Warhol (1928 - 1987)
The American artist and filmmaker Andy Warhol was born Andrew Warhola in 1928. There has for years been quite a bit of confusion to where and when Andy Warhol was born, but according to Andy's two older brothers and the birth certificate that was filed in Pittsburgh in 1945, he was born on August 6th in Pittsburgh. Whether or not this is the day he was born hasn't been proved, but it was on this date he would celebrate his birthday. However, there is no doubt that he died at 6:31 A.M. on Sunday, February 22nd, 1987, at the New York Hospital after a gallbladder operation. He is considered a founder and major figure of the POP ART movement. A graduate of the Carnegie Institute of Technology in 1949, he moved to New York City and gained success as a commercial artist. He got his first break in August 1949, when Glamour Magazine wanted him to illustrate a feature entitled "Success is a Job in New York". But by accident the credit read "Drawings by Andy Warhol" and that's how Andy dropped the "a" in his last name. He continued doing ads and illustrations and by 1955 he was the most successful and imitated commercial artist in New York. In 1960 he produced the first of his paintings depicting enlarged comic strip images - such as Popeye and Superman - initially for use in a window display.
Warhol pioneered the development of the process whereby an enlarged photographic image is transferred to a silk screen that is then placed on a canvas and inked from the back. Each Warhol silkscreen used this technique that enabled him to produce the series of mass-media images - repetitive, yet with slight variations - that he began in 1962. These iconic Andy Warhol prints, incorporating such items as Campbell's Soup cans, dollar bills, Coca-Cola bottles, and the faces of celebrities, can be taken as comments on the banality, harshness, and ambiguity of American culture.
Later in the 1960s, Warhol made a series of experimental films dealing with such ideas as time, boredom, and repetition; they include Sleep (1963), Empire (1964), and The Chelsea Girls (1966). In 1965 he started working with a rockband called "The Velvet Underground" formed by Lou Reed and John Cale. Andy introduced them to the model and moviestar Nico and she sang on their debut album from 1967 "The Velvet Underground and Nico". Andy would travel around the country, not only with The Velvets, but also with superstar of the year Edie Sedgwick and the lightshow "The Exploding Plastic Inevitable".
On June 3rd, 1968, Valerie Solanis, a rejected superstar, came into The Factory and shot Andy three times in the chest. He was rushed to hospital where he was pronounced dead, but after having his chest cut up and been given heart massage, he survived. Valerie Solanis turned herself in that night and was put in a mental institution. She was later given a three year prison sentence. After recovering Andy Warhol continued to work. He founded inter/VIEW magazine in 1969 (they changed the name to Interview in 1971), published The Philosophy of Andy Warhol: From A to B and Back Again in 1975 and continued to paint portraits until his death in 1987.
If you enjoy Andy Warhol prints, you may also be interested in contemporary Calder lithographs.
