Chagall Lithograph | Le repas chez Dryas (The Meal at Dryas's House) from Daphnis & Chloe,1961 (Sold)
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Chagall, Marc, Le repas chez Dryas (The Meal at Dryas's House) from Daphnis & Chloe,1961


Marc Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas's House) from Daphnis & Chloe,1961

Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961

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Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961 (thumbnail room-view)
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961 (thumbnail room-view)
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961 (thumbnail room-view)
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961 (thumbnail room-view)
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961 (thumbnail room-view)
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961 (thumbnail room-view)
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961 (thumbnail room-view)
Artist: Chagall, Marc (1887 - 1985)
Title: Le repas chez Dryas (The Meal at Dryas's House) from Daphnis & Chloe,1961
Medium:
Original Color Lithograph
Image Size: 25 1/4 in x 16 1/2 in (64.1 cm x 41.9 cm)
Sheet Size: 30 1/8 x 21 1/4 in (76.5 x 54 cm)
Framed Size: 46 1/2 in x 38 1/2 in (118.1 cm x 97.8 cm)
Edition: Numbered 55/60 in pencil in the lower left margin and printed on Arches wove paper by Mourlot Frères, Paris.
Condition: This work is in excellent condition, the colors are bold and fresh.
Gallery Price:
Item# 3414
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Historical Description:
Created between 1957 and 1960, the series Daphnis & Chloe is regarded as the most important of Chagall's graphic works due to the number and size of the publication. The series of 42 original color lithographs was pulled on Arches wove paper and signed in pencil by Marc Chagall (Vitebsk, 1887 - Saint-Paul, 1985) in the lower right margin and numbered out of an edition of 60. Printed by Mourlot Frères, Paris.

Creating a high sense of drama, Chagall manipulates the coloration of the image by employing a dominate shade of grey in order to enhance the vibrancy of the blue, yellow, green and purple used within the image. The overlap of colors is spectacular, everywhere it appears to be a darker shade, there are actually other colors that come through.
The following is an excerpt from this famed romantic tale of Daphnis & Chloe: "Dryas and his family were busy round the table. One of the sheep-dogs grabbed some meat and fled through the door. Dryas dashed off in pursuit. In the course of this pursuit he saw Daphnis. He flung his arms around Daphnis and led him indoors. When they (Daphnis and Chloé) saw one another they very nearly sank to the ground; but managing to stay upright they wished one another good morning and kissed each other. Thus Daphnis got more that he had hoped for - not only a glimpse of Chloé but a kiss as well. He sat close to the fire and unloaded the wood-pigeons and blackbirds, and described how he had gone to catch birds. They praised him for being so energetic and invited him to dinner" (Galerie Michael, 2007, Daphnis & Chloé).


DOCUMENTED AND ILLUSTRATED IN:
1. Cramer, P. (1995). Marc Chagall, The Illustrated Books: Catalogue Raisonné. Patrick Cramer, Publisher: Geneva. Book is listed and illustrated as catalogue raisonné no. 46 on pgs. 154-163.
2. Marc Chagall, The Lithographs: La Collection Sorlier. Gauss, U. (Ed.). Listed and illustrated as catalogue raisonné no. 334 on pg. 164 and detailed on pg. 139.
3. Mourlot, F. (1963). The Lithographs of Chagall, 1957 - 1962. André Sauret, Editeur: Monte Carlo. Listed and illustrated as catalogue raisonné no. 334 on pg. 152 and detailed on pg. 131.


PROVENANCE: Merrill Chase Gallery

ABOUT THE FRAMING:
Framed to archival museum grade conservation standards, this work is framed in a complementary gold moulding with silk mats and optical grade Plexiglas.

Style: 20th Century Modern Master, Lovers, French and Russian

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  • Chagall, Vision de Paris, 1952
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  • Chagall, Le Bouquet blanc (The White Bouquet), 1969
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  • Chagall, Sirène au poète (Siren with Poet) from Nice & the Côte  d'Azur, 1967
  • Chagall, Le soir d'été (The Summer Evening), 1968
  • Chagall, Les Amoureux de la Tour Eiffel (The Eiffel Tower Lovers), 1960
  • Chagall, Femme de Cirque (Circus Woman), c. 1960
  • Chagall, Roses et Mimosa (Roses and Mimosa) from Nice & the Côte d’Azur, 1967
  • Chagall, The Bouquet, 1955
  • Chagall, Femme au Bouquet (Woman with Bouquet) from Nice and the Côte d'Azur, 1967
  • Chagall, Sirène et poisson (Sirene & Fish) from Nice & the Côte d'Azur, 1967
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  • Chagall, Les Coquelicots (Red Poppies), 1949
  • Chagall, Corbeille de fruits et ananas (Basket of Fruit and Pineapples), 1964
  • Chagall, Avenue De La Victoire At Nice, Plate VI from "Nice et la Côte d'Azur"
  • Chagall, Le Bouquet Bleu (The Blue Bouquet), 1974
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Biography of Marc Chagall

Marc ChagallMarc Chagall (1887 - 1985)

Marc Chagall was born July 7, 1887, in Vitebsk, Russia. From 1907 to 1910, he studied in Saint Petersburg, at the Imperial Society for the Protection of the Arts and later with Léon Bakst. In 1910, he moved to Paris, where he associated with Guillaume Apollinaire and Robert Delaunay and encountered Fauvism and Cubism. He participated in the Salon des Indépendants and the Salon d'Automne in 1912. His first solo show was held in 1914 at Der Sturm gallery in Berlin.

Chagall visited Russia in 1914, and was prevented from returning to Paris by the outbreak of war. He settled in Vitebsk, where he was appointed Commissar for Art in 1918. He founded the Vitebsk Popular Art School and directed it until disagreements with the Suprematists resulted in his resignation in 1920. He moved to Moscow and executed his first stage designs for the State Jewish Chamber Theater there. After a sojourn in Berlin, Chagall returned to Paris in 1923 and met Ambroise Vollard. His first retrospective took place in 1924 at the Galerie Barbazanges-Hodebert, Paris. During the 1930s, he traveled to Palestine, the Netherlands, Spain, Poland, and Italy. In 1933, the Kunsthalle Basel held a major retrospective of his work.

During World War II, Chagall fled to the United States. The Museum of Modern Art, New York, gave him a retrospective in 1946. He settled permanently in France in 1948 and exhibited in Paris, Amsterdam, and London. During 1951, he visited Israel and executed his first sculptures. The following year, the artist traveled in Greece and Italy. During the 1960s, Chagall continued to travel widely, often in association with large-scale commissions he received. Among these were windows for the synagogue of the Hadassah-Hebrew University Medical Center, Jerusalem, installed in 1962; a ceiling for the Paris Opéra, installed in 1964; a window for the United Nations building, New York, installed in 1964; murals for the Metropolitan Opera House, New York, installed in 1967; and windows for the cathedral in Metz, France, installed in 1968. An exhibition of the artist's work from 1967 to 1977 was held at the Musée du Louvre, Paris, in 1977-78, and a major retrospective was held at the Philadelphia Museum of Art in 1985. During his lifetime he also created popular lithographs, such as Maternity. Chagall died March 28, 1985, in Saint-Paul-de-Vence, France.

"When Matisse dies," Pablo Picasso remarked, "Chagall will be the only painter left who understands what color really is." Picasso claimed he was not a fan of the "flying violins and all the folklore, but his canvases are really painted, not just thrown together." He followed up by saying, "There's never been anybody since Renoir who has the feeling for light that Chagall has."

The Haggerty Museum describes The Bible Chagall prints as showing "Chagall's fluid forms, dreamlike sense of space and unique style. In his choice of subject matter, Chagall reveals his reading of the Old Testament in its moments of triumph, sorrow, and prophecy."

Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961
Chagall, Lithograph, Le repas chez Dryas (The Meal at Dryas\'s House) from Daphnis & Chloe,1961