Chagall, Marc, Femme au Bouquet (Woman with Bouquet) from Nice and the Côte d'Azur, 1967
|
|
|
Print Page
Email to FriendSigned Marc Chagall, Lithograph, Femme au Bouquet (Woman with Bouquet) from Nice and the Côte d'Azur, 1967  |
Place your cursor over the thumbnails below to view the full-size image:
Click each room to better visualize its scale and beauty in different contexts.:
| Artist: | Chagall, Marc (1887 - 1985), After |
|---|---|
| Title: | Femme au Bouquet (Woman with Bouquet) from Nice and the Côte d'Azur, 1967 |
| Reference: | CS 37 |
| Medium: | Original color lithograph on Arches wove paper |
| Image Size: | 24 3/4 in x 18 1/4 in (62.9 cm x 46.4 cm) |
| Sheet Size: | 26 3/4 in x 19 1/2 in (67.9 cm x 49.5 cm) |
| Framed Size: | 40 in x 32 in (101.6 cm x 81.3 cm) |
| Signed: | Hand signed by Marc Chagall (1887 - 1985) in pencil in the lower right margin |
| Edition: | Numbered 78/150 in pencil in the lower left margin (aside from an edition of 75 proofs signed and numbered in Roman numerals). Also inscribed in the stone in the lower right: 'Marc Chagall PINX.' and 'CH. SORLIER SCULP.' in the lower left. |
| Condition: | This piece is in excellent condition with bold, bright and vibrant colors throughout |
| Gallery Price: Item# 3253 | Sorry, this item is sold. Please visit the rest of our Chagall fine art collection |
| Historical Description: | |
|---|---|
| Beautifully inundated with a brilliant, orange glow, Femme au Bouquet could be
considered one of the richest of the Nice and the Côte d'Azur series. The
incredibly complex and varied color compositions explode from the work, while
the bright greens of the bouquet contrast nicely with the oranges and reds. We
feel the warmth and vibrance that seems to radiate from the piece that evokes
the Mediterranean sun and sentiment that Chagall sought to capture. The bouquet
is highly detailed, full, and robust and central to the composition, while the
woman is shown in profile along the right.
This piece is part of a set of 12 lithographs titled and the Côte d'Azur that were created in collaboration between Chagall and Charles Sorlier and run in 1967, of which there were 235 total. This work is numbered 78/150 in pencil in the lower left margin and printed on Arches wove paper (aside from an edition of 75 proofs signed and numbered in Roman numerals). Hand signed by Marc Chagall (1887 - 1985) in pencil in the lower right margin. Also inscribed in the stone in the lower right: 'Marc Chagall PINX.' and 'CH. SORLIER SCULP.' in the lower left. Ink stamp on the reverse in the lower right reads: MARC CHAGALL | FEMME AU BOUQUET | gouache sur papier | reproduite en lithographie | Ch. Sorlier, graveur - Mourlot. Imp. DOCUMENTED AND ILLUSTRATED IN: About the Framing: | |
| Style: | 20th Century Modern Master, Lovers, French and Russian |
About Us: Masterworks Fine Art strives to be the best source of fine art for our clients and collectors all over the world. We believe the most direct way to accomplish this is by establishing a lifetime of personal and professional relationships with our clients. More About Us »
Do you own a similar Chagall to sell? We offer free evaluations.
Biography of Marc Chagall
Marc Chagall (1887 - 1985)
Marc Chagall was born July 7, 1887, in Vitebsk, Russia. From 1907 to 1910, he studied in Saint Petersburg, at the Imperial Society for the Protection of the Arts and later with Léon Bakst. In 1910, he moved to Paris, where he associated with Guillaume Apollinaire and Robert Delaunay and encountered Fauvism and Cubism. He participated in the Salon des Indépendants and the Salon d'Automne in 1912. His first solo show was held in 1914 at Der Sturm gallery in Berlin.
Chagall visited Russia in 1914, and was prevented from returning to Paris by the outbreak of war. He settled in Vitebsk, where he was appointed Commissar for Art in 1918. He founded the Vitebsk Popular Art School and directed it until disagreements with the Suprematists resulted in his resignation in 1920. He moved to Moscow and executed his first stage designs for the State Jewish Chamber Theater there. After a sojourn in Berlin, Chagall returned to Paris in 1923 and met Ambroise Vollard. His first retrospective took place in 1924 at the Galerie Barbazanges-Hodebert, Paris. During the 1930s, he traveled to Palestine, the Netherlands, Spain, Poland, and Italy. In 1933, the Kunsthalle Basel held a major retrospective of his work.
During World War II, Chagall fled to the United States. The Museum of Modern Art, New York, gave him a retrospective in 1946. He settled permanently in France in 1948 and exhibited in Paris, Amsterdam, and London. During 1951, he visited Israel and executed his first sculptures. The following year, the artist traveled in Greece and Italy. During the 1960s, Chagall continued to travel widely, often in association with large-scale commissions he received. Among these were windows for the synagogue of the Hadassah-Hebrew University Medical Center, Jerusalem, installed in 1962; a ceiling for the Paris Opéra, installed in 1964; a window for the United Nations building, New York, installed in 1964; murals for the Metropolitan Opera House, New York, installed in 1967; and windows for the cathedral in Metz, France, installed in 1968. An exhibition of the artist's work from 1967 to 1977 was held at the Musée du Louvre, Paris, in 1977-78, and a major retrospective was held at the Philadelphia Museum of Art in 1985. During his lifetime he also created popular lithographs, such as Maternity. Chagall died March 28, 1985, in Saint-Paul-de-Vence, France.
"When Matisse dies," Pablo Picasso remarked, "Chagall will be the only painter left who understands what color really is." Picasso claimed he was not a fan of the "flying violins and all the folklore, but his canvases are really painted, not just thrown together." He followed up by saying, "There's never been anybody since Renoir who has the feeling for light that Chagall has."
The Haggerty Museum describes The Bible Chagall prints as showing "Chagall's fluid forms, dreamlike sense of space and unique style. In his choice of subject matter, Chagall reveals his reading of the Old Testament in its moments of triumph, sorrow, and prophecy."
