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Email to FriendSigned Pablo Picasso, Ceramic, Picador, 1959  |
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| Artist: | Picasso, Pablo (1881 - 1973) |
|---|---|
| Title: | Picador, 1959 |
| Reference: | AR. 418 |
| Medium: | Original ceramic round dish of white earthenware clay |
| Image Size: | DIAMETER: 16 1/2 in(42cm) |
| Framed Size: | 30 in x 30 in (76.2 cm x 76.2 cm) |
| Signed: | Inscribed stamps on the underside of the dish 'EMPREINTE ORIGINALE DE PICASSO' and 'MADOURA PLEIN FEU' |
| Edition: | Numbered from the edition of 50 on the underside of the dish (from the total edition of 50). |
| Condition: | This work is in excellent condition. |
| Gallery Price: Item# 3010 | Sorry, this item is sold. Please visit the rest of our Picasso fine art collection |
| Historical Description: | |
|---|---|
| Utilizing a bold color palette, Picasso depicts a picador engaged in battle.
Against a background of yellow, blue, black, and white, a picador goes in for
the kill. The bull charges forward from the right as the picador's horse rears
up on the left. The center of the composition, highlighted in yellow, depicts
the climactic point in this battle scene in which the picador's spear appears
to have struck the bull's neck. Picasso does not use clean cut, sharp lines
to convey this animated scene but rather dotted ones that contribute to the
overall sense of chaos and action. The swirling, colorful strokes in the background
appear somewhat foreboding as they envelope the central figures, as one anticipates
victory and the other prepares to die.
Created in 1959, this original ceramic round dish of white earthenware clay is decorated in engobes (yellow, blue, brown/russet, and black) under partial brushed glaze with beige patina. This work is stamped 'EMPREINTE ORIGINALE DE PICASSO' and 'MADOURA PLEIN FEU' and numbered from the total edition of 100 on the underside of the dish (from the total edition of 50). DOCUMENTED AND ILLUSTRATED IN: ABOUT THE FRAMING: Museum-grade conservation framed in a complementary moulding with silk mats. | |
| Style: | Cubism, Blue Period, Rose Period, 20th Century Spanish Modern Master, Madoura ceramics of Vallauris, Vollard |
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Biography of Pablo Picasso
Pablo Picasso (1881 - 1973)
"Yet Cubism and Modern art weren't either scientific or intellectual; they were visual and came from the eye and mind of one of the greatest geniuses in art history. Pablo Picasso, born in Spain, was a child prodigy who was recognized as such by his art-teacher father, who ably led him along. The small Museo de Picasso in Barcelona is devoted primarily to his early works, which include strikingly realistic renderings of casts of ancient sculpture.
"He was a rebel from the start and, as a teenager, began to frequent the Barcelona cafes where intellectuals gathered. He soon went to Paris, the capital of art, and soaked up the works of Manet, Gustave Courbet, and Toulouse-Lautrec, whose sketchy style impressed him greatly. Then it was back to Spain, a return to France, and again back to Spain - all in the years 1899 to 1904.
"Before he struck upon Cubism, Picasso went through a prodigious number of styles - realism, caricature, the Blue Period, and the Rose Period. The Blue Period dates from 1901 to 1904 and is characterized by a predominantly blue palette and subjects focusing on outcasts, beggars, and prostitutes. This was when he also produced his first sculptures. The most poignant work of the style is in Cleveland's Museum of Art, La Vie (1903), which was created in memory of a great childhood friend, the Spanish poet Casagemas, who had committed suicide. The painting started as a self-portrait, but Picasso's features became those of his lost friend. The composition is stilted, the space compressed, the gestures stiff, and the tones predominantly blue. Another outstanding Blue Period work, of 1903, is in the Metropolitan, The Blind Man's Meal. Yet another example, perhaps the most lyrical and mysterious ever, is in the Toledo Museum of Art, the haunting Woman with a Crow (1903).
"The Rose Period began around 1904 when Picasso's palette brightened, the paintings dominated by pinks and beiges, light blues, and roses. His subjects are saltimbanques (circus people), harlequins, and clowns, all of whom seem to be mute and strangely inactive. One of the premier works of this period is in Washington, D.C., the National Gallery's large and extremely beautiful Family of Saltimbanques dating to 1905, which portrays a group of circus workers who appear alienated and incapable of communicating with each other, set in a one-dimensional space.
"In 1905, Picasso went briefly to Holland, and on his return to Paris, his works took on a classical aura with large male and fernale figures seen frontally or in distinct profile, almost like early Greek art. One of the best of these of 1906 is in the Albright-Knox Gallery in Buffalo, NY, La Toilette. Several pieces in this new style were purchased by Gertrude (the art patron and writer) and her brother, Leo Stein.
Picasso enjoyed creating his art on many media. From paintings to etchings to ceramics, all of his works are a testament to his skills. There are even Picasso prints that are worth more than unique original works.
