Print Page
Email to FriendGeorges Rouault, Etching Aquatint, Pecheur (Fisherman) from Passion, 1936  |
Place your cursor over the thumbnails below to view the full-size image:
Click each room to better visualize its scale and beauty in different contexts.:
| Artist: | Rouault, Georges (1871 - 1958) |
|---|---|
| Title: | Pecheur (Fisherman) from Passion, 1936 |
| Medium: | Original Color Etching and Aquatint |
| Image Size: | 12 1/2 in x 8 1/2 in (31.8 cm x 21.6 cm) |
| Sheet Size: | 17 3/8 in x 13 1/4 in (44.1 cm x 33.7 cm) |
| Framed Size: | 22 3/8 in x 18 1/8 in (56.8 cm x 46 cm) |
| Signed: | Hand-signed by Georges-Rouault in bluish black ink in the lower right margin; signed and dated in the plate 'GR 1935' in black in the lower left of the image. |
| Edition: | Rare, ink-signed progressive proof in black and grey printed on watermarked "verge de Montval" heavy cream colored laid paper; it is our belief that this proof accompanied the edition of 40 black ink impressions (from the total edition of 2 |
| Condition: | This work is in excellent condition, a rich impression with full margins. |
|
Gallery Price
|
Item# 2945
|
| MFA SALE | 50% Off: $3,750 |
|
A rare ink signed progressive proof, this striking work highlights Roualt's tendency to overemphasize the often unusual personalities of his subjects. This fisherman is an intriguing subject as we take in his slightly forlorn face, his cutoff jeans, the sway of his body, and his disproportionately long arms. |
|
|
Read more about our pricing |
|
|
Gallery Price: This is a common gallery retail price Read more about our pricing |
|
|
Request Invitation: We have openings for a few new members each day. Members receive exclusive offers on our entire inventory. |
|
| Historical Description: | |
| Designed in Rouault's signature style of bold black contour lines, this work
depicts a fisherman holding his catch of the day. The fisherman shifts his hips
to the viewer's left and gazes right as his curiously long arm reaches up, perhaps
to hang the fish on a hook. Rouault does not create a distinct environment but
rather places his subject against a background of vertical pillars. The subject
is illuminated in white and pops out against the darker background, inviting
the viewer to take in the details of his composition: his slightly forlorn face,
his cutoff jeans, the sway of his body, and his disproportionately long arms.
Created in 1936, this original color etching and aquatint was printed on watermarked "verge de Montval" cream colored laid paper. One of seventeen aquatints for André Suarès book of poems Passion. This work was printed by Roger Lacouriere, Paris and published by Ambroise Vollard. Signed in the plate with the artist's monogram, 'GR 1935' in black in the lower left side of the image and hand-signed by Georges Rouault (1871-1958) in bluish black ink in the lower right margin. This work is a rare, ink-signed progressive proof in black and grey; it is our belief that this proof accompanied the edition of 40 black ink impressions (from the total edition of 270).
About the Framing: | |
About Us: Masterworks Fine Art strives to be the best source of fine art for our clients and collectors all over the world. We believe the most direct way to accomplish this is by establishing a lifetime of personal and professional relationships with our clients. More About Us »
![Rouault, Aide-Bourreau (Portant un des Bois de la Croix) [The Helper Carrying One of the Boards of the Cross] from Passion, 1936](/inventory/rouault/prev_rouault2941.jpg)
Do you own a similar Rouault to sell? We offer free evaluations.
Biography of Georges Rouault
French expressionist and religious painter. Georges Rouault was the son of a cabinetmaker. Trained as a maker of stained-glass windows (1885-90) before studying at the School of Fine Arts in Paris where he was encouraged to develop his talent (1891-98). After his conversion to Roman Catholicism in 1895 he concentrated on Biblical themes in his paintings, etchings and lithographs. In 1905 he exhibited with the Fauves (Matisse, etc) but wasn't influenced by them. Instead he came under the broader expressionist school which dealt with intensely felt human emotions (Chaim Soutine, Edvard Munch, etc). Georges Rouault also painted scenes from the street, prostitutes, judges and tragic clowns as well as some still lifes. His style was basically melancholy, portraying the tragedy of the human condition, but with hope in Jesus.
