Joan Miro, Barcelona, 1973
|
|
Signed Joan Miro, Etching Aquatint Carborundum, Barcelona, 1973 ![]() |
Click each room to better visualize its scale and beauty in different contexts.:
| Artist: | Miro, Joan (1893 - 1983) |
|---|---|
| Title: | Barcelona, 1973 |
| Reference: | D. 604 |
| Medium: | Color Etching and Aquatint with Carborundum |
| Image Size: | 66 15/16 in x 27 1/2 in (170 cm x 70 cm) |
| Framed Size: | 82 1/2 in x 43 3/16 in (209.6 cm x 109.7 cm) |
| Signed: | This work is hand-signed by Joan Miró (1893-1983) in pencil in the lower right. |
| Edition: | Numbered from the edition of 50 in pencil in the lower left with a hand-written dedication in pencil in the lower right. |
| Condition: | This work is in excellent condition with bold texture from the carborundum. |
| Gallery Price: Item# 2908 | Sorry, this item is sold. Please visit the rest of our Miro fine art collection |
| Historical Description: | |
|---|---|
| Depicting a bold and colorful image with a variety of textural qualities, this
large work captures the viewer's attention through the use of vibrant saturated
hues in strong contrast with black and white. Miró once more encourages
the viewer to use his or her imagination to discover meaning and form within
his work. Bold black lines delineate what appears to be an elongated face in
profile. The viewer can perhaps make out the mouth, nose, and ears of this face,
but the form appears androgynous in nature, devoid of any distinct characteristics.
The thick, black lines used to delineate the central figure contrast strongly
with the patches of vibrant colors scattered throughout the composition. Miró
strategically places these bits of color in between, within, and underneath
the black outlines of this figure, as if the colors are frolicking amidst the
composition while still allowing for a cohesive whole. The use of carborundum
adds a textural element to this work, creating a sense of depth by raising the
surface and appearing as if streaks of colorless paint were splashed across
the paper.
Created in 1973, this color etching and aquatint with carborundum was published by Sala Gaspar, Barcelona and printed by J.J. Torralba, Barcelona on Guarro paper. Signed by Joan Miró in pencil in the lower right, this work is numbered from the edition of 50 in pencil in the lower left with a hand-written dedication in pencil in the lower right.
About the Framing: | |
| Style: | Surrealism, 20th Century Modern Surrealist Spanish Master |
About Us: Masterworks Fine Art strives to be the best source of fine art for our clients and collectors all over the world. We believe the most direct way to accomplish this is by establishing a lifetime of personal and professional relationships with our clients. More About Us »
Do you own a similar Miro to sell? We offer free evaluations.
Biography of Joan Miro
Joan Miro (1893 - 1983)
Joan Miró Ferra was born April 20, 1893, in Barcelona. At the age of 14, he went to business school in Barcelona and also attended La Lonja’s Escuela Superior de Artes Industriales y Bellas Artes in the same city. Upon completing three years of art studies, he took a position as a clerk. After suffering a nervous breakdown, he abandoned business and resumed his art studies, attending Francesc Galí’s Escola d’Art in Barcelona from 1912 to 1915. Miró received early encouragement from the dealer José Dalmau, who gave him his first solo show at his gallery in Barcelona in 1918. In 1917, he met Francis Picabia.
In 1920, Miró made his first trip to Paris, where he met Pablo Picasso. From this time, Miró divided his time between Paris and Montroig, Spain. In Paris, he associated with the poets Max Jacob, Pierre Reverdy, and Tristan Tzara and participated in Dada activities. Dalmau organized Miró’s first solo show in Paris, at the Galerie la Licorne in 1921. His work was included in the Salon d’Automne of 1923. In 1924, Miró joined the Surrealist group. His solo show at the Galerie Pierre, Paris, in 1925 was a major Surrealist event; Miró was included in the first Surrealist exhibition at the Galerie Pierre that same year. He visited the Netherlands in 1928 and began a series of paintings inspired by Dutch masters. This year he also executed his first papiers collés and collages. In 1929, he started his experiments in lithography. Miro's first etchings date from 1933. During the early 1930s, he made Surrealist sculptures incorporating painted stones and found objects. In 1936, Miró left Spain because of the civil war; he returned in 1941. Also in 1936, Miró was included in the exhibitions Cubism and Abstract Art and Fantastic Art, Dada, Surrealism at the Museum of Modern Art, New York. The following year, he was commissioned to create a monumental work for the Paris World’s Fair.
Miró’s first major museum retrospective was held at the Museum of Modern Art, New York, in 1941. That year, Miró began working in ceramics with Josep Lloréns y Artigas and started to concentrate on prints; from 1954 to 1958, he worked almost exclusively in Miro prints and ceramics. He received the Grand Prize for Graphic Work at the Venice Biennale in 1954, and his work was included in the first Documenta exhibition in Kassel the following year. In 1958, he was given a Guggenheim International Award for murals for the UNESCO building in Paris. The following year, he resumed painting, initiating a series of mural-sized canvases. During the 1960s, he began to work intensively in sculpture. Miró retrospectives took place at the Musée National d’Art Moderne, Paris, in 1962, and the Grand Palais, Paris, in 1974. He also worked with carborundum around this time. In 1978, the Musée National d’Art Moderne exhibited over 500 works in a major retrospective of Miro original drawings. Joan Miro died December 25, 1983, in Palma de Mallorca, Spain.
Joan Miro prints and unique original works are commonly seen in museums and art galleries in USA and Europe.
Joan Miró created a large wool and hemp tapestry titled "The World Trade Center Tapestry" that adorned the lobby of 2 World Trade Center. It was destroyed by the collapse of the tower on September 11, 2001. ¹
¹ Lives and Treasures Taken. Library of Congress.












Print Page
Email to Friend

























































